rowid,Object Number,Is Highlight,Is Public Domain,Object ID,Department,Object Name,Title,Culture,Period,Dynasty,Reign,Portfolio,Artist Role,Artist Prefix,Artist Display Name,Artist Display Bio,Artist Suffix,Artist Alpha Sort,Artist Nationality,Artist Begin Date,Artist End Date,Object Date,Object Begin Date,Object End Date,Medium,Dimensions,Credit Line,Geography Type,City,State,County,Country,Region,Subregion,Locale,Locus,Excavation,River,Classification,Rights and Reproduction,Link Resource,Metadata Date,Repository 457739,60.627.7,0,0,773281,11,731,Title page of 'Views of Gardens' (Vedute de' Giardini),,,,,3011,740,,Callisto Ferranti|Johann Wilhelm Baur,"Italian, active Rome, 1626–47|German, Strasbourg ca. 1600–1640 Vienna",,58717,,1600 |1600 ,1700 |1640 ,1636,1636,1636,26137,Sheet (Trimmed): 3 7/8 × 4 7/8 in. (9.8 × 12.4 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/773281,4/23/2018 8:00:01 AM,1 449208,55.590.6,0,0,752062,11,13858,Ideal Cityscape or 'True Representation of the Capitoline Hill in Antiquity' (Vera Antiqui Capitoli Descriptio). Right Sheet of a Three-part View.,,,,,,5872,Formerly published by|Formerly published by|Formerly published by|Formerly published by,"Antonio Lafreri|Antonio Salamanca|Hendrick van Schoel|Anonymous, Italian, 16th century|Claudio Duchetti|Giovanni Orlandi","French, Orgelet, Franche-Comte ca. 1512–1577 Rome|Salamanca 1478–1562 Rome|Flemish, active Rome, ca. 1565–1622|Italian, active Venice and Rome, ca. 1565–died ca. 1585|Italian, active Rome, then Naples, from ca. 1590–1613, died 1640",,57424,,1507 |1478 |1500 |1500 |1565 |1590 ,1577 |1562 |1600 |1600 |1585 |1640 ,1602,1602,1602,62789,Sheet: 16 9/16 × 11 1/4 in. (42.1 × 28.6 cm) [cut within plate mark],"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1955",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/752062,4/23/2018 8:00:01 AM,1 432003,41.97.347,0,0,717314,11,731,"Jurisprudence, flanked by Fortitude and Temperance; after the fresco by Raphael in the Stanza della Segnatura",,,,,,853,After|Intermediary draughtsman,Raphael Morghen|Raphael (Raffaello Sanzio or Santi)|Stephano Tofanelli|Giovanni Volpato,"Italian, Naples 1758–1833 Florence|Italian, Urbino 1483–1520 Rome|Italian, 1752–1812|Italian, Bassano 1732–1803 Rome",,55090,,1758 |1483 |1752 |1732 ,1833 |1520 |1812 |1803 ,1781,1781,1781,29129,"Sheet: 18 7/8 in. × 31 in. (48 × 78.8 cm) Plate: 17 5/16 × 29 3/4 in. (43.9 × 75.5 cm)","Gift of Harry Shaw Newman, 1941",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/717314,4/23/2018 8:00:01 AM,1 431583,41.97.360,0,0,716668,11,731,The council of the Gods on Olympus,,,,,,1298,After|Intermediary draughtsman,Agapito Franzetti|Raphael (Raffaello Sanzio or Santi)|Antonio Ricciani|Domenico del Frate,"Italian, active Rome, last quarter 18th century–first quarter 19th century|Italian, Urbino 1483–1520 Rome|Italian, Rome 1775/76–1847 Naples|Italian, Lucca 1765–1821 Rome",,55036,,1750 |1483 |1775 |1765 ,1850 |1520 |1847 |1821 ,ca. 1800–20,1795,1825,7208,"Sheet: 24 5/16 × 33 1/8 in. (61.7 × 84.1 cm) Plate: 17 5/8 × 27 3/4 in. (44.7 × 70.5 cm)","Gift of Harry Shaw Newman, 1941",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/716668,4/23/2018 8:00:01 AM,1 430794,24.57.80,0,0,715569,11,731,Portrait of General Francesco di Moncada on horseback,,,,,,53,After|Intermediary draughtsman,Anthony van Dyck|Raphael Morghen|Stephano Tofanelli,"Flemish, Antwerp 1599–1641 London|Italian, Naples 1758–1833 Florence|Italian, 1752–1812",,54935,,1599 |1758 |1752 ,1641 |1833 |1812 ,1793,1793,1793,7208,"Sheet: 29 13/16 × 22 11/16 in. (75.7 × 57.7 cm) Plate: 25 11/16 × 18 1/16 in. (65.3 × 45.9 cm)","Gift of Carl J. Ulmann, 1924",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/715569,4/23/2018 8:00:01 AM,1 430682,28.22.35,0,0,715342,11,731,"The hunt of Diana, who stands at center with nymphs at her left",,,,,,878,After,Giovanni Volpato|Domenichino (Domenico Zampieri)|Raphael Morghen,"Italian, Bassano 1732–1803 Rome|Italian, Bologna 1581–1641 Naples|Italian, Naples 1758–1833 Florence",,54922,,1732 |1581 |1758 ,1803 |1641 |1833 ,1784,1784,1784,7208,,"Harris Brisbane Dick Fund, 1928",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/715342,4/23/2018 8:00:01 AM,1 429480,62.602.641,0,0,712702,11,731,Battle scene depicting the victory of Alexander over Darius,,,,,,878,After,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini)|Pietro Aquila,"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,54778,,1627 |1596 |1650 ,1691 |1669 |1700 ,ca. 1650–92,1645,1697,26137,17 5/8 × 34 15/16 in. (44.8 × 88.7 cm),"Rogers Fund, 1962",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/712702,4/23/2018 8:00:01 AM,1 429153,49.116.78,0,1,712269,11,731,The tomb of Pope Clement XIII Rezzonico in the Vatican,,,,,,53,Intermediary draughtsman|After,Stephano Tofanelli|Raphael Morghen|Antonio Canova,"Italian, 1752–1812|Italian, Naples 1758–1833 Florence|Italian, Possagno 1757–1822 Venice",,54735,,1752 |1758 |1757 ,1812 |1833 |1822 ,ca. 1790,1785,1795,7208,"Plate: 29 3/4 × 18 7/8 in. (75.5 × 47.9 cm) Sheet: 31 11/16 × 22 7/16 in. (80.5 × 57 cm)","Gift of Mrs. John H. Wright, 1946",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/712269,4/23/2018 8:00:01 AM,1 423771,59.600.270,0,1,702954,11,13856,"Catafalque for Pope Clement X; central structure at the top of a fifteen step platform, with columns surmounted by candelabra at each of the four corners",,,,,,867,After,Giovanni Battista Falda|Giovanni Giacomo De Rossi|Giovanni Battista de' Rossi,"Italian, Valduggia 1643–1678 Rome|Italian, Rome 1627–1691 Rome|Italian, active Rome, ca. 1601–1678",,54078,,1643 |1627 |1600 ,1678 |1691 |1678 ,1676,1676,1676,26137,Sheet (Trimmed): 17 3/16 × 12 13/16 in. (43.6 × 32.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959",,571,,,,,,,,,,687,,http://www.metmuseum.org/art/collection/search/702954,4/23/2018 8:00:01 AM,1 422130,ND3365.G7 B74 2009a Q,1,0,699928,20,,Breviario Grimani : ms. Lat. I 99=2138 della Biblioteca nazionale marciana di Venezia,,,,,,5339,,Carlo Bertoncello Brotto|Enrico Malato|Biblioteca Nazionale Marciana|Salerno Editrice,,,53790,,,,2009,2009,2009,,831 leaves of plates : col. ill. ; Height: 11 13/16 in. (30 cm),Gift of Friends of the Thomas J. Watson Library.,,571,,,14,,,,,,,,,http://www.metmuseum.org/art/collection/search/699928,4/23/2018 8:00:01 AM,1 421717,21.36.12(1-55),0,0,698575,11,97,"'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis', after Raphael",,,,,,853,After,Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Cesare Fantetti|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome",,53694,,1483 |1650 |1660 |1627 ,1520 |1700 |1675 |1691 ,1675,1675,1675,26137,13 9/16 × 18 7/8 × 13/16 in. (34.5 × 47.9 × 2 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698575,4/23/2018 8:00:01 AM,1 421713,21.36.12(54),0,0,698571,11,97,"The prophet Isaiah seated, holding a scroll; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,867,After,Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi),"Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome",,53651,,1660 |1627 |1483 ,1675 |1691 |1520 ,1675,1675,1675,26137,Plate: 12 5/16 × 8 15/16 in. (31.2 × 22.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698571,4/23/2018 8:00:01 AM,1 421710,21.36.12(53),0,0,698568,11,97,Plate 52: The last supper; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Pietro Aquila,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,53692,,1627 |1483 |1650 ,1691 |1520 |1700 ,1675,1675,1675,26137,Plate: 8 9/16 × 15 in. (21.7 × 38.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698568,4/23/2018 8:00:01 AM,1 421707,21.36.12(52),0,0,698565,11,97,Plate 51: The baptism of Christ; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,53685,,1483 |1627 |1650 ,1520 |1691 |1700 ,1675,1675,1675,26137,Plate: 8 7/8 × 15 9/16 in. (22.6 × 39.5 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698565,4/23/2018 8:00:01 AM,1 421705,21.36.12(51),0,0,698563,11,97,Plate 50: The adoration of the Magi; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Pietro Aquila|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi,"Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome",,53689,,1650 |1483 |1627 ,1700 |1520 |1691 ,1675,1675,1675,26137,Plate: 8 1/2 × 15 1/16 in. (21.6 × 38.2 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698563,4/23/2018 8:00:01 AM,1 421703,21.36.12(50),0,0,698560,11,97,Plate 49: The adoration of the shepherds; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Pietro Aquila|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi),"Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome",,53686,,1650 |1627 |1483 ,1700 |1691 |1520 ,1675,1675,1675,26137,Plate: 8 7/8 × 15 5/8 in. (22.5 × 39.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698560,4/23/2018 8:00:01 AM,1 421701,21.36.12(49),0,0,698558,11,97,Plate 48: Solomon building the Temple at Jerusalem; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Pietro Aquila,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,53692,,1627 |1483 |1650 ,1691 |1520 |1700 ,1675,1675,1675,26137,Plate: 10 3/16 × 11 3/4 in. (25.8 × 29.9 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698558,4/23/2018 8:00:01 AM,1 421698,21.36.12(48),0,0,698555,11,97,Plate 47: The Queen of Sheba visits Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Pietro Aquila|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Urbino 1483–1520 Rome",,53691,,1627 |1650 |1483 ,1691 |1700 |1520 ,1675,1675,1675,26137,Plate: 9 7/8 × 11 5/16 in. (25.1 × 28.8 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698555,4/23/2018 8:00:01 AM,1 421696,21.36.12(47),0,0,698553,11,97,Plate 46: The judgment of Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Pietro Aquila|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi,"Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome",,53689,,1650 |1483 |1627 ,1700 |1520 |1691 ,1675,1675,1675,26137,Plate: 9 7/16 × 10 11/16 in. (24 × 27.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698553,4/23/2018 8:00:01 AM,1 421695,21.36.12(46),0,0,698552,11,97,Plate 45: Zadok anointing Solomon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,53685,,1483 |1627 |1650 ,1520 |1691 |1700 ,1675,1675,1675,26137,Plate: 9 5/16 × 11 in. (23.7 × 27.9 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698552,4/23/2018 8:00:01 AM,1 421694,21.36.12(45),0,0,698551,11,97,Plate 44: David watching Bathsheba bathing on the roof of the palace while soldiers march below; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome",,53659,,1483 |1660 |1627 ,1520 |1675 |1691 ,1675,1675,1675,26137,Plate: 9 5/8 × 11 1/8 in. (24.4 × 28.3 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698551,4/23/2018 8:00:01 AM,1 421686,21.36.12(44),0,0,698540,11,97,Plate 43: David returning in triumph after defeating the Syrians; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome",,53682,,1483 |1650 |1627 ,1520 |1700 |1691 ,1675,1675,1675,26137,Plate: 9 15/16 × 11 3/8 in. (25.3 × 28.9 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698540,4/23/2018 8:00:01 AM,1 421685,21.36.12(43),0,0,698539,11,97,Plate 42: David and Goliath; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Pietro Aquila|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi),"Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome",,53686,,1650 |1627 |1483 ,1700 |1691 |1520 ,1675,1675,1675,26137,Plate: 9 5/8 × 11 7/16 in. (24.4 × 29.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698539,4/23/2018 8:00:01 AM,1 421684,21.36.12(42),0,0,698538,11,97,Plate 41: Samuel anointing David; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome",,53682,,1483 |1650 |1627 ,1520 |1700 |1691 ,1675,1675,1675,26137,Plate: 9 15/16 × 11 1/4 in. (25.3 × 28.5 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698538,4/23/2018 8:00:01 AM,1 421683,21.36.12(41),0,0,698536,11,97,Plate 40: The distribution of the promised land; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,53685,,1483 |1627 |1650 ,1520 |1691 |1700 ,1675,1675,1675,26137,Plate: 9 5/8 × 12 1/16 in. (24.5 × 30.6 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698536,4/23/2018 8:00:01 AM,1 421682,21.36.12(40),0,0,698534,11,97,Plate 39: Joshua stopping the sun and the moon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Pietro Aquila,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,53685,,1483 |1627 |1650 ,1520 |1691 |1700 ,1675,1675,1675,26137,Plate: 9 5/8 × 11 3/8 in. (24.5 × 28.9 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698534,4/23/2018 8:00:01 AM,1 421680,21.36.12(39),0,0,698532,11,97,Plate 38: The storming of Jericho; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome",,53682,,1483 |1650 |1627 ,1520 |1700 |1691 ,1675,1675,1675,26137,Plate: 9 1/2 × 11 5/16 in. (24.2 × 28.8 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698532,4/23/2018 8:00:01 AM,1 421678,21.36.12(38),0,0,698530,11,97,Plate 37: The crossing of the Jordan; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome|Italian, Rome 1627–1691 Rome",,53682,,1483 |1650 |1627 ,1520 |1700 |1691 ,1675,1675,1675,26137,Plate: 9 3/4 × 11 7/16 in. (24.8 × 29.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698530,4/23/2018 8:00:01 AM,1 421676,21.36.12(37),0,0,698528,11,97,Plate 36: Moses showing the Tablets of the Law to the Israelites; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 9 3/4 × 11 1/8 in. (24.7 × 28.3 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698528,4/23/2018 8:00:01 AM,1 421675,21.36.12(36),0,0,698527,11,97,Plate 35: God appearing as a pillar of smoke in the Israelite camp to speak to Moses; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 3/4 × 10 3/8 in. (24.8 × 26.3 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698527,4/23/2018 8:00:01 AM,1 421674,21.36.12(35),0,0,698526,11,97,Plate 34: The Israelites gathered around the Golden Calf in adoration; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Cesare Fantetti|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi,"Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome",,53664,,1660 |1483 |1627 ,1675 |1520 |1691 ,1675,1675,1675,26137,Plate: 9 15/16 × 11 7/8 in. (25.3 × 30.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698526,4/23/2018 8:00:01 AM,1 421663,21.36.12(34),0,0,698515,11,97,"Plate 33: Moses atop Mount Sinai, receiving the Tablets of the Law from God; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 3/4 × 10 3/16 in. (24.8 × 25.9 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698515,4/23/2018 8:00:01 AM,1 421661,21.36.12(33),0,0,698513,11,97,Plate 32: Moses drawing water from the rock; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Cesare Fantetti|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi,"Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome",,53664,,1660 |1483 |1627 ,1675 |1520 |1691 ,1675,1675,1675,26137,Plate: 9 15/16 × 11 9/16 in. (25.2 × 29.3 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698513,4/23/2018 8:00:01 AM,1 421645,21.36.12(32),0,0,698496,11,97,Plate 31: Moses parting the Red Sea; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675",,53658,,1483 |1627 |1660 ,1520 |1691 |1675 ,1675,1675,1675,26137,Plate: 9 13/16 × 12 11/16 in. (24.9 × 32.2 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698496,4/23/2018 8:00:01 AM,1 421643,21.36.12(31),0,0,698494,11,97,Plate 30: God appearing to Moses in the burning bush; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 10 3/8 × 10 11/16 in. (26.3 × 27.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698494,4/23/2018 8:00:01 AM,1 421640,21.36.12(30),0,0,698491,11,97,Plate 29: Pharaoh's daughter and her attendants find baby Moses in a basket at the riverbank; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 10 5/8 × 11 1/4 in. (27 × 28.6 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698491,4/23/2018 8:00:01 AM,1 421639,21.36.12(29),0,0,698489,11,97,Plate 28: Joseph explains his dream to Pharaoh; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675",,53658,,1483 |1627 |1660 ,1520 |1691 |1675 ,1675,1675,1675,26137,Plate: 10 1/16 × 11 5/8 in. (25.6 × 29.5 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698489,4/23/2018 8:00:01 AM,1 421638,21.36.12(28),0,0,698488,11,97,"Plate 27: Joseph escapes Zuleika, wife of Potiphar; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 9 1/4 × 10 1/4 in. (23.5 × 26.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698488,4/23/2018 8:00:01 AM,1 421630,21.36.12(27),0,0,698476,11,97,"Plate 26: Joseph and his brothers gathered around a cistern, as his brothers prepare to sell him; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 10 1/16 × 11 1/8 in. (25.6 × 28.3 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698476,4/23/2018 8:00:01 AM,1 421629,21.36.12(26),0,0,698474,11,97,Plate 25: Joseph telling his brothers about his dream; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 10 3/8 × 12 1/16 in. (26.4 × 30.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698474,4/23/2018 8:00:01 AM,1 421626,21.36.12(25),0,0,698470,11,97,Plate 24: Jacob and his family ride camels home to Isaac; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675",,53658,,1483 |1627 |1660 ,1520 |1691 |1675 ,1675,1675,1675,26137,Plate: 9 9/16 × 10 13/16 in. (24.3 × 27.4 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698470,4/23/2018 8:00:01 AM,1 421624,21.36.12(24),0,0,698466,11,97,Plate 23: Jacob confronts Laban about his marriage to Leah; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 9 9/16 × 10 3/8 in. (24.3 × 26.3 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698466,4/23/2018 8:00:01 AM,1 421623,21.36.12(23),0,0,698463,11,97,Plate 22: Jacob meets Rachel as his sheep drink from the well; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 5/16 × 12 in. (23.6 × 30.5 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698463,4/23/2018 8:00:01 AM,1 421622,21.36.12(22),0,0,698462,11,97,"Plate 21: Jacob asleep, arm resting on a rock, as God and angels descend a staircase in the distance; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,867,After,Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi),"Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome",,53651,,1660 |1627 |1483 ,1675 |1691 |1520 ,1675,1675,1675,26137,Plate: 9 1/2 × 10 5/16 in. (24.2 × 26.2 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698462,4/23/2018 8:00:01 AM,1 421619,21.36.12(21),0,0,698459,11,97,"Plate 20: Isaac, lying in bed, addresses Isaiah who stands before him; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 9 9/16 × 10 9/16 in. (24.3 × 26.8 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698459,4/23/2018 8:00:01 AM,1 421618,21.36.12(20),0,0,698458,11,97,"Plate 19: Isaac, lying in bed, blesses Jacob who kneels before him; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 9 9/16 × 10 9/16 in. (24.3 × 26.8 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698458,4/23/2018 8:00:01 AM,1 421615,21.36.12(19),0,0,698454,11,97,Plate 18: Abimelech looking through a window to see Isaac embracing his wife Rebekah; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 9/16 × 10 9/16 in. (24.3 × 26.8 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698454,4/23/2018 8:00:01 AM,1 421614,21.36.12(18),0,0,698453,11,97,Plate 16: Lot leaving Sodom with his wife and daughters; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 5/16 × 10 1/4 in. (23.6 × 26.1 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698453,4/23/2018 8:00:01 AM,1 421612,21.36.12(17),0,0,698451,11,97,Plate 15: Abraham kneeling before three angels; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675",,53658,,1483 |1627 |1660 ,1520 |1691 |1675 ,1675,1675,1675,26137,Plate: 9 1/4 × 10 5/16 in. (23.5 × 26.2 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698451,4/23/2018 8:00:01 AM,1 421611,21.36.12(16),0,0,698450,11,97,Plate 14: God announcing to Abraham his posterity; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi),"Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome",,53651,,1660 |1627 |1483 ,1675 |1691 |1520 ,1675,1675,1675,26137,Plate: 9 1/4 × 10 1/4 in. (23.5 × 26 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698450,4/23/2018 8:00:01 AM,1 421610,21.36.12(14),0,0,698449,11,97,"Plate 12: Noah kneeling before an altar, about to slaughter a ram as a sacrifice; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 3/8 × 10 1/16 in. (23.8 × 25.6 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698449,4/23/2018 8:00:01 AM,1 421607,21.36.12(15),0,0,698446,11,97,Plate 13: Melchizedek offering bread and wine to Abraham; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi),"Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome",,53651,,1660 |1627 |1483 ,1675 |1691 |1520 ,1675,1675,1675,26137,Plate: 9 1/4 × 10 5/16 in. (23.5 × 26.2 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698446,4/23/2018 8:00:01 AM,1 421606,21.36.12(13),0,0,698445,11,97,Plate 11: Noah and his family leaving the ark after the flood; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Cesare Fantetti|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi,"Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome",,53664,,1660 |1483 |1627 ,1675 |1520 |1691 ,1675,1675,1675,26137,Plate: 9 7/16 × 10 1/16 in. (23.9 × 25.6 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698445,4/23/2018 8:00:01 AM,1 421603,21.36.12(12),0,0,698440,11,97,"Plate 10: The Deluge, men attempting to save women and children from the flood, as others take cover under the trees in the background; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael",,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675",,53658,,1483 |1627 |1660 ,1520 |1691 |1675 ,1675,1675,1675,26137,Plate: 9 1/2 × 10 1/16 in. (24.2 × 25.6 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698440,4/23/2018 8:00:01 AM,1 421601,21.36.12(11),0,0,698438,11,97,Plate 9: Noah watching over three men as they build the ark; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 7/16 × 10 1/8 in. (24 × 25.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698438,4/23/2018 8:00:01 AM,1 421599,21.36.12(10),0,0,698436,11,97,Plate 8: Adam and Eve laboring as Cain and Abel play in the foreground; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 9 7/16 × 10 3/16 in. (24 × 25.8 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698436,4/23/2018 8:00:01 AM,1 421597,21.36.12(9),0,0,698434,11,97,Plate 7: The expulsion of Adam and Eve from the Garden of Paradise; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome",,53659,,1483 |1660 |1627 ,1520 |1675 |1691 ,1675,1675,1675,26137,Plate: 9 7/16 × 10 1/8 in. (23.9 × 25.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698434,4/23/2018 8:00:01 AM,1 421596,21.36.12(8),0,0,698433,11,97,Plate 6: Adam and Eve eating from the Tree of Knowledge; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 9 1/2 × 10 3/16 in. (24.2 × 25.9 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698433,4/23/2018 8:00:01 AM,1 421594,21.36.12(7),0,0,698430,11,97,Plate 5: God the Father creating Adam and Eve; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,895,After,Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti|Giovanni Giacomo De Rossi,"Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome",,53659,,1483 |1660 |1627 ,1520 |1675 |1691 ,1675,1675,1675,26137,Plate: 9 5/16 × 10 1/8 in. (23.7 × 25.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698430,4/23/2018 8:00:01 AM,1 421593,21.36.12(5),0,0,698429,11,97,Plate 3: God the Father creating the sun and the moon; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi|Cesare Fantetti,"Italian, Urbino 1483–1520 Rome|Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675",,53658,,1483 |1627 |1660 ,1520 |1691 |1675 ,1675,1675,1675,26137,Plate: 8 7/8 × 13 1/4 in. (22.6 × 33.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698429,4/23/2018 8:00:01 AM,1 421589,21.36.12(6),0,0,698425,11,97,Plate 4: God the Father and the creation of animals; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi)|Cesare Fantetti,"Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome|Italian, Florence 1660–1675",,53657,,1627 |1483 |1660 ,1691 |1520 |1675 ,1675,1675,1675,26137,Plate: 7 1/2 × 12 3/16 in. (19.1 × 31 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698425,4/23/2018 8:00:01 AM,1 421586,21.36.12(4),0,0,698422,11,97,Plate 2: God the Father separating the light from the darkness; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,878,After,Giovanni Giacomo De Rossi|Cesare Fantetti|Raphael (Raffaello Sanzio or Santi),"Italian, Rome 1627–1691 Rome|Italian, Florence 1660–1675|Italian, Urbino 1483–1520 Rome",,53655,,1627 |1660 |1483 ,1691 |1675 |1520 ,1675,1675,1675,26137,Plate: 7 5/8 × 12 3/16 in. (19.4 × 31 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698422,4/23/2018 8:00:01 AM,1 421583,21.36.12(2),0,0,698419,11,97,"Frontispiece to the Images from the New Testament after Raphael 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis'. Oval portrait of Raphael, crowned with a laurel wreath by Fame, below three allegorical figures personifying the Arts support a tablet with the epigraph of Raphael",,,,,,867,Intermediary draughtsman,Carlo Maratti|Giovanni Giacomo De Rossi|Pietro Aquila,"Italian, Camerano 1625–1713 Rome|Italian, Rome 1627–1691 Rome|Italian, Marsala, Sicily 1650–1692/1700 Rome",,53652,,1625 |1627 |1650 ,1713 |1691 |1700 ,1675,1675,1675,26137,Plate: 12 3/8 × 15 1/2 in. (31.5 × 39.3 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698419,4/23/2018 8:00:01 AM,1 421582,21.36.12(3),0,0,698418,11,97,Plate 1: God the Father creating the earth and the sky; from 'Imagines Veteris Ac Novi Testamenti A Raphaele Sanctio Urbinate in Vaticani Palatii Xystis' after Raphael,,,,,,867,After,Cesare Fantetti|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi),"Italian, Florence 1660–1675|Italian, Rome 1627–1691 Rome|Italian, Urbino 1483–1520 Rome",,53651,,1660 |1627 |1483 ,1675 |1691 |1520 ,1675,1675,1675,26137,Plate: 8 7/8 × 13 1/4 in. (22.5 × 33.7 cm),"Museum Accession, transferred from the Library, 1921",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/698418,4/23/2018 8:00:01 AM,1 421556,42.65.105,0,0,698347,11,731,"The conversion of Saul, who lies on the ground surrounded by horses and soldiers as Christ appears above him",,,,,,13,After,Pieter Perret|Matteo Perez da Leccio,"Netherlandish, 1555–1639|Italian, active Rome, 1582, active Spain, 1583–87, active South America, 1587",,53632,,1555 |1582 ,1639 |1587 ,1583,1583,1583,7208,Sheet (Trimmed): 20 7/8 × 13 15/16 in. (53 × 35.4 cm),"Gift of George Hellman, 1942",,571,,,,,,,,,,13,,http://www.metmuseum.org/art/collection/search/698347,4/23/2018 8:00:01 AM,1 420181,51.501.4319,0,0,696218,11,731,"Plate 6: Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,878,after,Domenico De Rossi|Filippo Carrocci|Pietro da Cortona (Pietro Berrettini),"Italian, 1647–1729|Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome",,53382,,1647 |1655 |1596 ,1729 |1670 |1669 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 10 11/16 × 14 3/8 in. (27.2 × 36.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/696218,4/23/2018 8:00:01 AM,1 420180,51.501.4316,0,0,696217,11,731,"Plate 3: Composition with a putto seated next to a basket filled with fruit and a peacock perched on top, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,895,after,Filippo Carrocci|Pietro da Cortona (Pietro Berrettini)|Domenico De Rossi,"Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome|Italian, 1647–1729",,53384,,1655 |1596 |1647 ,1670 |1669 |1729 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 10 11/16 × 14 3/16 in. (27.2 × 36.1 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/696217,4/23/2018 8:00:01 AM,1 420179,51.501.4317,0,0,696214,11,731,"Plate 4: Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,867,after,Filippo Carrocci|Domenico De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, active ca. 1660–70|Italian, 1647–1729|Italian, Cortona 1596–1669 Rome",,53390,,1655 |1647 |1596 ,1670 |1729 |1669 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 11 3/4 × 14 1/2 in. (29.9 × 36.8 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/696214,4/23/2018 8:00:01 AM,1 420178,51.501.4314,0,0,696211,11,731,"Plate 1: Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,867,after,Filippo Carrocci|Domenico De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, active ca. 1660–70|Italian, 1647–1729|Italian, Cortona 1596–1669 Rome",,53390,,1655 |1647 |1596 ,1670 |1729 |1669 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 11 7/8 × 14 7/16 in. (30.2 × 36.7 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/696211,4/23/2018 8:00:01 AM,1 420175,51.501.4312,0,0,696208,11,731,"A putto seated next to a basket of fruit and a peacock at left, David slaying Goliath at center, and two putti wrestling over a hare at right, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,13,after,Girard Audran|Pietro da Cortona (Pietro Berrettini),"French, Lyons 1640–1703 Paris|Italian, Cortona 1596–1669 Rome",,53385,,1640 |1596 ,1703 |1669 ,1668,1668,1668,26137,Sheet (Trimmed): 14 1/2 × 21 5/8 in. (36.8 × 54.9 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/696208,4/23/2018 8:00:01 AM,1 420172,51.501.4311,0,0,696205,11,731,"Two putti playing with a small bird on a string at top, David holding open the mouth of a lion at center, and two putti playing with a hare at bottom, all set within elaborate frames and sculpture work; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,13,after,Girard Audran|Pietro da Cortona (Pietro Berrettini),"French, Lyons 1640–1703 Paris|Italian, Cortona 1596–1669 Rome",,53385,,1640 |1596 ,1703 |1669 ,1668,1668,1668,26137,Sheet (Trimmed): 21 13/16 × 11 7/8 in. (55.4 × 30.1 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/696205,4/23/2018 8:00:01 AM,1 420166,51.501.4310,0,0,696198,11,731,"Two scenes set inside elaborate frames and sculpture work; at top a triumphal procession with three men at center carrying Goliath's severed head on a spike, David following behind, at bottom King Saul seated at center watching David walk away holding his sling; after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,13,after,Girard Audran|Pietro da Cortona (Pietro Berrettini),"French, Lyons 1640–1703 Paris|Italian, Cortona 1596–1669 Rome",,53385,,1640 |1596 ,1703 |1669 ,1668,1668,1668,26137,Sheet (Trimmed): 21 13/16 × 11 7/8 in. (55.4 × 30.1 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/696198,4/23/2018 8:00:01 AM,1 420162,51.501.4321,0,0,695639,11,731,"Plate 7B: David holding open the mouth of a lion who is attempting to devour a lamb from his flock; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,895,after,Filippo Carrocci|Pietro da Cortona (Pietro Berrettini)|Domenico De Rossi,"Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome|Italian, 1647–1729",,53384,,1655 |1596 |1647 ,1670 |1669 |1729 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 5 13/16 × 4 1/2 in. (14.7 × 11.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695639,4/23/2018 8:00:01 AM,1 420161,51.501.4320,0,0,695638,11,731,"Plate 7A: David slaying Goliath; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,895,after,Filippo Carrocci|Pietro da Cortona (Pietro Berrettini)|Domenico De Rossi,"Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome|Italian, 1647–1729",,53384,,1655 |1596 |1647 ,1670 |1669 |1729 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 6 in. × 4 5/8 in. (15.2 × 11.8 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695638,4/23/2018 8:00:01 AM,1 420154,51.501.4318,0,0,695614,11,731,"Plate 5: Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,878,after,Domenico De Rossi|Filippo Carrocci|Pietro da Cortona (Pietro Berrettini),"Italian, 1647–1729|Italian, active ca. 1660–70|Italian, Cortona 1596–1669 Rome",,53382,,1647 |1655 |1596 ,1729 |1670 |1669 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 11 1/4 × 11 7/16 in. (28.5 × 29 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695614,4/23/2018 8:00:01 AM,1 420153,51.501.4315,0,0,695612,11,731,"Plate 2: King Saul seated at center watching David walk away holding his sling, set inside an architectural frame; from 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,895,after,Pietro da Cortona (Pietro Berrettini)|Filippo Carrocci|Domenico De Rossi,"Italian, Cortona 1596–1669 Rome|Italian, active ca. 1660–70|Italian, 1647–1729",,53381,,1596 |1655 |1647 ,1669 |1670 |1729 ,ca. 1660–70,1657,1673,36340,Sheet (Trimmed): 11 1/4 × 11 7/16 in. (28.6 × 29 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695612,4/23/2018 8:00:01 AM,1 420144,51.501.4313,0,0,695587,11,731,"Title page to 'David trionfante di Golia e de' filistei', after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome",,,,,,710,,Filippo Carrocci|Domenico De Rossi,"Italian, active ca. 1660–70|Italian, 1647–1729",,53380,,1655 |1647 ,1670 |1729 ,ca. 1660–70,1657,1673,7208,Sheet (Trimmed): 9 7/16 × 12 1/2 in. (24 × 31.8 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695587,4/23/2018 8:00:01 AM,1 420138,51.501.4340,0,0,695556,11,731,"Plate 3: Allegorical representation of papal authority flanked by Prudence on the left and Glory on the right; to the far left are Vulcan and a Cyclops; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,740,after,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome",,53340,,1627 |1596 ,1691 |1669 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 12 3/8 × 25 3/8 in. (31.4 × 64.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695556,4/23/2018 8:00:01 AM,1 420137,51.501.4341,0,0,695549,11,731,"Plate 4: Minerva battling the giants; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,710,after,Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome",,53251,,1596 |1627 ,1669 |1691 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 10 3/16 × 22 11/16 in. (25.8 × 57.6 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695549,4/23/2018 8:00:01 AM,1 420135,51.501.5067,0,0,695537,11,731,"Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,740,after,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome",,53340,,1627 |1596 ,1691 |1669 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 11 in. × 24 3/8 in. (28 × 61.9 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695537,4/23/2018 8:00:01 AM,1 420120,51.501.4339,0,0,695519,11,731,"Plate 2: Human Knowledge assisted by Chastity, Piety, and Divine Love as they triumph over Earthly Love; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,740,after,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome",,53340,,1627 |1596 ,1691 |1669 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 11 3/4 in. × 24 in. (29.8 × 60.9 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695519,4/23/2018 8:00:01 AM,1 420116,51.501.4343,0,0,695505,11,731,"Plate 6: Allegory with Hercules fighting off the Harpies at left, to the right Justice and Plenty come to the aid of the beggars below; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,740,after,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome",,53340,,1627 |1596 ,1691 |1669 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 12 5/8 × 13 5/16 in. (32 × 33.8 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695505,4/23/2018 8:00:01 AM,1 420115,51.501.4347,0,0,695501,11,731,"Plate 10: Allegory with the symbols of Prudence, including two bears at the bottom and Fabius Cunctator above; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,740,after,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome",,53340,,1627 |1596 ,1691 |1669 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 14 3/16 × 14 3/16 in. (36.1 × 36 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695501,4/23/2018 8:00:01 AM,1 420082,51.501.4346,0,0,695444,11,731,"Plate 9: Allegory with the symbols of Temperance; including a unicorn at bottom right and Publius Scipio Africanus above; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,710,after,Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome",,53251,,1596 |1627 ,1669 |1691 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 14 9/16 × 11 7/16 in. (37 × 29 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695444,4/23/2018 8:00:01 AM,1 420058,51.501.4345,0,0,695415,11,731,"Plate 8: Allegory with the symbols of Fortitude, including a lion at bottom left; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,710,after,Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome",,53251,,1596 |1627 ,1669 |1691 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 15 1/8 × 10 7/16 in. (38.4 × 26.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695415,4/23/2018 8:00:01 AM,1 419970,51.501.4344,0,0,695320,11,731,"Plate 7: Allegory with the symbols of Justice, including the griffon of Manlius Torquatus at right; from 'Barberinae aulae fornix', after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,710,after,Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome",,53251,,1596 |1627 ,1669 |1691 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 15 9/16 × 14 3/16 in. (39.5 × 36.1 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695320,4/23/2018 8:00:01 AM,1 419936,51.501.4338,0,0,695272,11,731,"Title page to 'Barberinae aulae fornix'; after the frescoes by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,710,after,Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome",,53251,,1596 |1627 ,1669 |1691 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 15 1/4 × 20 5/16 in. (38.8 × 51.6 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695272,4/23/2018 8:00:01 AM,1 419880,51.501.4342,0,0,695209,11,731,"Plate 5: Triumph of Divine Providence; after the fresco by Pietro da Cortona on the ceiling of the salone of the Palazzo Barberini, Rome",,,,,,710,after,Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome",,53251,,1596 |1627 ,1669 |1691 ,ca. 1645–50,1642,1653,7208,Sheet (Trimmed): 24 3/8 × 11 9/16 in. (61.9 × 29.4 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695209,4/23/2018 8:00:01 AM,1 419817,51.501.4362,0,0,695137,11,731,"Justice seated at center holding fasces, criminals wait to meet her at right, to her left a woman probably representing Abundance distributes coins to people below; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence",,,,,,895,after,Pietro da Cortona (Pietro Berrettini)|Jacques Blondeau|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Flemish, baptized 1655–1698 Rome|Italian, Rome 1627–1691 Rome",,53343,,1596 |1655 |1627 ,1669 |1698 |1691 ,ca. 1677,1674,1680,29129,Sheet (Trimmed): 15 3/16 × 31 11/16 in. (38.6 × 80.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/695137,4/23/2018 8:00:01 AM,1 419696,51.501.4354,0,0,694987,11,731,"Fury as a blind woman with torches and chains emerging from the left, chasing a soldier; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence",,,,,,867,after,Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi|Jacques Blondeau,"Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome|Flemish, baptized 1655–1698 Rome",,53346,,1596 |1627 |1655 ,1669 |1691 |1698 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 7 13/16 × 13 7/16 in. (19.8 × 34.1 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/694987,4/23/2018 8:00:01 AM,1 419691,51.501.4363,0,0,694980,11,731,"Roman warriors blowing horns and preparing to attack their enemy; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence",,,,,,895,after,Pietro da Cortona (Pietro Berrettini)|Jacques Blondeau|Giovanni Giacomo De Rossi,"Italian, Cortona 1596–1669 Rome|Flemish, baptized 1655–1698 Rome|Italian, Rome 1627–1691 Rome",,53343,,1596 |1655 |1627 ,1669 |1698 |1691 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 15 11/16 in. × 25 in. (39.9 × 63.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/694980,4/23/2018 8:00:01 AM,1 419686,51.501.4360,0,0,694973,11,731,"The young prince leads warriors toward their enemy's ships and into battle; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence",,,,,,895,after,Jacques Blondeau|Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi,"Flemish, baptized 1655–1698 Rome|Italian, Cortona 1596–1669 Rome|Italian, Rome 1627–1691 Rome",,41583,,1655 |1596 |1627 ,1698 |1669 |1691 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 18 1/8 × 31 1/16 in. (46 × 78.9 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/694973,4/23/2018 8:00:01 AM,1 419681,51.501.4361,0,0,694968,11,731,"The young prince leads warriors toward their enemy's ships; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Marte of the Palazzo Pitti, Florence",,,,,,878,after,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini)|Jacques Blondeau,"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome|Flemish, baptized 1655–1698 Rome",,53342,,1627 |1596 |1655 ,1691 |1669 |1698 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 16 7/16 × 27 3/16 in. (41.8 × 69 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/694968,4/23/2018 8:00:01 AM,1 419678,51.501.4364,0,0,694952,11,731,"Dedication plate to Rossi's series of engravings of the Sala di Marte, with the Medici balls held up by putti at center; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Palazzo Pitti, Florence",,,,,,740,after,Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini),"Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome",,53340,,1627 |1596 ,1691 |1669 ,ca. 1677,1674,1680,7208,Sheet (Trimmed): 25 3/16 in. × 14 in. (64 × 35.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/694952,4/23/2018 8:00:01 AM,1 419651,51.501.4358,0,0,694925,11,731,"Hercules leading the young prince to Olympus while Fame writes his deeds at center and men prepare his arms to the left; from 'Heroicae Virtutis Imagines' after the frescoes by Pietro da Cortona in the Sala di Giove of the Palazzo Pitti, Florence",,,,,,867,after,Jacques Blondeau|Giovanni Giacomo De Rossi|Pietro da Cortona (Pietro Berrettini),"Flemish, baptized 1655–1698 Rome|Italian, Rome 1627–1691 Rome|Italian, Cortona 1596–1669 Rome",,53317,,1655 |1627 |1596 ,1698 |1691 |1669 ,ca. 1677,1674,1680,29129,Sheet (Trimmed): 14 5/16 × 25 13/16 in. (36.4 × 65.5 cm),"The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951",,571,,,,,,,,,,673,,http://www.metmuseum.org/art/collection/search/694925,4/23/2018 8:00:01 AM,1 418017,52.519.89(62),0,0,690812,11,97,"Vue du Port de Ripa grande, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome",,,,,,5271,Printed by|after|Published by,Komarek|Jean Barbault|Bouchard & Gravier|Dominico Montagu,"French, Viarmes 1718–1762 Rome|Rome|Italian, active Rome, ca. 1750–76",,53013,,1718 |1700 ,1762 |1800 ,1763,1763,1763,7208,Plate: 15 1/4 × 20 15/16 in. (38.8 × 53.2 cm),"Rogers Fund, 1952",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/690812,4/23/2018 8:00:01 AM,1 418016,52.519.89(61),0,0,690811,11,97,"Vue du Port de Ripetta, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome",,,,,,1066,Printed by|Published by|after,Komarek|Bouchard & Gravier|Jean Barbault,"Rome|French, Viarmes 1718–1762 Rome",,52984,,1700 |1718 ,1800 |1762 ,1763,1763,1763,7208,Plate: 4 3/4 × 7 7/8 in. (12 × 20 cm),"Rogers Fund, 1952",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/690811,4/23/2018 8:00:01 AM,1 418015,52.519.89(60),0,0,690809,11,97,"Vue du Pont rompu et du Pont a quatre Têtes, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome",,,,,,4294,Printed by|after|Published by,Komarek|Jean Barbault|Freicenet|Bouchard & Gravier,"French, Viarmes 1718–1762 Rome|Italian, active Rome, mid-18th century|Rome",,53012,,1718 |1700 ,1762 |1800 ,1763,1763,1763,7208,Plate: 15 1/2 × 19 7/8 in. (39.4 × 50.5 cm),"Rogers Fund, 1952",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/690809,4/23/2018 8:00:01 AM,1 418014,52.519.89(59),0,0,690808,11,97,"Vuë du Pont Sixte, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome",,,,,,5270,Published by|after|Printed by,Bouchard & Gravier|Jean Barbault|Komarek|Giraud,"Rome|French, Viarmes 1718–1762 Rome|active Italy, late 18th century",,53010,,1700 |1718 |1750 ,1800 |1762 |1850 ,1763,1763,1763,7208,Plate: 15 3/16 × 20 15/16 in. (38.5 × 53.2 cm),"Rogers Fund, 1952",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/690808,4/23/2018 8:00:01 AM,1 418012,52.519.89(58),0,0,690805,11,97,"Vuë de la Fontaine de l'Eau Felix a Termini, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome",,,,,,5270,Published by|Printed by|after,Bouchard & Gravier|Freicenet|Komarek|Jean Barbault,"Rome|Italian, active Rome, mid-18th century|French, Viarmes 1718–1762 Rome",,53011,,1700 |1718 ,1800 |1762 ,1763,1763,1763,7208,Plate: 5 3/8 × 7 11/16 in. (13.7 × 19.6 cm),"Rogers Fund, 1952",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/690805,4/23/2018 8:00:01 AM,1 418011,52.519.89(57),0,0,690804,11,97,"Vuë du Palais de l'Academie de France, from Les Plus Beaux Edifices de Rome Moderne, ou Recueil des plus belles vues des principales eglises, places, palais, fontaines etc. qui sont dans Rome",,,,,,5270,Published by|after|Printed by,Bouchard & Gravier|Jean Barbault|Komarek|Giraud,"Rome|French, Viarmes 1718–1762 Rome|active Italy, late 18th century",,53010,,1700 |1718 |1750 ,1800 |1762 |1850 ,1763,1763,1763,7208,Plate: 5 3/8 × 7 11/16 in. (13.7 × 19.6 cm),"Rogers Fund, 1952",,571,,,,,,,,,,442,,http://www.metmuseum.org/art/collection/search/690804,4/23/2018 8:00:01 AM,1