Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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322365 | 1975.1.1231 | 0 | 1 | 460524 | 16 | 75 | Hope | 13 | Master IDC|Jean Cour (or Court) | French, active Limoges 1614–27|French, Limoges, active 1598–1631 | or | 44554 | 3392 | 1598 | 1631 | late 16th to early 17th century | 1571 | 1635 | 48366 | 11 5/8 x 8 15/16 in. (29.8 x 22.7cm) | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460524 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
322366 | 1975.1.1229 | 0 | 1 | 460525 | 16 | 75 | Minerva | 2 | probably | Jean Limosin | French, b. ca. 1580 Limoges–d. 1646 | 44555 | 3392 | 1580 | 1646 | ca. 1605 | 1602 | 1608 | 47827 | H. 24.4 cm, w. 19.1cm | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460525 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
322640 | 1975.1.1230 | 0 | 1 | 460804 | 16 | 75 | Faith | 13 | Master IDC|Jean Cour (or Court) | French, active Limoges 1614–27|French, Limoges, active 1598–1631 | or | 44554 | 3392 | 1598 | 1631 | late 16th century or early 17th century | 1571 | 1635 | 48536 | 11 5/8 x 9 1/8 in. (29.8 x 23.2 cm) | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/460804 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
323088 | 1975.1.1228 | 0 | 1 | 461261 | 16 | 75 | Mars | 2 | probably | Jean Limosin | French, b. ca. 1580 Limoges–d. 1646 | 44555 | 3392 | 1580 | 1646 | ca. 1605 | 1602 | 1608 | 47827 | H. 24.8 cm, w. 19.8 cm. | Robert Lehman Collection, 1975 | 193 | http://www.metmuseum.org/art/collection/search/461261 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
118571 | 1986.264.12 | 0 | 0 | 207585 | 3 | 75 | Night (one of a pair) | 2273 | 382 | After | Bertel Thorvaldsen|Royal Porcelain Manufactory | Danish, Copenhagen 1770–1844 Copenhagen|Danish, 1775–present | 11710 | 349 | 1770 |1775 | 1844 |9999 | 1885–99 | 1885 | 1899 | 572 | Diam. 5-9/16 in. (14.1 cm.) | Gift of the Heathcote Art Foundation, 1986 | 307 | http://www.metmuseum.org/art/collection/search/207585 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
120261 | 1986.264.13 | 0 | 0 | 209456 | 3 | 75 | Day (one of a pair) | 2273 | 382 | Decoration after | Bertel Thorvaldsen|Royal Porcelain Manufactory | Danish, Copenhagen 1770–1844 Copenhagen|Danish, 1775–present | 11710 | 349 | 1770 |1775 | 1844 |9999 | 1885–99 | 1885 | 1899 | 572 | Diam. 5-9/16 in. (14.1 cm.) | Gift of the Heathcote Art Foundation, 1986 | 307 | http://www.metmuseum.org/art/collection/search/209456 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
112689 | 51.1.1 | 0 | 1 | 200972 | 3 | 75 | Plaque | 2269 | 507 | Decorated in the manner of|After a print by|After a painting by | Meissen Manufactory|Franz Ferdinand Mayer|Johann Sadeler I|Christoph Schwarz | German, 1710–present|Netherlandish, Brussels 1550–1600/1601 Venice|German, Munich ca. 1548–1592 Munich | 10699 | 330 | 1710 |1700 |1550 |1548 | 9999 |1800 |1601 |1592 | ca. 1750–60 | 1745 | 1765 | 572 | 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm) | Gift of R. Thornton Wilson, 1951 | 307 | http://www.metmuseum.org/art/collection/search/200972 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
105896 | 17.190.1021 | 0 | 1 | 193732 | 3 | 75 | Plaque | 247 | 403 | Workshop of Charles Fromery|Christian Friedrich Herold | 1685–1738|1700–1779 | , probably | 9099 | 299 | 1685 |1700 | 1738 |1779 | ca. 1730 | 1725 | 1735 | 21399 | 2 × 2 7/8 in. (5.1 × 7.3 cm) | Gift of J. Pierpont Morgan, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193732 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
114838 | 64.101.397 | 0 | 1 | 203289 | 3 | 75 | Plaque | 247 | 6 | Enameler: | Christian Friedrich Herold|Workshop of Charles Fromery | 1700–1779|1685–1738 | 11052 | 299 | 1700 |1685 | 1779 |1738 | ca. 1730 | 1725 | 1735 | 22814 | H. 1-3/4 in. (4.5 cm.); L. 2-5/8 in. (6.7 cm.) | Gift of Irwin Untermyer, 1964 | 328 | http://www.metmuseum.org/art/collection/search/203289 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
333717 | 1971.110 | 0 | 0 | 480899 | 4 | 75 | Hunt Scene, Three Wolves Attacking a Horse | 5 | Wilhelm Hunt Diederich | American (born Hungary), Szent-Grot 1884–1953 Tappan, New York | 32465 | 261 | 1884 | 1953 | ca. 1920 | 1920 | 1920 | 18 | 21 x 21 3/4 in. (53.3 x 55.2 cm) | Gift of George Biddle, 1971 | 322 | http://www.metmuseum.org/art/collection/search/480899 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
109081 | 32.100.269a, b | 0 | 1 | 197125 | 3 | 75 | The Sacrifice of Noah | 666 | 439 | After a fresco in the Vatican logia by the Workshop of|Based on engraving by | Master K.I.P.|Raphael (Raffaello Sanzio or Santi)|Marco Dente | French, active mid-16th century|Italian, Urbino 1483–1520 Rome|Italian, Ravenna, active by 1515–died 1527 Rome | 9811 | 211 | 1530 |1483 |1515 | 1565 |1520 |1527 | mid-16th century | 1530 | 1565 | 20538 | 4 5/16 x 4 11/16 in. (11 x 11.9 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197125 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
139434 | 2007.221 | 0 | 1 | 232263 | 3 | 75 | Plaque depicting Bernard Palissy | 2212 | 694 | After a design by|After a painting by|Enamel decoration by|After designs by|Biscuit figures modeled by|Frame by | Nicolas-Marie Moriot|Charles Alexandre Debacq|Jacob Meyer-Heine|Alexandre Laemlein|Jean-Baptiste-Jules Klagmann|Sèvres Manufactory|Armand Feuchère | French, Versailles 1788–1852|French, Paris 1804–1853 Paris|active 1840–73|French, Hohenfeld 1813–1871 Pontlevoy|French, Paris 1810–1867 Paris|French, 1740–present|French, active Sèvres, 1842–51 | 12692 | 106 | 1788 |1804 |1840 |1813 |1810 |1740 |1800 | 1852 |1853 |1873 |1871 |1867 |9999 |1900 | 1846 | 1846 | 1846 | 25349 | Overall (confirmed): 19 1/2 x 17 3/4 x 2 5/8 in. (49.5 x 45.1 x 6.7 cm) | Purchase, The Isaacson-Draper Foundation Gift, 2007 | 307 | http://www.metmuseum.org/art/collection/search/232263 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
118737 | 1988.179 | 0 | 1 | 207756 | 3 | 75 | Themire Crowned by Graces | 2212 | 605 | After a print by|After a painting by | Charles Nicolas Dodin|Sèvres Manufactory|Noël Le Mire|Charles Dominique Joseph Eisen | French, Versailles 1734–1803 Sèvres|French, 1740–present|French, Rouen 1724–1801 Paris|French, Valenciennes 1720–1778 Brussels | 11750 | 95 | 1734 |1740 |1724 |1720 | 1803 |9999 |1801 |1778 | 1777 | 1777 | 1777 | 23658 | 13 x 10 1/8 in. (33 x 25.7 cm.) | Gift of the Estate of Harry John Kratzer, 1988 | 307 | http://www.metmuseum.org/art/collection/search/207756 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
104328 | 12.135.5 | 0 | 1 | 191948 | 3 | 75 | Banquet of the Gods | 549 | 7 | Probably cast by | Antonio Gentili (Antonio da Faenza)|Guglielmo della Porta | Italian, Faenza ca. 1519–1610 Faenza (?)|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | 8776 | 93 | 1514 |1500 | 1610 |1577 | after 1585 | 1585 | 1699 | 21118 | Overall: 9 5/8 × 5 1/2 in. (24.4 × 14 cm) | Rogers Fund, 1912 | 326 | http://www.metmuseum.org/art/collection/search/191948 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
328516 | 1987.89 | 0 | 1 | 469906 | 17 | 75 | Plaque with Saint Aemilian | 13 | 2 | Master Engelram and his son Redolfo | Spanish, active Longroño, 1060–1090/5 | 44721 | 76 | 1060 | 1095 | 1060–80 | 1060 | 1080 | 50233 | Overall: 8 1/8 x 3 x 1/4 in. (20.6 x 7.6 x 0.7 cm) | The Cloisters Collection, 1987 | 1 | 767 | 5 | 181 | http://www.metmuseum.org/art/collection/search/469906 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
46123 | 91.1.256 | 0 | 1 | 53617 | 7 | 75 | 46 | 2 | Toyosuke IV | Japanese, | 3955 | 74 | 19th century | 1800 | 1899 | 11586 | H. 13 1/2 (34.3 cm ); W. 13 1/2 in. (34.3 cm) | Edward C. Moore Collection, Bequest of Edward C. Moore, 1891 | 5 | http://www.metmuseum.org/art/collection/search/53617 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
122486 | 2003.235 | 0 | 1 | 212210 | 3 | 75 | Hercules and Achelous (in the form of a bull) | 184 | 1 | Attributed to the | Master of the Martyrdom of St. Sebastian | Austrian | 11612 | 66 | ca. 1670 | 1665 | 1675 | 148 | Overall: 3 × 2 1/2 in. (7.6 × 6.4 cm) | Purchase, Mrs. Sid R. Bass, Mrs. Oscar de la Renta and Mrs. Walter Annenberg Gifts, in honor of Mrs. Charles Wrightsman, 2003 | 311 | http://www.metmuseum.org/art/collection/search/212210 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
4803 | 83.2.287 | 0 | 1 | 5160 | 1 | 75 | Plaque | 13 | Possibly | James Tassie|Jean Jacques Caffiéri | British, Glasgow, Scotland 1735–1799 London|French, Paris 1725–1792 Paris | 713 | 23 | 1735 |1725 | 1799 |1792 | 1776–1883 | 1776 | 1883 | 302 | 3 x 2 3/8 in. (7.6 x 6 cm) | Gift of William H. Huntington, 1883 | 5 | 14 | 4 | 3 | http://www.metmuseum.org/art/collection/search/5160 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
4804 | 83.2.290 | 0 | 1 | 5161 | 1 | 75 | Plaque | 13 | Possibly|After | James Tassie|Augustin Dupré | British, Glasgow, Scotland 1735–1799 London|French, Saint-Étienne 1748–1833 Armentières-en-Brie | 714 | 23 | 1735 |1748 | 1799 |1833 | 1776–1830 | 1776 | 1830 | 300 | Diam. 1 7/8 in. (4.8 cm) | Gift of William H. Huntington, 1883 | 5 | 14 | 4 | 3 | http://www.metmuseum.org/art/collection/search/5161 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
109083 | 32.100.271 | 0 | 1 | 197127 | 3 | 75 | The Crucifixion | 666 | 6 | Attributed to|Frame probably by the workshop of | Colin Nouailher|Alfred André | French, active 1539, d. after 1571|French, 1839–1919 | 9812 | 21 | 1471 |1839 | 1571 |1919 | mid-16th century | 1530 | 1565 | 22015 | 8 3/4 × 6 7/8 in. (22.2 × 17.5 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197127 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
111380 | 45.60.18 | 0 | 1 | 199626 | 3 | 75 | The Resurrection | 666 | 6 | or possibly|Possibly | Jean III Pénicaud|Jean II Pénicaud | French, died 1570|French, working ca. 1531/32–1549 | 10262 | 21 | 1470 |1524 | 1570 |1554 | possibly second half 16th century | 1550 | 1599 | 20538 | 7 3/4 × 6 3/4 in. (19.7 × 17.1 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199626 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
113428 | 54.147.19 | 0 | 1 | 201729 | 3 | 75 | Plaque (tableau) | 2212 | 376 | Charles Nicolas Dodin|Sèvres Manufactory | French, Versailles 1734–1803 Sèvres|French, 1740–present | 10759 | 21 | 1734 |1740 | 1803 |9999 | 1761 | 1761 | 1761 | 2061 | Overall (confirmed): 9 7/8 × 7 9/16 in. (25.1 × 19.2 cm) | Gift of R. Thornton Wilson, in memory of Florence Ellsworth Wilson, 1954 | 307 | http://www.metmuseum.org/art/collection/search/201729 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
121197 | 41.100.250b | 0 | 1 | 210776 | 3 | 75 | The Last Supper (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 × 2 3/8 in. (7 × 6 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210776 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
121198 | 41.100.250c | 0 | 1 | 210777 | 3 | 75 | Christ Saying Farewell to His Mother (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210777 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
121199 | 41.100.250d | 0 | 1 | 210778 | 3 | 75 | The Betrayal (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210778 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
121200 | 41.100.250e | 0 | 1 | 210779 | 3 | 75 | The Agony in the Garden (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210779 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
121201 | 41.100.250f | 0 | 1 | 210780 | 3 | 75 | The Crucifixion (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210780 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
121202 | 41.100.250g | 0 | 1 | 210781 | 3 | 75 | The Resurrection (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
121203 | 41.100.250h | 0 | 1 | 210782 | 3 | 75 | The Ascension of Christ (one of seven) | 666 | 354 | Workshop of|possibly | Jean II Pénicaud|Jean III Pénicaud | French, working ca. 1531/32–1549|French, died 1570 | or | 12135 | 21 | 1524 |1470 | 1554 |1570 | mid-16th century | 1530 | 1565 | 20538 | 2 3/4 x 2 1/4 in. (7 x 5.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/210782 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
140184 | 2011.357 | 0 | 1 | 238641 | 3 | 75 | Hercules and the Twelve Labors | 7 | 32 | After a composition by | Paul Grandhomme|Alfred Garnier|Gustave Moreau | 1851–1944|French, 1848–1908|French, Paris 1826–1898 Paris | 12832 | 21 | 1851 |1848 |1826 | 1944 |1908 |1898 | ca. 1895 | 1890 | 1900 | 232 | Overall: 7 3/16 x 5 7/8 in. (18.3 x 14.9 cm) | Gift of The Isaacson-Draper Foundation, in honor of Ian Wardropper, 2011 | 193 | http://www.metmuseum.org/art/collection/search/238641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
4117 | 83.2.292 | 0 | 1 | 4446 | 1 | 75 | Plaque | 13 | After|Possibly | Augustin Dupré|James Tassie | French, Saint-Étienne 1748–1833 Armentières-en-Brie|British, Glasgow, Scotland 1735–1799 London | 593 | 17 | 1748 |1735 | 1833 |1799 | 1776–1830 | 1776 | 1830 | 31 | Diam. 1 7/8 in. (4.8 cm) | Gift of William H. Huntington, 1883 | 5 | 14 | 4 | 3 | http://www.metmuseum.org/art/collection/search/4446 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
13479 | 06.293.2 | 0 | 1 | 14641 | 2 | 75 | James McNeill Whistler | 2 | Victor David Brenner | American (born Lithuania), Kaunas 1871–1924 New York | 574 | 15 | 1871 | 1924 | 1905 | 1905 | 1905 | 2368 | 2 1/2 x 3 1/2 in. (6.4 x 8.9 cm) | Gift of Mr. and Mrs. Frederick S. Wait, 1906 | 12 | http://www.metmuseum.org/art/collection/search/14641 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
105663 | 17.190.480 | 0 | 1 | 193498 | 3 | 75 | Meeting of Maximilian and the Emperor Frederick | 27 | 2 | After a composition by | Hans Burgkmair | German, Augsburg 1473–1531 Augsburg | 9047 | 10 | 1473 | 1531 | 16th century | 1500 | 1599 | 21261 | Overall: 8 1/2 × 6 7/8 in. (21.6 × 17.5 cm) | Gift of J. Pierpont Morgan, 1917 | 311 | http://www.metmuseum.org/art/collection/search/193498 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
112690 | 51.1.2 | 0 | 1 | 200973 | 3 | 75 | Plaque | 2269 | 330 | Decorated in the manner of | Meissen Manufactory|Franz Ferdinand Mayer | German, 1710–present | 10700 | 10 | 1710 |1700 | 9999 |1800 | ca. 1750–60 | 1745 | 1765 | 572 | 3 11/16 × 2 11/16 in. (9.4 × 6.8 cm) | Gift of R. Thornton Wilson, 1951 | 307 | http://www.metmuseum.org/art/collection/search/200973 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
329877 | 69.238.1 | 0 | 1 | 471950 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 7/16 x 1 9/16 x 5/16 in. (8.7 x 4 x 0.8 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471950 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
329878 | 69.238.2 | 0 | 1 | 471951 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 1/2 x 1 5/8 x 3/8 in. (8.9 x 4.1 x 0.9 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471951 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
329879 | 69.238.3 | 0 | 1 | 471952 | 17 | 75 | Plaque from a Reliquary | 27 | 2 | Workshop of the | Master of the Virgin Mary's Reliquary Casket | German, Aachen | 44758 | 10 | early 13th century | 1200 | 1240 | 50418 | Overall: 3 5/16 x 1 9/16 x 5/16 in. (8.4 x 4 x 0.8 cm) | The Cloisters Collection, 1969 | 1 | 556 | 16 | 193 | http://www.metmuseum.org/art/collection/search/471952 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
107141 | 24.80.39 | 0 | 1 | 195076 | 3 | 75 | Plaque | 2229 | 420 | John Flaxman|Josiah Wedgwood | British, York 1755–1826 London|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8581 | 9 | 1755 |1730 | 1826 |1795 | ca. 1790 (?) | 1785 | 1795 | 304 | 6 × 9 1/8 in. (15.2 × 23.2 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195076 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
107144 | 24.80.42 | 0 | 1 | 195079 | 3 | 75 | The Archers | 2456 | 420 | Possibly modeled by | William Hackwood|Josiah Wedgwood | British, ca. 1753–1836|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8635 | 9 | 1748 |1730 | 1836 |1795 | late 18th century | 1785 | 1799 | 21720 | 2 7/8 × 4 in. (7.3 × 10.2 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195079 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
116859 | 1974.28.137 | 0 | 1 | 205640 | 3 | 75 | An urn overflowing with fruit and flowers | 2295 | 570 | Flowers painted by|Architecture and landscape painted by | George Hancock|Jesse Mountford|Derby Porcelain Manufactory|Bloor Period | British, active 1825–40|British, active 1825–50|British, 1751–1785 | 11397 | 9 | 1825 |1825 |1751 | 1840 |1850 |1785 | ca. 1825 | 1820 | 1830 | 21081 | Overall: 12 3/4 × 9 3/4 in. (32.4 × 24.8 cm) | Bequest of Irwin Untermyer, 1973 | 307 | http://www.metmuseum.org/art/collection/search/205640 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
1024 | 83.2.285 | 0 | 1 | 1108 | 1 | 75 | Plaque | 1 | Possibly | James Tassie | British, Glasgow, Scotland 1735–1799 London | 219 | 8 | 1735 | 1799 | 1776–1825 | 1776 | 1825 | 302 | 3 5/8 x 2 3/4 in. (9.2 x 7 cm) | Gift of William H. Huntington, 1883 | 5 | 14 | 4 | 3 | http://www.metmuseum.org/art/collection/search/1108 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
4805 | 39.188 | 0 | 1 | 5162 | 1 | 75 | Plaque | 1 | James Tassie | British, Glasgow, Scotland 1735–1799 London | 219 | 8 | 1735 | 1799 | 1796 | 1796 | 1796 | 942 | 3 1/2 x 2 3/8 in. (8.9 x 6 cm) | Rogers Fund, 1939 | 1 | 14 | 4 | 3 | http://www.metmuseum.org/art/collection/search/5162 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
103149 | 08.78.5 | 0 | 0 | 190694 | 3 | 75 | Plaque | 2181 | 20 | Elkington & Co. | British, Birmingham, 1829–1963 | 2972 | 7 | 1829 | 1963 | 19th century, after 17th century original | 1800 | 1899 | 104 | Diameter: 11 1/2 in. (29.2 cm) | Rogers Fund, 1908 | 136 | http://www.metmuseum.org/art/collection/search/190694 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
104177 | 11.133.5 | 0 | 1 | 191784 | 3 | 75 | Plaque | 6 | 1 | Enoch Wood | British, 1759–1846 | 563 | 7 | 1759 | 1846 | 18th century | 1700 | 1799 | 20492 | Height: 8 5/8 in. (21.9 cm) | Frederick C. Hewitt Fund, 1911 | 314 | http://www.metmuseum.org/art/collection/search/191784 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
105291 | 14.102.401 | 0 | 1 | 193096 | 3 | 75 | Plaque | 2229 | 20 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | late 18th century | 1785 | 1799 | 304 | 3/4 × 1 1/8 in. (1.9 × 2.9 cm) | Bequest of Mary Mandeville Johnston, from the collection of Mr. and Mrs. Edward W. S. Johnston, 1914 | 314 | http://www.metmuseum.org/art/collection/search/193096 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
107142 | 24.80.40 | 0 | 1 | 195077 | 3 | 75 | Plaque | 2456 | 420 | Lady Templetown|Josiah Wedgwood | before 1759–1823, active 1777–83|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8582 | 7 | 1759 |1730 | 1823 |1795 | probably ca. 1790 | 1785 | 1795 | 21720 | 3 × 4 1/2 in. (7.6 × 11.4 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195077 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
107143 | 24.80.41 | 0 | 1 | 195078 | 3 | 75 | Plaque | 2456 | 328 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | 1776–96 | 1776 | 1796 | 21721 | 2 7/8 × 4 in. (7.3 × 10.2 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195078 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
108802 | 31.84.1 | 0 | 1 | 196842 | 3 | 75 | Rape of Helen | 2456 | 328 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | 1780–90 | 1780 | 1790 | 21964 | Diam. 13 5/8 in. (34.6 cm) | Rogers Fund, 1931 | 314 | http://www.metmuseum.org/art/collection/search/196842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
108803 | 31.84.2 | 0 | 1 | 196843 | 3 | 75 | Hercules and Antaeus | 2456 | 328 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | 1780–90 | 1780 | 1790 | 21964 | Diam. 13 5/8 in. (34.6 cm) | Rogers Fund, 1931 | 314 | http://www.metmuseum.org/art/collection/search/196843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
115115 | 64.101.777 | 0 | 1 | 203598 | 3 | 75 | Floral plaque | 2276 | 555 | Probably | Richard Champion|Thomas Briand|Bristol | British, active 1742–1780|British | 11064 | 7 | 1742 | 1780 | ca. 1774–77 | 1769 | 1782 | 572 | 5 1/2 × 4 1/2 in. (14 × 11.4 cm) | Gift of Irwin Untermyer, 1964 | 307 | http://www.metmuseum.org/art/collection/search/203598 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
140548 | 2013.239.3 | 0 | 1 | 239505 | 3 | 75 | Plaque depicting a pottery workshop | 3984 | 1 | R. W. Martin and Brothers | British, 1873–1915 | 12896 | 7 | 1873 | 1915 | ca. 1882 | 1877 | 1887 | 160 | Overall (confirmed): 7 1/4 × 17 × 2 1/8 in. (18.4 × 43.2 × 5.4 cm); Framed (confirmed): 16 1/4 × 19 3/4 × 2 5/8 in. (41.3 × 50.2 × 6.7 cm) | Robert A. Ellison Jr. Collection, Gift of Robert A. Ellison Jr., 2013 | 314 | http://www.metmuseum.org/art/collection/search/239505 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
100117 | 91.22 | 0 | 1 | 187474 | 3 | 75 | Ceres Instructing in the Art of Husbandry | 2254 | 328 | Doccia Porcelain Manufactory | Italian, 1737–1896 | 8138 | 6 | 1737 | 1896 | 19th century | 1800 | 1899 | 109 | 16 1/2 × 22 1/2 in. (41.9 × 57.2 cm) | Bequest of Mrs. Nathaniel Pendleton Hosack, in memory of her husband, 1891 | 307 | http://www.metmuseum.org/art/collection/search/187474 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
106605 | 17.190.2094 | 0 | 1 | 194444 | 3 | 75 | The Flagellation of Christ | 453 | 1 | Influenced by | Donatello | Italian, Florence ca. 1386–1466 Florence | 7985 | 6 | 1386 | 1466 | 15th century | 1400 | 1499 | 23 | Overall (confirmed): 7 3/16 × 7 3/4 × 9/16 in. (18.3 × 19.7 × 1.4 cm) | Gift of J. Pierpont Morgan, 1917 | 304 | http://www.metmuseum.org/art/collection/search/194444 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
109002 | 32.100.168 | 0 | 1 | 197046 | 3 | 75 | Pax with the Risen Christ Appearing to the Apostles | 549 | 2 | Probably by | Guglielmo della Porta | Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | 8889 | 6 | 1500 | 1577 | 1566–77 | 1566 | 1577 | 30 | Overall: 5 7/16 x 3 11/16 (at base) x 2 in. (13.8 x 9.4 x 5.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 304 | http://www.metmuseum.org/art/collection/search/197046 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
110194 | 38.152.11 | 0 | 1 | 198307 | 3 | 75 | The Rest on the Flight into Egypt | 549 | 2 | Alessandro Algardi | Italian, Bologna 1598–1654 Rome | 8588 | 6 | 1598 | 1654 | 17th century | 1600 | 1699 | 23 | 10 1/2 x 13 in. (26.7 x 33 cm) | Rogers Fund, 1938 | 304 | http://www.metmuseum.org/art/collection/search/198307 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
110291 | 39.78 | 0 | 1 | 198408 | 3 | 75 | Marriage of Peleus and Thetis | 122 | 2 | Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) | Italian, 1525–1608 | 8752 | 6 | 1525 | 1608 | ca. 1575 | 1570 | 1580 | 23 | 15 × 9 3/8 in. (38.1 × 23.8 cm) | Samuel D. Lee Fund, 1939 | 304 | http://www.metmuseum.org/art/collection/search/198408 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
117652 | 1976.422.5 | 0 | 1 | 206575 | 3 | 75 | Virgin adoring the Christ Child | 360 | 2 | After a composition by | Lelio Orsi (called Lelio da Novellara) | Italian, Novellara 1508/11–1587 Novellara | 11536 | 6 | 1508 | 1587 | probably 17th century | 1600 | 1699 | 148 | Height: 3 1/4 in. (8.3 cm) | Gift of Alfred and Victoria Harris, 1976 | 311 | http://www.metmuseum.org/art/collection/search/206575 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
3702 | 83.2.151 | 0 | 1 | 3956 | 1 | 75 | George Washington | 7 | 1 | Antoine Bonnefoy | French | 567 | 2 | 1776–1800 | 1776 | 1800 | 781 | Diam. 15 in. (38.1 cm) | Gift of William H. Huntington, 1883 | 5 | 177 | 42 | 42 | 9 | 5 | http://www.metmuseum.org/art/collection/search/3956 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
4209 | 83.2.312 | 0 | 1 | 4542 | 1 | 75 | Plaqu | 1 | Rambert Dumarest | French, 1760–1806 | 607 | 2 | 1760 | 1806 | 1789 | 1789 | 1789 | 30 | Diam. 1 1/4 in. (3.2 cm) | Gift of William H. Huntington, 1883 | 1 | 9 | 1 | http://www.metmuseum.org/art/collection/search/4542 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
4802 | 93.7.2 | 0 | 1 | 5159 | 1 | 75 | Plaque of Benjamin Franklin | 7 | 1 | Jean Martin Renaud | French, Sarreguemines 1746–1821 Paris | 123 | 2 | 1746 | 1821 | ca. 1797 | 1794 | 1797 | 160 | H. 4 1/16 in. (10.3 cm) | Gift of George A. Lucas, 1893 | 1 | 9 | 5 | http://www.metmuseum.org/art/collection/search/5159 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
5522 | 83.2.241 | 0 | 1 | 5900 | 1 | 75 | Plaque | 1 | Possibly | Charles Nicolas Cochin II | French, Paris 1715–1790 Paris | 189 | 2 | 1715 | 1790 | 1770–90 | 1770 | 1790 | 1089 | 1 7/8 x 1 3/8 in. (4.8 x 3.5 cm) | Gift of William H. Huntington, 1883 | 2 | 4 | 5 | http://www.metmuseum.org/art/collection/search/5900 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
5524 | 83.2.243 | 0 | 1 | 5902 | 1 | 75 | Plaque | 7 | 1 | Joseph Siffred Duplessis | French, Carpentras 1725–1802 Versailles | 190 | 2 | 1725 | 1802 | ca. 1770–1800 | 1767 | 1800 | 109 | Diam. 2 5/8 in. (6.7 cm) | Gift of William H. Huntington, 1883 | 1 | 9 | 5 | http://www.metmuseum.org/art/collection/search/5902 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
5529 | 83.2.278 | 0 | 1 | 5907 | 1 | 75 | Benjamin Franklin | 7 | 40 | Probably designed by|After | Emile Dupont-Zipcy|Charles Nicolas Cochin II | 1822–1885|French, Paris 1715–1790 Paris | 832 | 2 | 1822 |1715 | 1885 |1790 | 1877 | 1877 | 1877 | 781 | 9 1/4 x 9 3/8 in. (23.5 x 23.8 cm) | Gift of William H. Huntington, 1883 | 1 | 9 | 5 | http://www.metmuseum.org/art/collection/search/5907 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
6408 | 04.12 | 0 | 1 | 6854 | 1 | 75 | Plaque of Benjamin Franklin | 1 | Attributed to | Jean Martin Renaud | French, Sarreguemines 1746–1821 Paris | 123 | 2 | 1746 | 1821 | 1776–1821 | 1776 | 1821 | 23 | 2 3/4 x 1 7/8 in. (7 x 4.8 cm) | Gift of John L. Cadwalader, 1904 | 5 | 27 | 9 | 1 | http://www.metmuseum.org/art/collection/search/6854 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
100155 | 93.10.18 | 0 | 1 | 187513 | 3 | 75 | Pierre Boulanger, Ironworker, and His Wife | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 19th century | 1800 | 1899 | 20617 | 5 1/2 × 4 in. (140 × 102 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187513 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
100159 | 93.10.22 | 0 | 1 | 187517 | 3 | 75 | Marie Augustine Roty, Wife of the Medalist | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1880 | 1880 | 1880 | 20623 | 5 3/4 × 4 3/16 in. (146 × 106 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187517 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
100168 | 93.10.31 | 0 | 1 | 187526 | 3 | 75 | Jean Baptiste and Elisabeth Virginie Roty, Parents of the Medalist | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1886 | 1886 | 1886 | 20625 | 5 5/16 × 6 7/16 in. (135 × 164 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187526 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
100172 | 93.10.35a, b | 0 | 1 | 187530 | 3 | 75 | In Memory of Dr. Leon-Athanase Gosselin, French Surgeon (1815–1887) | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1888 | 1888 | 1888 | 20625 | 5 1/2 × 4 in. (140 × 102 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187530 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
100174 | 93.10.37 | 0 | 1 | 187532 | 3 | 75 | Portrait of Mme. Simon | 7 | 1 | Jules-Clément Chaplain | French, Mortagne, Orne 1839–1909 Paris | 8006 | 2 | 1839 | 1909 | 1890 | 1890 | 1890 | 20626 | 8 1/2 × 6 3/8 in. (21.6 × 16.2 cm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/187532 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
100906 | 97.15.1a, b | 0 | 1 | 188324 | 3 | 75 | In Honor of George Duplessis, Curator of Prints, Bibliothéque National | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1886 | 1886 | 1886 | 20617 | 5 × 3 1/2 in. (127 × 89 mm) | Gift of Samuel P. Avery, 1897 | 306 | http://www.metmuseum.org/art/collection/search/188324 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
100907 | 97.15.2 | 0 | 1 | 188325 | 3 | 75 | Wounded Love | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 19th century | 1800 | 1899 | 20617 | Diameter: 7 in. (178 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/188325 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
101017 | 98.7.71 | 0 | 1 | 188472 | 3 | 75 | Maximilien Marie Isidore Robespierre (1758–1794), French revolutionary and investigator of "the Terror" | 7 | 2 | Pierre Jean David d'Angers | French, Angers 1788–1856 Paris | 679 | 2 | 1788 | 1856 | 19th century | 1800 | 1899 | 20735 | Diameter: 7 3/4 in. (19.7 cm) | Gift of Samuel P. Avery, 1898 | 306 | http://www.metmuseum.org/art/collection/search/188472 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
103547 | 09.17 | 0 | 1 | 191099 | 3 | 75 | L'Aurore du XXieme Siècle (Dawn of the Twentieth Century) | 7 | 2 | Medalist: | Jules Èdouard Roiné | French, Nantes 1857–1916 | 8637 | 2 | 1857 | 1916 | 20th century | 1900 | 1999 | 21018 | Overall: 14 × 24 in. (35.6 × 61 cm) | Rogers Fund, 1909 | 310 | http://www.metmuseum.org/art/collection/search/191099 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
105599 | 17.120.8 | 0 | 1 | 193421 | 3 | 75 | Christ Bearing the Cross | 666 | 353 | Jean Pénicaud I | French, ca. 1490–after 1543 | 9028 | 2 | 1490 | 1543 | early 16th century | 1500 | 1515 | 21250 | 8 1/2 × 7 in. (21.6 × 17.8 cm) | Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193421 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
105899 | 17.190.1024 | 0 | 0 | 193735 | 3 | 75 | Plaque (one of a pair) | 2212 | 328 | Sèvres Manufactory | French, 1740–present | 1209 | 2 | 1740 | 9999 | 19th century | 1800 | 1899 | 21400 | Diameter: 2 5/8 in. (6.7 cm) | Gift of J. Pierpont Morgan, 1917 | 307 | http://www.metmuseum.org/art/collection/search/193735 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
105900 | 17.190.1025 | 0 | 0 | 193736 | 3 | 75 | Plaque (one of a pair) | 2212 | 328 | Sèvres Manufactory | French, 1740–present | 1209 | 2 | 1740 | 9999 | 19th century | 1800 | 1899 | 21400 | Diameter: 2 5/8 in. (6.7 cm) | Gift of J. Pierpont Morgan, 1917 | 307 | http://www.metmuseum.org/art/collection/search/193736 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
108153 | 27.193 | 0 | 0 | 196164 | 3 | 75 | Plaque | 114 | 353 | Jean Serrière | French, Nancy 1893–1965 | 9700 | 2 | 1893 | 1965 | 1927 | 1927 | 1927 | 232 | 4 7/8 in. sq. | Purchase, Edward C. Moore, Jr. Gift Fund, 1927 | 193 | http://www.metmuseum.org/art/collection/search/196164 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
109067 | 32.100.255 | 0 | 1 | 197111 | 3 | 75 | The Crucifixion | 7 | 1 | Alfred André | French, 1839–1919 | (frame only) | 9086 | 2 | 1839 | 1919 | probably 19th–early 20th century | 1800 | 1915 | 20538 | Overall: 9 1/4 × 7 5/16 in. (23.5 × 18.6 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197111 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
109070 | 32.100.258 | 0 | 1 | 197114 | 3 | 75 | The Labors of the Months: Cutting Faggots (March) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197114 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
109071 | 32.100.259 | 0 | 1 | 197115 | 3 | 75 | The Labors of the Months: Ploughing (September) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197115 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
109072 | 32.100.260 | 0 | 1 | 197116 | 3 | 75 | Labors of the Months: Haymaking (July) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197116 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
109078 | 32.100.266 | 0 | 1 | 197122 | 3 | 75 | Orpheus Attacked by the Maenads | 666 | 353 | Suzanne de Court | French, active 1575–1625 | 9808 | 2 | 1575 | 1625 | first quarter 17th century | 1600 | 1625 | 21288 | 1 5/8 x 1 1/2 in. (4.1 x 3.8 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197122 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
109088 | 32.100.276 | 0 | 1 | 197132 | 3 | 75 | The Resurrection | 666 | 402 | Frame made by | Martial Reymond|Alfred André | recorded 1602–8|French, 1839–1919 | 9813 | 2 | 1602 |1839 | 1608 |1919 | early 17th century | 1600 | 1615 | 20538 | 8 × 6 3/4 in. (20.3 × 17.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197132 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
110581 | 41.100.248 | 0 | 1 | 198770 | 3 | 75 | The Last Supper | 201 | 2 | Possibly Workshop of | Alfred André | French, 1839–1919 | 9086 | 2 | 1839 | 1919 | late 19th–early 20th century | 1885 | 1915 | 20538 | Overall: 6 5/8 × 5 3/8 in. (16.8 × 13.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/198770 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
110606 | 41.100.304 | 0 | 1 | 198798 | 3 | 75 | The Education of the Virgin | 666 | 353 | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century, with later additions | 1530 | 1565 | 20538 | 8 7/8 × 6 5/8 in. (22.5 × 16.8 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/198798 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
111370 | 45.60.7 | 0 | 1 | 199616 | 3 | 75 | Christ Delivered to the People | 666 | 353 | Suzanne de Court | French, active 1575–1625 | 9808 | 2 | 1575 | 1625 | late 16th–early 17th century | 1585 | 1615 | 22344 | 9 1/2 x 7 1/4 in. (24.1 x 18.4 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199616 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
111376 | 45.60.14 | 0 | 1 | 199622 | 3 | 75 | Adoration of the Infant Christ (one of a pair) | 666 | 402 | Possibly made at the workshop of|Frame made by | Pierre Reymond|Alfred André | born 1513, working 1537, died after 1584|French, 1839–1919 | 10261 | 2 | 1513 |1839 | 1590 |1919 | probably third quarter 16th century | 1550 | 1575 | 20538 | 3 × 2 3/8 in. (7.6 × 6 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199622 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
111377 | 45.60.15 | 0 | 1 | 199623 | 3 | 75 | Pietà (one of a pair) | 666 | 402 | Possibly made at the workshop of|Frame made by | Pierre Reymond|Alfred André | born 1513, working 1537, died after 1584|French, 1839–1919 | 10261 | 2 | 1513 |1839 | 1590 |1919 | probably third quarter 16th century | 1550 | 1575 | 20538 | 3 × 2 3/8 in. (7.6 × 6 cm) | Fletcher Fund, 1945 | 193 | http://www.metmuseum.org/art/collection/search/199623 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
112314 | 49.7.107 | 0 | 1 | 200588 | 3 | 75 | Adoration of the Infant Christ | 666 | 1 | Probably made at workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | H. 7 1/4 in. (18.4 cm); W. 5 7/8 in. (14.9 cm.) | The Jules Bache Collection, 1949 | 193 | http://www.metmuseum.org/art/collection/search/200588 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
115179 | 64.101.854 | 0 | 1 | 203664 | 3 | 75 | Sleeping Shepherdess | 2229 | 13 | After an engraving by|After a painting by | Augustin Le Grand|Charles Dominique Joseph Eisen | 1765–1815|French, Valenciennes 1720–1778 Brussels | 11071 | 2 | 1765 |1720 | 1815 |1778 | 1775–80 | 1775 | 1780 | 22823 | Overall: 3 × 3 7/8 in. (7.6 × 9.8 cm) | Gift of Irwin Untermyer, 1964 | 328 | http://www.metmuseum.org/art/collection/search/203664 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
116930 | 1974.289.9 | 0 | 0 | 205716 | 3 | 75 | Adoration of the Magi | 666 | 1 | Workshop of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | probably ca. 1520 | 1515 | 1525 | 20538 | 4 5/8 x 3 1/2 in. (11.7 x 8.9 cm) | Bequest of Theodore Rousseau, 1974 | 193 | http://www.metmuseum.org/art/collection/search/205716 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
119143 | 1994.180 | 0 | 1 | 208179 | 3 | 75 | Plaque | 114 | 354 | Paul Grandhomme|Alfred Garnier | 1851–1944|French, 1848–1908 | 11893 | 2 | 1851 |1848 | 1944 |1908 | 1889 | 1889 | 1889 | 20538 | Diameter: 7 in. (17.8 cm) | Purchase, Friends of European Sculpture and Decorative Arts Gifts, 1994 | 193 | http://www.metmuseum.org/art/collection/search/208179 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
119539 | 1997.134 | 0 | 1 | 208576 | 3 | 75 | A Pointer Bitch | 7 | 2 | Medalist: | Victor Peter | French, Paris 1840–1918 Paris | 11594 | 2 | 1840 | 1918 | ca. 1886 | 1881 | 1891 | 23 | 5 7/16 × 10 3/8 in. (13.8 × 26.4 cm) | Purchase, Stephen K. Scher Gift, 1997 | 306 | http://www.metmuseum.org/art/collection/search/208576 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
140500 | 2013.967.1 | 0 | 1 | 239397 | 3 | 75 | Saint Matthew | 666 | 353 | Attributed to | Jean III Pénicaud | French, died 1570 | 12887 | 2 | 1470 | 1570 | ca. 1550 | 1545 | 1555 | 232 | Overall (confirmed, irregular diameter): 5 15/16 in. (15.1 cm); Framed: 7 1/16 in. (18 cm) | Gift of Alain Moatti, in memory of Olga Raggio and in honor of Philippe de Montebello, 2013 | 193 | http://www.metmuseum.org/art/collection/search/239397 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
327376 | 41.100.204 | 0 | 1 | 467776 | 6 | 75 | Plaque with the Raising of Lazarus | 7 | 2 | Attributed to | Jean Pénicaud I | French, ca. 1490–after 1543 | 9028 | 2 | 1490 | 1543 | first half 16th century | 1500 | 1550 | 49064 | Overall: 10 9/16 x 9 5/16 x 1/16 in. (26.8 x 23.6 x 0.2 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467776 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
327381 | 41.100.209 | 0 | 1 | 467781 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Atelier of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | 16th century | 1500 | 1599 | 49064 | Overall: 6 15/16 x 6 1/8 x 1/16 in. (17.6 x 15.5 x 0.2 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467781 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
327382 | 41.100.210 | 0 | 1 | 467782 | 6 | 75 | Plaque with Christ Carring Cross | 7 | 2 | Atelier of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | 16th century | 1500 | 1599 | 49064 | Overall: 7 x 6 1/8 x 1/16 in. (17.8 x 15.5 x 0.2 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467782 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
327383 | 41.100.211a | 0 | 1 | 467783 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Master of the Orléans Triptych | French, active late 15th–early 16th century | 11613 | 2 | 1485 | 1615 | 16th century | 1500 | 1599 | 49064 | Overall: 8 3/16 x 7 11/16 x 1/16 in. (20.8 x 19.5 x 0.2 cm) Inset: 4 13/16 x 4 1/8 in. (12.3 x 10.4 cm) | Gift of George Blumenthal, 1941 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/467783 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||
327715 | 49.7.111 | 0 | 1 | 468321 | 6 | 75 | Plaque with the Death of the Virgin | 7 | 2 | Workshop of | Jean Pénicaud I | French, ca. 1490–after 1543 | 9028 | 2 | 1490 | 1543 | early 16th century | 1500 | 1525 | 49064 | Overall: 5 5/8 x 6 5/8 in. (14.3 x 16.8 cm) | The Jules S. Bache Collection, 1949 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/468321 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
332330 | 49.7.105 | 0 | 1 | 478980 | 6 | 75 | Plaque with the Crucifixion | 7 | 2 | Workshop of | Nardon Pénicaud | French, 1470–1542/43 | 8917 | 2 | 1470 | 1543 | late 15th–early 16th century | 1475 | 1525 | 232 | Overall: 8 5/16 x 7 5/16 x 1/16 in. (21.2 x 18.6 x 0.2 cm) Framed: 9 3/16 x 8 1/16 x 7/16 in. (23.4 x 20.5 x 1.1 cm) | The Jules Bache S. Bache Collection, 1949 | 1 | 146 | 9 | 328 | http://www.metmuseum.org/art/collection/search/478980 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||
3704 | 83.2.134 | 0 | 1 | 3958 | 1 | 75 | George Washington | 7 | 39 | After | Emile Dupont-Zipcy|Gilbert Stuart | 1822–1885|American, North Kingston, Rhode Island 1755–1828 Boston, Massachusetts | 569 | 1 | 1822 |1755 | 1885 |1828 | 1840–83 | 1840 | 1883 | 781 | Diam. 8 3/4 in. (22.2 cm) | Gift of William H. Huntington, 1883 | 1 | 9 | 5 | http://www.metmuseum.org/art/collection/search/3958 | 4/23/2018 8:00:01 AM | 1 |