Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 463794 | Ref.Cheret.1 | 0 | 1 | 785337 | 11 | 731 | Théâtre de l'Opera, Samedi 22 Janvier Grande Fête à l'Opéra, 1.er Bal Masqué | 2 | Jules Chéret | French, Paris 1836–1932 Nice | 19927 | 1836 | 1932 | 1856–1932 | 1851 | 1937 | 14948 | Sheet: 11 5/16 × 15 11/16 in. (28.7 × 39.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/785337 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 463793 | 63.625.276 | 0 | 1 | 785246 | 11 | 731 | La Gomme Par Félicien Champsaur | 2 | Jules Chéret | French, Paris 1836–1932 Nice | 19927 | 1836 | 1932 | 1856–1932 | 1851 | 1937 | 14948 | Sheet: 11 5/16 × 15 11/16 in. (28.7 × 39.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/785246 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 463736 | 53.601.18(192) | 0 | 1 | 784877 | 11 | Virgin and Child in a Church, also known as the Van Maelbeke Virgin | 13 | After|Circle of the Brothers | Jan van Eyck|Wierix | Netherlandish, Maaseik ca. 1390–1441 Bruges|Netherlandish, mid-16th–early 17th century | 59199 | 1390 |1550 | 1441 |1620 | 1575–1585 | 1575 | 1585 | 7208 | Sheet (Trimmed): 6 9/16 × 4 7/16 in. (16.7 × 11.3 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/784877 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 463661 | 1970.541.223(3) | 0 | 1 | 782096 | 11 | 731 | Five's Court | 1824 | 1824 | 1824 | 14948 | Sheet (Trimmed): 2 1/2 × 3 1/16 in. (6.4 × 7.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/782096 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 463660 | 1970.541.223(1) | 0 | 1 | 782095 | 11 | 731 | The Great Fight | 1824 | 1824 | 1824 | 14948 | Sheet (Trimmed): 11 9/16 × 3 1/16 in. (29.3 × 7.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 13 | http://www.metmuseum.org/art/collection/search/782095 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 462157 | 22.67.5 | 0 | 1 | 779829 | 11 | Wallpaper with Satyr Family | 2 | Sebald Beham | German, Nuremberg 1500–1550 Frankfurt | 8732 | 1500 | 1550 | 1515 | 1515 | 1515 | 26552 | Sheet: 20 1/2 × 12 11/16 in. (52 × 32.2 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/779829 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 462150 | 22.67.4 | 0 | 1 | 779821 | 11 | Wallpaper with Satyr Family | 2 | Sebald Beham | German, Nuremberg 1500–1550 Frankfurt | 8732 | 1500 | 1550 | 1515 | 1515 | 1515 | 26552 | Sheet: 21 1/16 × 12 13/16 in. (53.5 × 32.5 cm) | Rogers Fund, 1922 | 13 | http://www.metmuseum.org/art/collection/search/779821 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 461540 | 47.71.2 | 0 | 1 | 779155 | 11 | 731 | Trade Card of John Meader, Cabinets and Joyners Work, at the White Lyon in Aldermanbury | 2 | John Meader | British, active London, ca. 1690–1720 | 59035 | ca. 1690–1720 | 1685 | 1695 | 26552 | Sheet: 9 1/16 × 6 3/4 in. (23 × 17.2 cm) Plate: 7 1/4 × 5 1/16 in. (18.4 × 12.8 cm) | Gift of Bella C. Landauer, 1925 | 13 | http://www.metmuseum.org/art/collection/search/779155 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 460579 | 49.122(4) | 0 | 1 | 777807 | 11 | 13815 | Institution Harmonique | 1009 | Salomon de Caus|Jan Norton | French, Dieppe 1576?–1626 (active Germany)|British, 1556/7–1615 or after | 53488 | 1576 | 1626 | 1615 | 1615 | 1615 | 34543 | Overall: 15 3/8 x 10 7/16 x 1 15/16 in. (39 x 26.5 x 5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 1062 | 665 | http://www.metmuseum.org/art/collection/search/777807 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460578 | 49.122(3a, b) | 0 | 1 | 777806 | 11 | 13815 | Les Raisons des Forces Mouvantes, books 1 and 2 | 1584 | Jan Norton|Salomon de Caus | British, 1556/7–1615 or after|French, Dieppe 1576?–1626 (active Germany) | 58975 | 1576 | 1626 | 1615 | 1615 | 1615 | 34543 | Overall: 15 3/8 x 10 7/16 x 1 15/16 in. (39 x 26.5 x 5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 1062 | 665 | http://www.metmuseum.org/art/collection/search/777806 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460577 | 49.122(2) | 0 | 1 | 777805 | 11 | 13815 | Hortus Palatinus | 1584 | Johann Theodor de Bry|Salomon de Caus | German, Strasbourg 1561–1623 Frankfurt am Main|French, Dieppe 1576?–1626 (active Germany) | , Frankfurt am Main | 58974 | 1561 |1576 | 1623 |1626 | 1620 | 1620 | 1620 | 34543 | Overall: 15 3/8 x 10 7/16 x 1 15/16 in. (39 x 26.5 x 5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 1062 | 665 | http://www.metmuseum.org/art/collection/search/777805 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460576 | 49.122(1) | 0 | 1 | 777804 | 11 | 13815 | La Perspective | 1584 | Widow of | Esaias von Hulsen|Salomon de Caus | Dutch, Middelburg ca. 1570–before 1626 Stuttgart|French, Dieppe 1576?–1626 (active Germany) | 58973 | 1570 |1576 | 1570 |1626 | 1612 | 1612 | 1612 | 34543 | Overall: 15 3/8 x 10 7/16 x 1 15/16 in. (39 x 26.5 x 5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1949 | 1062 | 665 | http://www.metmuseum.org/art/collection/search/777804 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460537 | 24.66.367(6) | 0 | 1 | 777755 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 6 | 6067 | After|After|After | W. Nichol|William Clark|William Say|Augusta Innes Withers|Joseph Wilson Lowry|Frederick James Havell|Charles John Robertson|Horticultural Society of London | London|British, active 1820–40|British, Lakenham, near Norwich 1768–1834 London|British, Gloucestershire 1792–1877 London|British, Middlesex 1803–1879 London|British, 1801–1840|British, 1798–1830 | 58969 | 1800 |1820 |1768 |1792 |1803 |1801 |1798 |1861 | 1900 |1840 |1834 |1877 |1879 |1840 |1830 |2100 | 1826 | 1826 | 1826 | 43192 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777755 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 460536 | 24.66.367(5) | 0 | 1 | 777754 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 5 | 6066 | After|After|Author and designer|After | W. Nichol|William Say|Augusta Innes Withers|William Jackson Hooker|E. D. Smith|Wilson Lowry|Thomas Tredgold|Horticultural Society of London|Charles Fox|Barbara Cotton|Charles John Robertson | London|British, Lakenham, near Norwich 1768–1834 London|British, Gloucestershire 1792–1877 London|British, London 1779–1832 Kew|British, active 1820s|British, Whitehaven, Cumbria 1762–1824 London|British, Brandon, County Durham 1788–1829 London|British, Costessey Park, near Norwich 1795–1849 Leyton, Essex|British, active ca. 1810–30|British, 1798–1830 | (successor to W. Bulmer) | 58968 | 1800 |1768 |1792 |1779 |1820 |1762 |1788 |1861 |1795 |1810 |1798 | 1900 |1834 |1877 |1832 |1830 |1824 |1829 |2100 |1849 |1830 |1830 | 1824 | 1824 | 1824 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777754 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460535 | 24.66.367(4) | 0 | 1 | 777753 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 4 | 6065 | After|After | W. Nichol|William Jackson Hooker|Thomas Andrew Knight|Horticultural Society of London|J. B. Taylor|Joseph Sabine|George Gutch|William Buck | London|British, London 1779–1832 Kew|British, active from 1818|British, 1770–1837|British, active 1820–50|British, 1815–25 | (successor to W. Bulmer)|(President of the Society)|(Secretary-Treasurer to the Society) | 58967 | 1800 |1779 |1759 |1861 |1818 |1770 |1820 |1815 | 1900 |1832 |1838 |2100 |1850 |1837 |1850 |1825 | 1822 | 1820 | 1822 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777753 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460534 | 24.66.367(3) | 0 | 1 | 777752 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 3 (2nd edition) | 6064 | Draftsman on stone (lithographer) | W. Nichol|Richard Anthony Salisbury|William Jackson Hooker|B. King|J. B. Taylor|Thomas Andrew Knight|Horticultural Society of London | London|British, 1761–1829|British, London 1779–1832 Kew|British, active 1820–25|British, active from 1818 | (successor to W. Bulmer)|(Secretary of the Society)|(President of the Society) | 58966 | 1800 |1761 |1779 |1820 |1818 |1759 |1861 | 1900 |1829 |1832 |1825 |1850 |1838 |2100 | 1822 | 1820 | 1822 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777752 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460533 | 24.66.367(2) | 0 | 1 | 777751 | 11 | 13880 | Transactions of the Horticultural Society, London, vol. 2 | 6063 | Author and artist|After|Draftsman on stone (lithographer)|Sold by | William Jackson Hooker|F. Redman|William Bulmer & Co.|J. B. Taylor|Richard Anthony Salisbury|Francis Bauer|B. King|Benjamin Taylor|Horticultural Society of London|J. Hatchard|Thomas Andrew Knight | British, London 1779–1832 Kew|British, active 1815–20|London|British, active from 1818|British, 1761–1829|Austrian, Feldsberg, Moravia 1758–1840 Kew, England|British, active 1820–25|British, active 1815–20|London | (Secretary of the Society)|(President of the Society) | 58965 | 1779 |1815 |1750 |1818 |1761 |1758 |1820 |1815 |1861 |1797 |1759 | 1832 |1820 |1899 |1850 |1829 |1840 |1825 |1820 |2100 |2050 |1838 | 1818 (2nd ed.) | 1818 | 1818 | 63777 | 12 3/16 x 9 1/4 in. (31 x 23.5 cm) | Harris Brisbane Dick Fund, 1924 | 698 | http://www.metmuseum.org/art/collection/search/777751 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 460502 | 47.100.86- | 0 | 1 | 777684 | 14 | Standing statue of Ur-Ningirsu, son of Gudea (Head) | Second Dynasty of Lagash, reign of Ur-Ningirsu | ca. 2150 B.C–2100 B.C. | -2150 | -2150 | 25713 | H. 4 1/2 in. (11.4 cm) | Rogers Fund, 1947 | 335 | 72 | 479 | http://www.metmuseum.org/art/collection/search/777684 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 459513 | 58.625.25 | 0 | 1 | 776486 | 11 | 731 | Autumn from the Dog's Four Seasons | 2 | Johann Elias Ridinger | German, Ulm 1698–1767 Augsburg | 17837 | 1698 | 1767 | 1720–1767 | 1720 | 1767 | 26137 | Plate: 15 15/16 × 13 1/16 in. (40.5 × 33.2 cm) Sheet: 20 1/16 × 15 3/4 in. (51 × 40 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund | 13 | http://www.metmuseum.org/art/collection/search/776486 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 459486 | 1979.206.466–.473, .464 | 0 | 1 | 776429 | 10 | 399 | Nine Feathered Panels | 4372 | A.D. 600–900 | 600 | 900 | 27307 | H. 28 3/4 × W. 83 1/2 in. (73.03 × 212.09 cm) | The Michael C. Rockefeller Memorial Collection, Bequest of Nelson A. Rockefeller, 1979 | 67 | 169 | 553 | http://www.metmuseum.org/art/collection/search/776429 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458923 | 59.533.1870 | 0 | 1 | 775602 | 11 | 731 | Christmas Academics Playing a Rubber at Whist | 1357 | Thomas Rowlandson|Henry William Bunbury|Rudolph Ackermann, London | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829 | 58878 | 1757 |1750 |1764 | 1827 |1811 |1834 | April 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed and inset): 7 1/2 × 8 9/16 in. (19.1 × 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775602 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458922 | 59.533.881 | 0 | 1 | 775601 | 11 | 731 | Christmas Academics Playing a Rubber at Whist | 2090 | Henry William Bunbury|Rudolph Ackermann, London|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829|British, London 1757–1827 London | 56641 | 1750 |1764 |1757 | 1811 |1834 |1827 | April 1, 1803 | 1803 | 1803 | 34862 | Sheet: 8 1/4 × 10 3/16 in. (21 × 25.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775601 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458921 | 59.533.1747 | 0 | 1 | 775599 | 11 | 731 | Billiards | 1962 | After | Rudolph Ackermann, London|Thomas Rowlandson|Henry William Bunbury | active 1794–1829|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58880 | 1764 |1757 |1750 | 1834 |1827 |1811 | March 1803 | 1803 | 1803 | 34862 | Sheet: 5 1/16 × 6 7/8 in. (12.8 × 17.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775599 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458920 | 59.533.1871 | 0 | 1 | 775598 | 11 | 731 | A Select Vestry | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 1757 | 1827 | April 20, 1806 | 1806 | 1806 | 34862 | Plate: 5 7/16 × 7 5/16 in. (13.8 × 18.5 cm) Sheet (inset): 8 1/4 × 11 5/16 in. (21 × 28.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775598 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458919 | 59.533.959 | 0 | 1 | 775595 | 11 | 731 | A Select Vestry | 2 | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 1757 | 1827 | April 20, 1806 | 1806 | 1806 | 34862 | Plate: 5 5/16 × 7 1/4 in. (13.5 × 18.4 cm) Sheet: 9 1/16 × 10 7/8 in. (23 × 27.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775595 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458918 | 59.533.962 | 0 | 1 | 775593 | 11 | 731 | Symptoms of Choaking | 1461 | 740 | Rudolph Ackermann, London|Thomas Rowlandson | active 1794–1829|British, London 1757–1827 London | 38462 | 1764 |1757 | 1834 |1827 | 1806 (pub. August 25, 1808) | 1806 | 1808 | 34862 | Plate: 5 1/4 × 7 3/16 in. (13.4 × 18.2 cm) Sheet: 6 in. × 7 7/8 in. (15.3 × 20 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775593 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458915 | 59.533.1772 | 0 | 1 | 775588 | 11 | 731 | French Luxury, or Repos a la Francaise | 2 | After | Thomas Rowlandson | British, London 1757–1827 London | 23260 | 1757 | 1827 | 1800–1820 | 1800 | 1820 | 34862 | Plate: 6 11/16 × 9 5/8 in. (17 × 24.4 cm) Sheet: 7 3/16 × 10 1/16 in. (18.2 × 25.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775588 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458902 | 20.192.1–.8, .10–.11 | 0 | 1 | 775572 | 12 | 27373 | Wall paintings on black ground: from the imperial villa at Boscotrecase | 4232 | Early Imperial, Augustan | last decade of the 1st century B.C. | -10 | -1 | 8044 | Overall: 91 3/4 x 45in. (233.1 x 114.3cm) | Rogers Fund, 1920 | 142 | http://www.metmuseum.org/art/collection/search/775572 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 458898 | 59.533.1744 | 0 | 1 | 775554 | 11 | 731 | The Battle of the Cataplasm (Tristram Shandy) | 709 | After|Related author | Henry William Bunbury|Laurence Sterne | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1713–1768 | 58907 | 1750 |1713 | 1811 |1768 | 1800–1827 | 1800 | 1827 | 34862 | Sheet (trimmed): 4 7/8 × 6 11/16 in. (12.4 × 17 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775554 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458873 | 59.533.1743 | 0 | 1 | 775523 | 11 | 731 | A Dancing Bear | 2090 | After|(?) | Henry William Bunbury|Rudolph Ackermann, London|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829|British, London 1757–1827 London | 56641 | 1750 |1764 |1757 | 1811 |1834 |1827 | 1800–1827 | 1800 | 1827 | 34862 | Sheet: 5 7/16 in. × 7 in. (13.8 × 17.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775523 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458872 | 59.533.1742 | 0 | 1 | 775522 | 11 | 731 | The Inflexible Porter | 1461 | 1330 | After | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 56509 | 1757 |1750 | 1827 |1811 | 1808–14 | 1808 | 1814 | 34862 | Plate: 4 3/16 × 5 3/16 in. (10.7 × 13.2 cm) Sheet: 5 3/16 × 6 5/8 in. (13.2 × 16.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775522 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 458871 | 59.533.1745 | 0 | 1 | 775521 | 11 | 731 | The Hopes of the Family – An Admission at the University | 3566 | (?)|After | Thomas Rowlandson|Rudolph Ackermann, London|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58879 | 1757 |1764 |1750 | 1827 |1834 |1811 | ca. 1803 | 1798 | 1808 | 34862 | Sheet: 5 11/16 × 7 11/16 in. (14.5 × 19.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775521 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458870 | 59.533.1728 | 0 | 1 | 775520 | 11 | 731 | A Militia Meeting | 1962 | After | Rudolph Ackermann, London|Thomas Rowlandson|Henry William Bunbury | active 1794–1829|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58880 | 1764 |1757 |1750 | 1834 |1827 |1811 | May 21, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 7/8 × 5 1/4 in. (20 × 13.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775520 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458869 | 59.533.1751 | 0 | 1 | 775519 | 11 | 731 | A Tour to Foreign Parts | 1330 | After | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 56509 | 1757 |1750 | 1827 |1811 | 1807 (?) | 1803 | 1807 | 34862 | Sheet (trimmed): 8 1/4 × 11 3/4 in. (21 × 29.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775519 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458868 | 59.533.1749 | 0 | 1 | 775518 | 11 | 731 | The Kitchen of a French Post House | 1699 | After|(?)|(?) | Henry William Bunbury|Thomas Rowlandson|Rudolph Ackermann, London | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|active 1794–1829 | 58865 | 1750 |1757 |1764 | 1811 |1827 |1834 | 1803 (?) | 1803 | 1803 | 34862 | Sheet (trimmed): 6 1/2 in. × 9 in. (16.5 × 22.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775518 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458867 | 59.533.1869 | 0 | 1 | 775517 | 11 | 731 | Pont Neuf, Paris | 2090 | After | Henry William Bunbury|Rudolph Ackermann, London|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829|British, London 1757–1827 London | 56641 | 1750 |1764 |1757 | 1811 |1834 |1827 | May 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed and inset): 7 9/16 × 8 1/16 in. (19.2 × 20.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775517 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458866 | 59.533.874 | 0 | 1 | 775516 | 11 | 731 | Pont Neuf, Paris | 1699 | After | Henry William Bunbury|Thomas Rowlandson|Rudolph Ackermann, London | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|active 1794–1829 | 58865 | 1750 |1757 |1764 | 1811 |1827 |1834 | May 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 1/4 × 10 1/16 in. (18.4 × 25.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775516 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458865 | 59.533.1012 | 0 | 1 | 775515 | 11 | 731 | Englishman at Paris | 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | 32203 | 1750 |1757 | 1811 |1827 | 1807 (?) | 1807 | 1807 | 34862 | Sheet: 6 in. × 8 1/8 in. (15.3 × 20.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775515 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458864 | 59.533.1733 | 0 | 1 | 775514 | 11 | 731 | Englishman at Paris | 3566 | After | Thomas Rowlandson|Rudolph Ackermann, London|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58879 | 1757 |1764 |1750 | 1827 |1834 |1811 | May 1, 1803 | 1803 | 1803 | 34862 | Sheet: 9 1/4 × 7 5/16 in. (23.5 × 18.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775514 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458863 | 59.533.1739 | 0 | 1 | 775513 | 11 | 731 | A Scene at Newmarket: A Shot at a Hawk [Pigeon] | 1330 | After | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 56509 | 1757 |1750 | 1827 |1811 | 1803 (?) | 1803 | 1803 | 34862 | Sheet: 5 3/16 × 5 9/16 in. (13.1 × 14.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775513 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458862 | 59.533.1741 | 0 | 1 | 775510 | 11 | 731 | How to Stop a Horse at Pleasure | 1330 | After | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 56509 | 1757 |1750 | 1827 |1811 | 1803 | 1803 | 1803 | 34862 | Plate: 4 5/16 × 6 3/4 in. (11 × 17.2 cm) Sheet: 4 5/8 × 7 1/16 in. (11.7 × 17.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775510 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458861 | 59.533.1740 | 0 | 1 | 775509 | 11 | 731 | How to Lose Your Way | 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | 32203 | 1750 |1757 | 1811 |1827 | 1803–1815 | 1803 | 1815 | 34862 | Sheet (trimmed): 4 7/16 × 6 1/4 in. (11.3 × 15.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775509 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458860 | 59.533.1868 | 0 | 1 | 775508 | 11 | 731 | The Country Club | 3772 | After | Rudolph Ackermann, London|Henry William Bunbury|Thomas Rowlandson | active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | 58902 | 1764 |1750 |1757 | 1834 |1811 |1827 | April 7, 1803 | 1803 | 1803 | 34862 | Sheet: 7 13/16 × 9 3/8 in. (19.8 × 23.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775508 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458859 | 59.533.1867 | 0 | 1 | 775507 | 11 | 731 | A Long Story | 1699 | Henry William Bunbury|Thomas Rowlandson|Rudolph Ackermann, London | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|active 1794–1829 | 58865 | 1750 |1757 |1764 | 1811 |1827 |1834 | April 1, 1803 | 1803 | 1803 | 34862 | Plate: 7 13/16 × 9 3/8 in. (19.8 × 23.8 cm) Sheet: 8 1/4 × 10 13/16 in. (21 × 27.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775507 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458858 | 59.533.1866 | 0 | 1 | 775505 | 11 | 731 | Legerdemain | 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | 32203 | 1750 |1757 | 1811 |1827 | 1799 (?) | 1799 | 1799 | 34862 | Sheet (trimmed and inlaid): 9 13/16 × 9 13/16 in. (24.9 × 25 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775505 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458856 | 59.533.1865 | 0 | 1 | 775502 | 11 | 731 | A Grinning Match | 1962 | After | Rudolph Ackermann, London|Thomas Rowlandson|Henry William Bunbury | active 1794–1829|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58880 | 1764 |1757 |1750 | 1834 |1827 |1811 | February 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 7/8 × 9 3/16 in. (20 × 23.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775502 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458855 | 59.533.1748 | 0 | 1 | 775501 | 11 | 731 | The Siege of Namur by Captain Shandy and Corporal Trim (Tristram Shandy) | 5734 | Related author|(?)|(?)|After | Laurence Sterne|Rudolph Ackermann, London|Thomas Rowlandson|Henry William Bunbury | British, 1713–1768|active 1794–1829|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58911 | 1713 |1764 |1757 |1750 | 1768 |1834 |1827 |1811 | 1803 (?) | 1803 | 1803 | 34862 | Sheet: 5 11/16 × 8 1/8 in. (14.5 × 20.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775501 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458854 | 59.533.1746 | 0 | 1 | 775500 | 11 | 731 | The Damnation of Obadiah (Tristram Shandy) | 6058 | (?)|(?)|Related author|After | Thomas Rowlandson|Rudolph Ackermann, London|Laurence Sterne|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, 1713–1768|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58910 | 1757 |1764 |1713 |1750 | 1827 |1834 |1768 |1811 | 1803 (?) | 1803 | 1803 | 34862 | Sheet: 5 1/8 × 7 3/8 in. (13 × 18.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775500 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458850 | 59.533.1766 | 0 | 1 | 775495 | 11 | 731 | The Damnation of Obadiah (Tristram Shandy) | 709 | After|Related author | Henry William Bunbury|Laurence Sterne | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1713–1768 | 58907 | 1750 |1713 | 1811 |1768 | 1800–20 | 1800 | 1820 | 34862 | Sheet (trimmed): 9 3/16 × 13 1/4 in. (23.4 × 33.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775495 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458848 | 59.533.1767 | 0 | 1 | 775493 | 11 | 731 | The Siege of Namur by Captain Shandy and Corporal Trim (Tristram Shandy) | 162 | Related author|After | Laurence Sterne|Henry William Bunbury | British, 1713–1768|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58909 | 1713 |1750 | 1768 |1811 | 1800–20 | 1800 | 1820 | 34862 | Sheet (trimmed): 9 7/16 × 13 3/8 in. (24 × 34 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775493 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458847 | 59.533.1750 | 0 | 1 | 775490 | 11 | 731 | The Overthrow of Dr. Slop (Tristram Shandy) | 6057 | (?)|After|Related author|(?) | Thomas Rowlandson|Henry William Bunbury|Laurence Sterne|Rudolph Ackermann, London | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1713–1768|active 1794–1829 | 58908 | 1757 |1750 |1713 |1764 | 1827 |1811 |1768 |1834 | 1803 (?) | 1803 | 1803 | 34862 | Sheet: 5 11/16 × 8 1/8 in. (14.5 × 20.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775490 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458846 | 59.533.1768 | 0 | 1 | 775489 | 11 | 731 | The Overthrow of Dr. Slop (Tristram Shandy) | 709 | After|Related author | Henry William Bunbury|Laurence Sterne | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1713–1768 | 58907 | 1750 |1713 | 1811 |1768 | 1800–20 | 1800 | 1820 | 34862 | Sheet (trimmed): 9 5/8 × 13 3/8 in. (24.4 × 34 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775489 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458845 | 59.533.882 | 0 | 1 | 775488 | 11 | 731 | Pot Fair Cambridge | 1357 | Thomas Rowlandson|Henry William Bunbury|Rudolph Ackermann, London | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829 | 58878 | 1757 |1750 |1764 | 1827 |1811 |1834 | May 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 1/2 × 8 15/16 in. (19 × 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775488 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458844 | 59.533.854 | 0 | 1 | 775487 | 11 | 731 | Sweet Lullaby | 710 | Thomas Rowlandson|Rudolph Ackermann, London | British, London 1757–1827 London|active 1794–1829 | 32059 | 1757 |1764 | 1827 |1834 | February 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 9 1/16 × 6 7/8 in. (23 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775487 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458843 | 59.533.855 | 0 | 1 | 775486 | 11 | 731 | A Grinning Match | 2090 | After | Henry William Bunbury|Rudolph Ackermann, London|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829|British, London 1757–1827 London | 56641 | 1750 |1764 |1757 | 1811 |1834 |1827 | February 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 1/16 × 8 3/4 in. (17.9 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775486 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458842 | 59.533.877 | 0 | 1 | 775485 | 11 | 731 | Road to Ruin! | 740 | After | Samuel William Fores|Thomas Rowlandson | British, 1761–1838|British, London 1757–1827 London | 56212 | 1761 |1757 | 1838 |1827 | April 1, 1803 | 1803 | 1803 | 26137 | Sheet (trimmed): 5 13/16 × 8 15/16 in. (14.7 × 22.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775485 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458841 | 59.533.859 | 0 | 1 | 775484 | 11 | 731 | Polygamy, or Plurality of Wives | 740 | Rudolph Ackermann, London|Thomas Rowlandson | active 1794–1829|British, London 1757–1827 London | 38462 | 1764 |1757 | 1834 |1827 | February 1, 1803 | 1803 | 1803 | 26137 | Plate: 9 5/8 × 7 13/16 in. (24.5 × 19.8 cm) Sheet: 10 15/16 × 8 11/16 in. (27.8 × 22 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775484 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458840 | 59.533.858 | 0 | 1 | 775483 | 11 | 731 | Polygamy, or Plurality of Wives | 710 | Thomas Rowlandson|Rudolph Ackermann, London | British, London 1757–1827 London|active 1794–1829 | 32059 | 1757 |1764 | 1827 |1834 | February 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 9 3/16 × 6 5/8 in. (23.3 × 16.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775483 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458828 | 59.533.856 | 0 | 1 | 775467 | 11 | 731 | A Hail Storm | 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 19825 | 1750 | 1811 | 1782–1820 | 1782 | 1820 | 34862 | Plate: 5 1/4 × 7 1/4 in. (13.4 × 18.4 cm) Sheet: 6 5/16 × 8 3/16 in. (16 × 20.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775467 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458826 | 59.533.857 | 0 | 1 | 775465 | 11 | 731 | A Hail Storm | 740 | After | Rudolph Ackermann, London|Henry William Bunbury | active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58906 | 1764 |1750 | 1834 |1811 | February 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 3/8 × 8 3/4 in. (18.8 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775465 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458824 | 59.533.883 | 0 | 1 | 775463 | 11 | 731 | A Long Story | 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 19825 | 1750 | 1811 | 1828 or later | 1803 | 1830 | 34862 | Plate: 4 1/2 × 7 3/16 in. (11.4 × 18.2 cm) Sheet: 6 1/2 × 8 3/4 in. (16.5 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775463 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458823 | 59.533.884 | 0 | 1 | 775462 | 11 | 731 | A Long Story | 1962 | Rudolph Ackermann, London|Thomas Rowlandson|Henry William Bunbury | active 1794–1829|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58880 | 1764 |1757 |1750 | 1834 |1827 |1811 | 1803 (reissued after 1821) | 1803 | 1821 | 34862 | Sheet (trimmed): 7 3/8 × 8 7/8 in. (18.8 × 22.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775462 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458822 | 59.533.867 | 0 | 1 | 775461 | 11 | 731 | A Family Piece | 3566 | After | Thomas Rowlandson|Rudolph Ackermann, London|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58879 | 1757 |1764 |1750 | 1827 |1834 |1811 | published 1803 (later reissue) | 1803 | 1820 | 34862 | Sheet (trimmed): 9 5/16 × 7 1/16 in. (23.7 × 18 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775461 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458821 | 59.533.866 | 0 | 1 | 775460 | 11 | 731 | A Family Piece | 1699 | After | Henry William Bunbury|Thomas Rowlandson|Rudolph Ackermann, London | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|active 1794–1829 | 58865 | 1750 |1757 |1764 | 1811 |1827 |1834 | March 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 9 7/16 × 7 3/8 in. (24 × 18.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775460 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458820 | 59.533.852 | 0 | 1 | 775459 | 11 | 731 | Signiora Squalini | 710 | Thomas Rowlandson|Rudolph Ackermann, London | British, London 1757–1827 London|active 1794–1829 | 32059 | 1757 |1764 | 1827 |1834 | February 1, 1803 | 1803 | 1803 | 26137 | Plate: 9 5/8 × 7 7/8 in. (24.5 × 20 cm) Sheet: 11 in. × 8 13/16 in. (28 × 22.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775459 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458819 | 59.533.853 | 0 | 1 | 775458 | 11 | 731 | Signiora Squalini | 710 | Thomas Rowlandson|Rudolph Ackermann, London | British, London 1757–1827 London|active 1794–1829 | 32059 | 1757 |1764 | 1827 |1834 | February 1, 1803 | 1803 | 1803 | 34862 | Sheet: 9 5/16 × 7 5/8 in. (23.7 × 19.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775458 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458815 | 57.565 | 0 | 1 | 775454 | 11 | 27014 | Lace Paper Valentine | 2 | Attributed to | Esther Howland | American, Worcester 1828–1904 Quincy, Massachusetts | 58900 | ca. 1855 | 1850 | 1860 | 63750 | Sheet: 9 1/8 × 7 7/8 in. (23.2 × 20 cm) | Gift of Mrs. Gladys Norbury, 1957 | 1092 | http://www.metmuseum.org/art/collection/search/775454 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 458814 | 59.533.1727 | 0 | 1 | 775453 | 11 | 731 | Two Men Smoking and Drinking (Charles and Jack Bannister in Henry IV, Part I (?)) | 5589 | Possibly|Possibly | John Bannister|Charles Bannister|Thomas Rowlandson | British, 1760–1836|British, 1738–1804|British, London 1757–1827 London | 58905 | 1760 |1738 |1757 | 1836 |1804 |1827 | 1778–83 (?) | 1778 | 1783 | 26137 | Plate: 4 1/4 × 5 13/16 in. (10.8 × 14.8 cm) Sheet: 6 in. × 7 9/16 in. (15.2 × 19.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775453 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458808 | 1977.627.17 | 0 | 1 | 775447 | 11 | 27014 | Canivet, or Devotional | 2 | Anonymous, Flemish, 18th century | 58904 | 1700 | 1800 | 18th century | 1700 | 1800 | 63749 | Sheet: 8 1/16 × 6 5/16 in. (20.5 × 16 cm) | Gift of Mrs. Richard Riddell, 1981 | 1092 | http://www.metmuseum.org/art/collection/search/775447 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 458802 | 1981.1136.178 | 0 | 1 | 775441 | 11 | 27014 | Valentine: Puzzle Purse | 2 | Anonymous, British or American, 19th century | 40247 | 1826 | 1826 | 1826 | 63748 | Sheet: 12 5/8 × 12 3/16 in. (32 × 31 cm) | Gift of Mrs. Richard Riddell, 1981 | 1092 | http://www.metmuseum.org/art/collection/search/775441 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458801 | 59.533.1805 | 0 | 1 | 775440 | 11 | 731 | The College Gate | 3772 | Rudolph Ackermann, London|Henry William Bunbury|Thomas Rowlandson | active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | 58902 | 1764 |1750 |1757 | 1834 |1811 |1827 | May 1, 1803 | 1803 | 1803 | 26137 | Sheet (trimmed): 7 7/8 × 9 5/8 in. (20 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775440 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458800 | 59.533.1804 | 0 | 1 | 775439 | 11 | 731 | The College Gate | 3566 | Thomas Rowlandson|Rudolph Ackermann, London|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | 58879 | 1757 |1764 |1750 | 1827 |1834 |1811 | May 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 5/8 × 8 7/8 in. (19.3 × 22.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775439 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458798 | 59.533.1863 | 0 | 1 | 775437 | 11 | 731 | The College Gate | 3772 | Rudolph Ackermann, London|Henry William Bunbury|Thomas Rowlandson | active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | 58902 | 1764 |1750 |1757 | 1834 |1811 |1827 | May 1, 1803 | 1803 | 1803 | 34862 | Plate: 7 13/16 × 9 7/16 in. (19.8 × 24 cm) Sheet: 8 3/8 × 10 1/8 in. (21.2 × 25.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775437 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458796 | 59.533.1862 | 0 | 1 | 775435 | 11 | 731 | Pot Fair Cambridge | 1699 | Henry William Bunbury|Thomas Rowlandson|Rudolph Ackermann, London | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|active 1794–1829 | 58865 | 1750 |1757 |1764 | 1811 |1827 |1834 | May 1, 1803 | 1803 | 1803 | 34862 | Sheet (trimmed): 7 11/16 × 9 7/16 in. (19.5 × 24 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775435 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458792 | 59.533.1864 | 0 | 1 | 775431 | 11 | 731 | A Return from a Visit | 1699 | After | Henry William Bunbury|Thomas Rowlandson|J. Harris | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|British, active 1787–1800 | 58901 | 1750 |1757 |1787 | 1811 |1827 |1800 | April 3, 1798 | 1798 | 1798 | 34862 | Sheet: 5 1/4 × 6 1/4 in. (13.3 × 15.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775431 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458784 | 59.533.1861 | 0 | 1 | 775423 | 11 | 731 | Pot Fair Cambridge, and, The College Gate | 1324 | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | 32203 | 1750 |1757 | 1811 |1827 | 1780–90 | 1780 | 1790 | 32679 | Image: 6 5/16 × 9 1/2 in. (16 × 24.2 cm) Image: 6 3/4 × 9 5/8 in. (17.2 × 24.4 cm) Sheet: 19 5/16 × 13 7/8 in. (49 × 35.3 cm) Plate: 13 3/4 × 9 13/16 in. (35 × 25 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775423 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458780 | 1984.1164.69 | 0 | 1 | 775419 | 11 | 27014 | Early Valentine, or Lover's Gift | 2 | Anonymous, French, 18th century | 19522 | 1700 | 1800 | 1750–1800 | 1750 | 1800 | 63747 | Sheet: 8 7/8 × 3 15/16 in. (22.5 × 10 cm) | Gift of Mrs. Richard Riddell, 1984 | 1092 | http://www.metmuseum.org/art/collection/search/775419 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 458773 | 1981.1136.633 | 0 | 1 | 775411 | 11 | 27014 | Valentine | 2 | Esther Howland | American, Worcester 1828–1904 Quincy, Massachusetts | 58900 | 1847–1870 | 1847 | 1870 | 63746 | Sheet: 3 3/4 × 2 3/4 in. (9.5 × 7 cm) | Gift of Mrs. Richard Riddell, 1981 | 1092 | http://www.metmuseum.org/art/collection/search/775411 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 458770 | 59.533.1816 | 0 | 1 | 775407 | 11 | 731 | Geography | 710 | After (?)|(?) | Thomas Rowlandson|Thomas Tegg | British, London 1757–1827 London|British, 1776–1846 | 36463 | 1757 |1776 | 1827 |1846 | ca. 1809 | 1804 | 1814 | 34862 | Sheet: 6 1/16 × 4 1/8 in. (15.4 × 10.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775407 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458769 | 2005.100.988 | 0 | 1 | 775406 | 13 | 13012 | [Thoughtograph, or Psychic Photograph] | 2 | Charles Lacey | 16129 | 1894–98 | 1894 | 1898 | 26425 | approx. 4 x 3 | Gilman Collection, Gift of The Howard Gilman Foundation, 2005 | 21 | http://www.metmuseum.org/art/collection/search/775406 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458768 | 2005.100.987 | 0 | 1 | 775405 | 13 | 13012 | [Thoughtograph, or Psychic Photograph] | 2 | Charles Lacey | 16129 | 1894–98 | 1894 | 1898 | 26425 | approx. 4 x 3 | Gilman Collection, Gift of The Howard Gilman Foundation, 2005 | 21 | http://www.metmuseum.org/art/collection/search/775405 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458767 | 2005.100.986 | 0 | 1 | 775404 | 13 | 13012 | [Thoughtograph, or Psychic Photograph] | 2 | Charles Lacey | 16129 | 1894–98 | 1894 | 1898 | 26425 | approx. 4 x 3 | Gilman Collection, Gift of The Howard Gilman Foundation, 2005 | 21 | http://www.metmuseum.org/art/collection/search/775404 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458766 | 2005.100.985 | 0 | 1 | 775403 | 13 | 13012 | [Thoughtograph, or Psychic Photograph] | 2 | Charles Lacey | 16129 | 1894–98 | 1894 | 1898 | 26425 | approx. 4 x 3 | Gilman Collection, Gift of The Howard Gilman Foundation, 2005 | 21 | http://www.metmuseum.org/art/collection/search/775403 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458765 | 2005.100.984 | 0 | 1 | 775402 | 13 | 13012 | [Thoughtograph, or Psychic Photograph] | 2 | Charles Lacey | 16129 | 1894–98 | 1894 | 1898 | 26425 | approx. 4 x 3 | Gilman Collection, Gift of The Howard Gilman Foundation, 2005 | 21 | http://www.metmuseum.org/art/collection/search/775402 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458764 | 2005.100.983 | 0 | 1 | 775401 | 13 | 13012 | [Thoughtograph, or Psychic Photograph] | 2 | Charles Lacey | 16129 | 1894–98 | 1894 | 1898 | 26425 | approx. 4 x 3 | Gilman Collection, Gift of The Howard Gilman Foundation, 2005 | 21 | http://www.metmuseum.org/art/collection/search/775401 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 458763 | 59.533.461 | 0 | 1 | 775400 | 11 | 731 | How d'ye do? | 874 | Earlier state published by|Earlier state, possibly by | Samuel William Fores|Elizabeth Jackson|Thomas Rowlandson | British, 1761–1838|British, active 1785–87|British, London 1757–1827 London | 58899 | 1761 |1785 |1757 | 1838 |1787 |1827 | April 10, 1792 | 1792 | 1792 | 34862 | Plate: 5 9/16 × 9 5/8 in. (14.2 × 24.4 cm) Sheet: 6 7/8 × 10 5/8 in. (17.4 × 27 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775400 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458748 | 59.533.1829 | 0 | 1 | 775385 | 11 | 731 | A Lying In Visit | 740 | Copy after | J. Harris|Thomas Rowlandson | British, active 1787–1800|British, London 1757–1827 London | 56423 | 1787 |1757 | 1800 |1827 | 1798 | 1798 | 1798 | 34862 | Plate: 5 11/16 × 8 7/16 in. (14.4 × 21.4 cm) Sheet: 7 9/16 × 9 7/16 in. (19.2 × 24 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775385 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458747 | 59.533.492 | 0 | 1 | 775383 | 11 | 731 | A Visit to the Aunt | 895 | Aquatint by | Francis Jukes|Thomas Rowlandson|Samuel William Fores | British, Hertfordshire 1747–1812 London|British, London 1757–1827 London|British, 1761–1838 | 57401 | 1747 |1757 |1761 | 1812 |1827 |1838 | December 20, 1794 | 1794 | 1794 | 28935 | Sheet (trimmed): 6 13/16 × 9 1/8 in. (17.3 × 23.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775383 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458746 | 59.533.493 | 0 | 1 | 775382 | 11 | 731 | A Visit to the Aunt | 895 | Aquatint by | Thomas Rowlandson|Francis Jukes|Samuel William Fores | British, London 1757–1827 London|British, Hertfordshire 1747–1812 London|British, 1761–1838 | 58898 | 1757 |1747 |1761 | 1827 |1812 |1838 | December 20, 1794 | 1794 | 1794 | 32179 | Sheet (trimmed): 6 11/16 × 8 3/4 in. (17 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775382 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458745 | 59.533.494 | 0 | 1 | 775381 | 11 | 731 | A Visit to the Uncle | 878 | Aquatint by | Samuel William Fores|Francis Jukes|Thomas Rowlandson | British, 1761–1838|British, Hertfordshire 1747–1812 London|British, London 1757–1827 London | 58897 | 1761 |1747 |1757 | 1838 |1812 |1827 | December 20, 1794 | 1794 | 1794 | 28935 | Sheet (trimmed): 7 3/16 in. × 9 in. (18.2 × 22.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/775381 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458741 | 2018.54.8 | 0 | 1 | 775377 | 11 | Lunging Soldier Seen from Behind | 3025 | 13 | after | Anonymous, French, 18th century|Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 58895 | 1700 |1740 | 1800 |1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775377 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458740 | 2018.54.7 | 0 | 1 | 775376 | 11 | Soldier Wielding a Weapon, Seen from Behind | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775376 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458739 | 2018.54.6 | 0 | 1 | 775375 | 11 | Two Soldiers, One Standing with Sword, Bow and Arrows, One Seated Seen from Behind | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775375 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458738 | 2018.54.5 | 0 | 1 | 775374 | 11 | Savage Soldier Holding a Sword | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775374 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458737 | 2018.54.4 | 0 | 1 | 775373 | 11 | Standing Soldier Drawing his Sword | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775373 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458736 | 2018.54.3 | 0 | 1 | 775372 | 11 | Two Soldiers, One Standing Holding a Flag, One Seated Seen from Behind | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775372 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458735 | 2018.54.2 | 0 | 1 | 775371 | 11 | Two Soldiers, One Standing Holding a Lance, One Seated | 3025 | 13 | after | Philippe Jacques de Loutherbourg|Anonymous, French, 18th century | French, Strasbourg 1740–1812 London | 58896 | 1740 |1700 | 1812 |1800 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775371 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458734 | 2018.54.1 | 0 | 1 | 775370 | 11 | Soldier Seated on a Rock | 3025 | 13 | after | Anonymous, French, 18th century|Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 58895 | 1700 |1740 | 1800 |1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 18 1/16 × 11 11/16 in. (45.8 × 29.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775370 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 458733 | 2018.53.6 | 0 | 1 | 775369 | 11 | Standing Man Holding a Lance | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775369 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458732 | 2018.53.5 | 0 | 1 | 775368 | 11 | Young Woman Carrying Vegetables | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775368 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 458731 | 2018.53.4 | 0 | 1 | 775367 | 11 | A Performer on a Stage with a Monkey | 3024 | 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | 13 | http://www.metmuseum.org/art/collection/search/775367 | 4/23/2018 8:00:01 AM | 1 |