Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 100334 | 94.4.68 | 0 | 1 | 187707 | 3 | 75 | Plaque (one of a pair) | 2275 | second half 18th century | 1750 | 1799 | 113 | 19 7/8 × 16 1/4 in. (50.5 × 41.3 cm) | Gift of Henry G. Marquand, 1894 | 314 | http://www.metmuseum.org/art/collection/search/187707 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 100461 | 94.4.366 | 0 | 1 | 187868 | 3 | 75 | Plaque | 2229 | 39 | After a design by | Josiah Wedgwood and Sons|Lady Templetown | 1759–present|before 1759–1823, active 1777–83 | 8191 | 1759 |1759 | 9999 |1823 | ca. 1785–90 | 1780 | 1795 | 304 | 7 1/4 × 18 3/8 in. (18.4 × 46.7 cm) | Gift of Henry G. Marquand, 1894 | 314 | http://www.metmuseum.org/art/collection/search/187868 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 100906 | 97.15.1a, b | 0 | 1 | 188324 | 3 | 75 | In Honor of George Duplessis, Curator of Prints, Bibliothéque National | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 1886 | 1886 | 1886 | 20617 | 5 × 3 1/2 in. (127 × 89 mm) | Gift of Samuel P. Avery, 1897 | 306 | http://www.metmuseum.org/art/collection/search/188324 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 100907 | 97.15.2 | 0 | 1 | 188325 | 3 | 75 | Wounded Love | 7 | 2 | Medalist: | Louis-Oscar Roty | French, Paris 1846–1911 Paris | 8156 | 2 | 1846 | 1911 | 19th century | 1800 | 1899 | 20617 | Diameter: 7 in. (178 mm) | Gift of Samuel P. Avery, 1893 | 306 | http://www.metmuseum.org/art/collection/search/188325 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 101017 | 98.7.71 | 0 | 1 | 188472 | 3 | 75 | Maximilien Marie Isidore Robespierre (1758–1794), French revolutionary and investigator of "the Terror" | 7 | 2 | Pierre Jean David d'Angers | French, Angers 1788–1856 Paris | 679 | 2 | 1788 | 1856 | 19th century | 1800 | 1899 | 20735 | Diameter: 7 3/4 in. (19.7 cm) | Gift of Samuel P. Avery, 1898 | 306 | http://www.metmuseum.org/art/collection/search/188472 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 101285 | 03.7.1 | 0 | 1 | 188794 | 3 | 75 | A Vision of Victory | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | late 19th century | 1885 | 1899 | 20617 | 12 9/16 x 8 3/16 in. (3.19 x 2.08 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188794 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101286 | 03.7.2 | 0 | 1 | 188795 | 3 | 75 | Motherhood (Maternité) | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | 1899 | 1899 | 1899 | 20756 | Overall: 10 × 6 5/8 in. (25.4 × 16.8 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188795 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101287 | 03.7.3 | 0 | 1 | 188796 | 3 | 75 | Doctor Pierre Carl Potain (1825–1901) | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | before 1901 | 1801 | 1901 | 20757 | 8 3/4 × 6 9/16 in. (22.2 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188796 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101288 | 03.7.4 | 0 | 1 | 188797 | 3 | 75 | Known as "The Book Cover", enlargement of a plaquette-medal for the Societé des Amis des Livres | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | before 1903 | 1802 | 1902 | 20617 | 8 11/16 × 8 1/16 in. (22.1 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188797 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101289 | 03.7.5 | 0 | 1 | 188798 | 3 | 75 | Jean and Pierre Charpentier, the Artist's Sons | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | 1899–1903 | 1899 | 1903 | 20617 | 3 1/2 × 10 7/8 in. (8.9 × 27.6 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188798 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101291 | 03.7.8 | 0 | 1 | 188800 | 3 | 75 | Portrait of Dr. Ernest Besnier | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | late 19th century | 1885 | 1899 | 20758 | 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188800 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101292 | 03.7.9 | 0 | 1 | 188801 | 3 | 75 | In the Hospital | 7 | 2 | Alexandre-Louis-Marie Charpentier | French, Paris 1856–1909 Neuilly | 8349 | 1856 | 1909 | before 1902 | 1801 | 1901 | 20759 | 4 × 8 3/8 in. (10.2 × 21.3 cm) | Gift of Victor D. Brenner, 1903 | 306 | http://www.metmuseum.org/art/collection/search/188801 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101404 | 04.10.1 | 0 | 1 | 188915 | 3 | 75 | Death of Cato | 2271 | 1 | Probably by | Berardino Gentile | Italian, Castelli 1727–1813 Castelli | 8392 | 1727 | 1813 | late 18th century | 1785 | 1799 | 20784 | Overall: 11 × 14 7/8 × 5/8 in. (27.9 × 37.8 × 1.6 cm) | Rogers Fund, 1904 | 314 | http://www.metmuseum.org/art/collection/search/188915 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 101464 | 06.333a | 0 | 1 | 188978 | 3 | 75 | Plaque (one of a pair) | 2414 | 328 | Alcora factory | Spanish, 1727–1895 | 8408 | 1727 | 1895 | ca. 1755 | 1750 | 1760 | 20671 | Overall: 10 × 6 1/4 × 5/8 in. (25.4 × 15.9 × 1.6 cm) | Rogers Fund, 1906 | 314 | http://www.metmuseum.org/art/collection/search/188978 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 101729 | 07.124.2 | 0 | 0 | 189248 | 3 | 75 | New Year's Greeting Token of Eduard Foest | 184 | 2 | Medalist: | Franz Xaver Pawlik | Austrian, 1865–1906 | 8467 | 1865 | 1906 | late 19th century | 1885 | 1899 | 2 | Gift of Mr. and Mrs. Frederick S. Wait, 1907 | 306 | http://www.metmuseum.org/art/collection/search/189248 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 102610 | 07.225.510.402 | 0 | 1 | 190145 | 3 | 75 | Plaque | 7 | late 18th century | 1785 | 1799 | 30 | 13 3/4 × 5 3/4 in. (34.9 × 14.6 cm) | Gift of J. Pierpont Morgan, 1906 | 323 | http://www.metmuseum.org/art/collection/search/190145 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 102618 | 07.225.510.410 | 0 | 1 | 190153 | 3 | 75 | Plaque | 7 | late 18th century | 1785 | 1799 | 30 | 13 3/4 × 5 3/4 in. (34.9 × 14.6 cm) | Gift of J. Pierpont Morgan, 1906 | 323 | http://www.metmuseum.org/art/collection/search/190153 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 103121 | 08.70.6 | 0 | 0 | 190665 | 3 | 75 | Approach of Spring | 184 | 2 | Medalist: | Stanislas Sucharda | 8598 | 1850 | 1950 | 1904 | 1904 | 1904 | 20996 | 3 5/8 × 2 5/8 in. (92 × 67 mm) | Rogers Fund, 1908 | 306 | http://www.metmuseum.org/art/collection/search/190665 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 103124 | 08.70.9 | 0 | 0 | 190668 | 3 | 75 | Haydn, Mozart, Beethoven | 184 | 2 | Medalist: | Stephan Schwartz | 8599 | 1850 | 1950 | 1907 | 1907 | 1907 | 23 | 3 1/2 × 2 3/4 in. (89 × 70 mm) | Rogers Fund, 1908 | 306 | http://www.metmuseum.org/art/collection/search/190668 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 103125 | 08.70.11 | 0 | 1 | 190669 | 3 | 75 | To Commemorate the Centennial of the Austrian Empire Founded by Francis II, as Distinct from the Ancient Holy Roman Empire | 184 | 2 | Josef Tautenhayn | Austrian, Vienna 1837–1911 Vienna | 8600 | 1837 | 1911 | 1904 | 1904 | 1904 | 20617 | 9 1/8 × 7 in. (23.2 × 17.8 cm) | Rogers Fund, 1908 | 306 | http://www.metmuseum.org/art/collection/search/190669 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 103149 | 08.78.5 | 0 | 0 | 190694 | 3 | 75 | Plaque | 2181 | 20 | Elkington & Co. | British, Birmingham, 1829–1963 | 2972 | 7 | 1829 | 1963 | 19th century, after 17th century original | 1800 | 1899 | 104 | Diameter: 11 1/2 in. (29.2 cm) | Rogers Fund, 1908 | 136 | http://www.metmuseum.org/art/collection/search/190694 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 103176 | 08.105.14 | 0 | 0 | 190722 | 3 | 75 | Plaque | 2205 | 20 | Christofle & Cie | 8608 | 19th century, after 16th century original | 1800 | 1899 | 21002 | Overall: 9 3/8 × 7 1/16 in. (23.8 × 17.9 cm) | Rogers Fund, 1908 | 136 | http://www.metmuseum.org/art/collection/search/190722 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 103547 | 09.17 | 0 | 1 | 191099 | 3 | 75 | L'Aurore du XXieme Siècle (Dawn of the Twentieth Century) | 7 | 2 | Medalist: | Jules Èdouard Roiné | French, Nantes 1857–1916 | 8637 | 2 | 1857 | 1916 | 20th century | 1900 | 1999 | 21018 | Overall: 14 × 24 in. (35.6 × 61 cm) | Rogers Fund, 1909 | 310 | http://www.metmuseum.org/art/collection/search/191099 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 103641 | 09.165.1 | 0 | 0 | 191197 | 3 | 75 | To the Memory of Auguste Comte | 7 | 2 | Medalist: | Séraphin Vernier | French, 1852–1927 | 8680 | 1852 | 1927 | 1902 | 1902 | 1902 | 23 | 2 3/4 × 2 in. (70 × 51 mm) | Gift of Mr. and Mrs. Frederick S. Wait, 1909 | 306 | http://www.metmuseum.org/art/collection/search/191197 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 103700 | 10.6.2 | 0 | 0 | 191261 | 3 | 75 | Portrait of Johann Ludwig Paul Heyse | 184 | 2 | Medalist: | Rudolph Ferdinand Marschall | Austrian, Vienna 1873–1967 | 8459 | 1873 | 1967 | 1900 | 1900 | 1900 | 2 | 3 × 2 in. (7.6 × 5.1 cm) | Gift of Howard Mansfield, 1910 | 306 | http://www.metmuseum.org/art/collection/search/191261 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 103741 | 10.40.3 | 0 | 0 | 191304 | 3 | 75 | Francis Joseph I of Austria (1830–1916), in Commemoration of the 60th Anniversary of his Succession to the Throne | 184 | 2 | Medalist: | Rudolph Ferdinand Marschall | Austrian, Vienna 1873–1967 | 8459 | 1873 | 1967 | 1908 | 1908 | 1908 | 21040 | 3 5/8 × 2 1/2 in. (9.2 × 6.4 cm) | Gift of Mrs. Edward D. Adams, 1910 | 306 | http://www.metmuseum.org/art/collection/search/191304 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 103744 | 10.40.6 | 0 | 0 | 191307 | 3 | 75 | Portrait of Hans Count Wilczek | 184 | 2 | Medalist: | Rudolph Ferdinand Marschall | Austrian, Vienna 1873–1967 | 8459 | 1873 | 1967 | 20th century | 1900 | 1999 | 23 | 3 1/8 × 1 3/4 in. (7.9 × 4.4 cm) | Gift of Mrs. Edward D. Adams, 1910 | 306 | http://www.metmuseum.org/art/collection/search/191307 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 104177 | 11.133.5 | 0 | 1 | 191784 | 3 | 75 | Plaque | 6 | 1 | Enoch Wood | British, 1759–1846 | 563 | 7 | 1759 | 1846 | 18th century | 1700 | 1799 | 20492 | Height: 8 5/8 in. (21.9 cm) | Frederick C. Hewitt Fund, 1911 | 314 | http://www.metmuseum.org/art/collection/search/191784 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 104193 | 11.172 | 0 | 1 | 191802 | 3 | 75 | Christ Bearing the Cross | 2521 | probably late 18th–first half 19th century | 1785 | 1850 | 21102 | 6 3/8 x 4 1/2 in. (16.2 x 11.4 cm) | Frederick C. Hewitt Fund, 1911 | 193 | http://www.metmuseum.org/art/collection/search/191802 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 104328 | 12.135.5 | 0 | 1 | 191948 | 3 | 75 | Banquet of the Gods | 549 | 7 | Probably cast by | Antonio Gentili (Antonio da Faenza)|Guglielmo della Porta | Italian, Faenza ca. 1519–1610 Faenza (?)|Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | 8776 | 93 | 1514 |1500 | 1610 |1577 | after 1585 | 1585 | 1699 | 21118 | Overall: 9 5/8 × 5 1/2 in. (24.4 × 14 cm) | Rogers Fund, 1912 | 326 | http://www.metmuseum.org/art/collection/search/191948 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 105072 | 14.40.701 | 0 | 1 | 192742 | 3 | 75 | Portrait of an unidentified gentleman | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | mid-16th century | 1530 | 1565 | 7836 | 4 5/8 × 3 5/16 in. (11.7 × 8.4 cm) | Bequest of Benjamin Altman, 1913 | 193 | http://www.metmuseum.org/art/collection/search/192742 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 105073 | 14.40.702 | 0 | 1 | 192743 | 3 | 75 | Portrait of an unidentified gentleman | 666 | 2 | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | mid-16th century | 1530 | 1565 | 20538 | 4 5/8 × 3 5/16 in. (11.7 × 8.4 cm) | Bequest of Benjamin Altman, 1913 | 193 | http://www.metmuseum.org/art/collection/search/192743 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 105291 | 14.102.401 | 0 | 1 | 193096 | 3 | 75 | Plaque | 2229 | 20 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | late 18th century | 1785 | 1799 | 304 | 3/4 × 1 1/8 in. (1.9 × 2.9 cm) | Bequest of Mary Mandeville Johnston, from the collection of Mr. and Mrs. Edward W. S. Johnston, 1914 | 314 | http://www.metmuseum.org/art/collection/search/193096 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105332 | 14.132.37 | 0 | 0 | 193140 | 3 | 75 | Plaque | 2229 | 39 | After a design by | Josiah Wedgwood and Sons|Lady Templetown | 1759–present|before 1759–1823, active 1777–83 | 8191 | 1759 |1759 | 9999 |1823 | late 18th century | 1785 | 1799 | 304 | 7/8 × 1 5/8 in. (2.2 × 4.1 cm) | Rogers Fund, 1914 | 314 | http://www.metmuseum.org/art/collection/search/193140 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105599 | 17.120.8 | 0 | 1 | 193421 | 3 | 75 | Christ Bearing the Cross | 666 | 353 | Jean Pénicaud I | French, ca. 1490–after 1543 | 9028 | 2 | 1490 | 1543 | early 16th century | 1500 | 1515 | 21250 | 8 1/2 × 7 in. (21.6 × 17.8 cm) | Mr. and Mrs. Isaac D. Fletcher Collection, Bequest of Isaac D. Fletcher, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193421 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105654 | 17.190.465 | 0 | 1 | 193489 | 3 | 75 | Ludwig Raab, Ecclesiastic | 27 | 1576 | 1576 | 1576 | 7916 | Overall: 7 × 4 3/8 in. (17.8 × 11.1 cm) | Gift of J. Pierpont Morgan, 1917 | 311 | http://www.metmuseum.org/art/collection/search/193489 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105663 | 17.190.480 | 0 | 1 | 193498 | 3 | 75 | Meeting of Maximilian and the Emperor Frederick | 27 | 2 | After a composition by | Hans Burgkmair | German, Augsburg 1473–1531 Augsburg | 9047 | 10 | 1473 | 1531 | 16th century | 1500 | 1599 | 21261 | Overall: 8 1/2 × 6 7/8 in. (21.6 × 17.5 cm) | Gift of J. Pierpont Morgan, 1917 | 311 | http://www.metmuseum.org/art/collection/search/193498 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 105670 | 17.190.488 | 0 | 1 | 193505 | 3 | 75 | Daniel, Archbishop of Mainz | 2626 | 2 | Master HKVB | 9049 | 1500 | 1600 | 1568 | 1568 | 1568 | 21259 | Overall (confirmed): 6 7/8 × 5 × 5/8 in. (17.5 × 12.7 × 1.6 cm) | Gift of J. Pierpont Morgan, 1917 | 311 | http://www.metmuseum.org/art/collection/search/193505 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 105729 | 17.190.584 | 0 | 1 | 193564 | 3 | 75 | Adoration of the Magi | 2576 | 17th century | 1600 | 1699 | 21295 | 2 1/2 x 3 3/8 in. (6.4 x 8.6 cm) | Gift of J. Pierpont Morgan, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193564 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105797 | 17.190.825 | 0 | 1 | 193633 | 3 | 75 | Plaque | 36 | ca. 1677 | 1672 | 1682 | 533 | Overall: 29 1/2 × 35 3/4 in. (74.9 × 90.8 cm) | Gift of J. Pierpont Morgan, 1917 | 324 | http://www.metmuseum.org/art/collection/search/193633 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105800 | 17.190.839 | 0 | 1 | 193636 | 3 | 75 | The Risen Christ | 1136 | 401 | Cast by | Pietro Paolo Nardi | 9085 | 16th century | 1500 | 1599 | 30 | H. 15-1/2 in. (39.4 cm.); W. 7-3/4 in. (19.7 cm.) | Gift of J. Pierpont Morgan, 1917 | 304 | http://www.metmuseum.org/art/collection/search/193636 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 105859 | 17.190.910 | 0 | 0 | 193695 | 3 | 75 | Descent From the Cross | 203 | second half 19th century, after 16th century Italian model | 1850 | 1899 | 21373 | H. 2 7/8 in. (7.3 cm.); W. 1 3/4 in. (4.5 cm.) | Gift of J. Pierpont Morgan, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193695 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105865 | 17.190.919 | 0 | 1 | 193701 | 3 | 75 | Crucifixion | 1136 | 16th century | 1500 | 1599 | 959 | Overall: 2 5/8 × 2 1/8 in. (6.7 × 5.4 cm) | Gift of J. Pierpont Morgan, 1917 | 326 | http://www.metmuseum.org/art/collection/search/193701 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105868 | 17.190.925 | 0 | 1 | 193704 | 3 | 75 | A Martyred Saint | 1136 | late 15th or early 16th century | 1485 | 1515 | 21379 | H. 2 5/8 x W. 2 1/8 in. (6.7 x 5.4 cm) | Gift of J. Pierpont Morgan, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193704 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105874 | 17.190.980 | 0 | 1 | 193710 | 3 | 75 | The Nativity | 2654 | second half 15th century | 1450 | 1499 | 21382 | Overall: 3 3/8 × 1 3/4 in. (8.6 × 4.4 cm) | Gift of J. Pierpont Morgan, 1917 | 327 | http://www.metmuseum.org/art/collection/search/193710 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105895 | 17.190.1020 | 0 | 1 | 193731 | 3 | 75 | Plaque | 7 | 18th century | 1700 | 1799 | 21390 | 1 1/2 x 2 3/8 in. (3.8 x 6.0 cm) | Gift of J. Pierpont Morgan, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193731 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 105896 | 17.190.1021 | 0 | 1 | 193732 | 3 | 75 | Plaque | 247 | 403 | Workshop of Charles Fromery|Christian Friedrich Herold | 1685–1738|1700–1779 | , probably | 9099 | 299 | 1685 |1700 | 1738 |1779 | ca. 1730 | 1725 | 1735 | 21399 | 2 × 2 7/8 in. (5.1 × 7.3 cm) | Gift of J. Pierpont Morgan, 1917 | 193 | http://www.metmuseum.org/art/collection/search/193732 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 105899 | 17.190.1024 | 0 | 0 | 193735 | 3 | 75 | Plaque (one of a pair) | 2212 | 328 | Sèvres Manufactory | French, 1740–present | 1209 | 2 | 1740 | 9999 | 19th century | 1800 | 1899 | 21400 | Diameter: 2 5/8 in. (6.7 cm) | Gift of J. Pierpont Morgan, 1917 | 307 | http://www.metmuseum.org/art/collection/search/193735 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 105900 | 17.190.1025 | 0 | 0 | 193736 | 3 | 75 | Plaque (one of a pair) | 2212 | 328 | Sèvres Manufactory | French, 1740–present | 1209 | 2 | 1740 | 9999 | 19th century | 1800 | 1899 | 21400 | Diameter: 2 5/8 in. (6.7 cm) | Gift of J. Pierpont Morgan, 1917 | 307 | http://www.metmuseum.org/art/collection/search/193736 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 106578 | 17.190.1944 | 0 | 1 | 194417 | 3 | 75 | Plaque | 2452 | 328 | Factory of | Jean-Baptiste Guillibaud | working 1720–39 | 9364 | 1720 | 1739 | ca. 1735 | 1730 | 1740 | 20668 | Overall: 7 × 10 3/8 in. (17.8 × 26.4 cm) | Gift of J. Pierpont Morgan, 1917 | 314 | http://www.metmuseum.org/art/collection/search/194417 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 106591 | 17.190.2043 | 0 | 0 | 194430 | 3 | 75 | Diana and Neptune | 141 | 19th century | 1800 | 1899 | 9074 | Diameter: 5 3/4 in. (14.6 cm) | Gift of J. Pierpont Morgan, 1917 | 313 | http://www.metmuseum.org/art/collection/search/194430 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 106605 | 17.190.2094 | 0 | 1 | 194444 | 3 | 75 | The Flagellation of Christ | 453 | 1 | Influenced by | Donatello | Italian, Florence ca. 1386–1466 Florence | 7985 | 6 | 1386 | 1466 | 15th century | 1400 | 1499 | 23 | Overall (confirmed): 7 3/16 × 7 3/4 × 9/16 in. (18.3 × 19.7 × 1.4 cm) | Gift of J. Pierpont Morgan, 1917 | 304 | http://www.metmuseum.org/art/collection/search/194444 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 106947 | 21.178 | 0 | 0 | 194855 | 3 | 75 | Plaque | 4 | 19th century | 1800 | 1899 | 2 | Overall: 2 5/8 × 3 3/8 in. (6.7 × 8.6 cm) | Gift of Miss Mary Taft, 1921 | 313 | http://www.metmuseum.org/art/collection/search/194855 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 107141 | 24.80.39 | 0 | 1 | 195076 | 3 | 75 | Plaque | 2229 | 420 | John Flaxman|Josiah Wedgwood | British, York 1755–1826 London|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8581 | 9 | 1755 |1730 | 1826 |1795 | ca. 1790 (?) | 1785 | 1795 | 304 | 6 × 9 1/8 in. (15.2 × 23.2 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195076 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 107142 | 24.80.40 | 0 | 1 | 195077 | 3 | 75 | Plaque | 2456 | 420 | Lady Templetown|Josiah Wedgwood | before 1759–1823, active 1777–83|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8582 | 7 | 1759 |1730 | 1823 |1795 | probably ca. 1790 | 1785 | 1795 | 21720 | 3 × 4 1/2 in. (7.6 × 11.4 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195077 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 107143 | 24.80.41 | 0 | 1 | 195078 | 3 | 75 | Plaque | 2456 | 328 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | 1776–96 | 1776 | 1796 | 21721 | 2 7/8 × 4 in. (7.3 × 10.2 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195078 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 107144 | 24.80.42 | 0 | 1 | 195079 | 3 | 75 | The Archers | 2456 | 420 | Possibly modeled by | William Hackwood|Josiah Wedgwood | British, ca. 1753–1836|British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8635 | 9 | 1748 |1730 | 1836 |1795 | late 18th century | 1785 | 1799 | 21720 | 2 7/8 × 4 in. (7.3 × 10.2 cm) | Bequest of Mary Clark Thompson, 1923 | 314 | http://www.metmuseum.org/art/collection/search/195079 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 107183 | 24.80.87 | 0 | 1 | 195118 | 3 | 75 | Lamentation Beneath the Cross | 2770 | 2 | Adam Lenckhart | German, Würzburg 1610–1661 Vienna | 9483 | 1610 | 1661 | 1632 | 1632 | 1632 | 148 | Overall: 10 7/8 × 5 3/4 in. (27.6 × 14.6 cm) | Bequest of Mary Clark Thompson, 1923 | 311 | http://www.metmuseum.org/art/collection/search/195118 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107184 | 24.80.88 | 0 | 1 | 195119 | 3 | 75 | Assumption of the Virgin | 2770 | 13 | After a composition by | Titian (Tiziano Vecellio)|Adam Lenckhart | Italian, Pieve di Cadore ca. 1485/90?–1576 Venice|German, Würzburg 1610–1661 Vienna | 9484 | 1485 |1610 | 1576 |1661 | 1632 | 1632 | 1632 | 148 | Overall: 10 7/8 × 5 3/4 in. (27.6 × 14.6 cm) | Bequest of Mary Clark Thompson, 1923 | 311 | http://www.metmuseum.org/art/collection/search/195119 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 107186 | 24.80.90 | 0 | 1 | 195121 | 3 | 75 | The Holy Family | 2246 | early 18th century | 1700 | 1715 | 148 | Overall: 5 3/8 × 4 3/8 in. (13.7 × 11.1 cm) | Bequest of Mary Clark Thompson, 1923 | 311 | http://www.metmuseum.org/art/collection/search/195121 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 107336 | 25.39.1 | 0 | 1 | 195294 | 3 | 75 | The Trojans Defend Their City; They Kill Androgeos (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 7 1/4 x 7 3/4 in. (18.4 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195294 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107337 | 25.39.2 | 0 | 1 | 195295 | 3 | 75 | Aeneas Builds a Fleet Near Antandrus, at the Foot of Mount Ida (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 8 in. (22.2 x 20.3 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195295 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107338 | 25.39.3 | 0 | 1 | 195296 | 3 | 75 | Trojans Land Near Mount Etna; Beneath Lies the Giant Enceladus (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195296 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107339 | 25.39.4 | 0 | 1 | 195297 | 3 | 75 | Aeneas Departs from Carthage (Aeneid, Book IV) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 7/8 in. (22.2 x 20.0 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195297 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107340 | 25.39.5 | 0 | 1 | 195298 | 3 | 75 | Nisus and Euryalus Surprise the Rutuli in their Camp (Aeneid, Book IX) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Rogers Fund, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195298 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107341 | 25.40.1 | 0 | 1 | 195299 | 3 | 75 | Helenus and Andromache Give Presents to Aeneas (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Gift of J. Pierpont Morgan, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195299 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107342 | 25.40.2 | 0 | 1 | 195300 | 3 | 75 | The Fleet of Aeneas Arrives in Sight of Italy (Aeneid, Book III) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 3/4 x 7 3/4 in. (22.2 x 19.7 cm) | Gift of J. Pierpont Morgan, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195300 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107343 | 25.41 | 0 | 1 | 195301 | 3 | 75 | The Fall of Troy; Helen Takes Refuge in the Sanctuary of Vesta; Venus Counsels Aeneas; Juno Encourages the Greeks (Aeneid, Book II) | 666 | 2 | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | ca. 1530–35 | 1525 | 1540 | 20538 | 8 7/8 x 7 3/4 in. (22.5 x 19.7 cm) | Gift of Henry Walters, 1925 | 193 | http://www.metmuseum.org/art/collection/search/195301 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 107345 | 25.45.2 | 0 | 1 | 195303 | 3 | 75 | Plaque (one of two) | 7 | 1 | Micault | 9528 | 1725 | 1825 | second half 18th century | 1750 | 1799 | 232 | L. 5 3/16 in. (13.2 cm.); W. 4 3/8 in. (11.1 cm.) | Gift of Mrs. Morris Hawkes, 1925 | 328 | http://www.metmuseum.org/art/collection/search/195303 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 107346 | 25.45.3 | 0 | 1 | 195304 | 3 | 75 | Plaque (one of two) | 7 | 1 | Micault | 9528 | 1725 | 1825 | second half 18th century | 1750 | 1799 | 232 | L. 5 3/16 in. (13.2 cm.); W. 4 3/8 in. (11.1 cm.) | Gift of Mrs. Morris Hawkes, 1925 | 328 | http://www.metmuseum.org/art/collection/search/195304 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 108153 | 27.193 | 0 | 0 | 196164 | 3 | 75 | Plaque | 114 | 353 | Jean Serrière | French, Nancy 1893–1965 | 9700 | 2 | 1893 | 1965 | 1927 | 1927 | 1927 | 232 | 4 7/8 in. sq. | Purchase, Edward C. Moore, Jr. Gift Fund, 1927 | 193 | http://www.metmuseum.org/art/collection/search/196164 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 108366 | 28.217.3 | 0 | 0 | 196382 | 3 | 75 | Portrait of a lady | 201 | 19th century | 1800 | 1899 | 20538 | 12 x 9 3/8 in. (30.5 x 23.8 cm) | Gift of V. Everit Macy, 1928 | 193 | http://www.metmuseum.org/art/collection/search/196382 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 108802 | 31.84.1 | 0 | 1 | 196842 | 3 | 75 | Rape of Helen | 2456 | 328 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | 1780–90 | 1780 | 1790 | 21964 | Diam. 13 5/8 in. (34.6 cm) | Rogers Fund, 1931 | 314 | http://www.metmuseum.org/art/collection/search/196842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 108803 | 31.84.2 | 0 | 1 | 196843 | 3 | 75 | Hercules and Antaeus | 2456 | 328 | Josiah Wedgwood | British, Burslem, Stoke-on-Trent 1730–1795 Burslem, Stoke-on-Trent | 8583 | 7 | 1730 | 1795 | 1780–90 | 1780 | 1790 | 21964 | Diam. 13 5/8 in. (34.6 cm) | Rogers Fund, 1931 | 314 | http://www.metmuseum.org/art/collection/search/196843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109002 | 32.100.168 | 0 | 1 | 197046 | 3 | 75 | Pax with the Risen Christ Appearing to the Apostles | 549 | 2 | Probably by | Guglielmo della Porta | Italian, Porlezza, near Lake Lugano ca. 1500–1577 Rome | 8889 | 6 | 1500 | 1577 | 1566–77 | 1566 | 1577 | 30 | Overall: 5 7/16 x 3 11/16 (at base) x 2 in. (13.8 x 9.4 x 5.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 304 | http://www.metmuseum.org/art/collection/search/197046 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109051 | 32.100.237 | 0 | 1 | 197095 | 3 | 75 | Hercules and Nessus | 120 | 2 | Annibale Fontana | Italian, 1540–1587 | 9745 | 1540 | 1587 | before 1584 | 1550 | 1584 | 22005 | H. 3-1/16 x W. 4-1/16 in. (7.8 x 10.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 312 | http://www.metmuseum.org/art/collection/search/197095 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109052 | 32.100.238 | 0 | 1 | 197096 | 3 | 75 | Hercules and Acheloüs | 120 | 2 | Annibale Fontana | Italian, 1540–1587 | 9745 | 1540 | 1587 | before 1584 | 1550 | 1584 | 22005 | H. 3-1/16 x W. 4-1/16 in. (7.8 x 10.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 312 | http://www.metmuseum.org/art/collection/search/197096 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109063 | 32.100.251 | 0 | 1 | 197107 | 3 | 75 | Portrait of Jeanne de Genouillac | 340 | probably first half 19th century | 1800 | 1850 | 20538 | H. 6 5/8 in. (16.8 cm); W. 5 5/16 in. (13.5 cm.) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197107 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 109064 | 32.100.252 | 0 | 1 | 197108 | 3 | 75 | The Sibyl Aprippa | 666 | 1 | Workshop of | Léonard Limosin | ca. 1505–1575/1577 | 8919 | 1505 | 1577 | probably ca. 1535–40 | 1530 | 1545 | 20538 | 5 1/16 x 5 1/16 in. (12.9 x 12.9 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197108 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109066 | 32.100.254 | 0 | 0 | 197110 | 3 | 75 | Christ Crowned with Thorns | 201 | 19th century | 1800 | 1899 | 20538 | H. 6 in. (15.2 cm.); W. 4 3/4 in. (12.1 cm.) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197110 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 109067 | 32.100.255 | 0 | 1 | 197111 | 3 | 75 | The Crucifixion | 7 | 1 | Alfred André | French, 1839–1919 | (frame only) | 9086 | 2 | 1839 | 1919 | probably 19th–early 20th century | 1800 | 1915 | 20538 | Overall: 9 1/4 × 7 5/16 in. (23.5 × 18.6 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197111 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109070 | 32.100.258 | 0 | 1 | 197114 | 3 | 75 | The Labors of the Months: Cutting Faggots (March) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197114 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109071 | 32.100.259 | 0 | 1 | 197115 | 3 | 75 | The Labors of the Months: Ploughing (September) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197115 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109072 | 32.100.260 | 0 | 1 | 197116 | 3 | 75 | Labors of the Months: Haymaking (July) | 666 | 1 | Probably made at the workshop of | Jean II Pénicaud | French, working ca. 1531/32–1549 | 9805 | 2 | 1524 | 1554 | mid-16th century | 1530 | 1565 | 20538 | Width: 3 1/4 in. (8.3 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197116 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109073 | 32.100.261 | 0 | 1 | 197117 | 3 | 75 | The Nativity | 666 | probably second quarter 16th century | 1525 | 1550 | 20538 | 9 1/2 × 7 7/8 in. (24.1 × 20 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197117 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 109075 | 32.100.263 | 0 | 1 | 197119 | 3 | 75 | Diana Hunting and Proserpina in the Underworld | 666 | 353 | Master I. D. C. | active second half of the 16th century | 9807 | 1550 | 1599 | probably early 17th century | 1600 | 1615 | 22013 | 6 3/16 x 4 9/16 in. (15.7 x 11.6cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197119 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 109078 | 32.100.266 | 0 | 1 | 197122 | 3 | 75 | Orpheus Attacked by the Maenads | 666 | 353 | Suzanne de Court | French, active 1575–1625 | 9808 | 2 | 1575 | 1625 | first quarter 17th century | 1600 | 1625 | 21288 | 1 5/8 x 1 1/2 in. (4.1 x 3.8 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197122 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109081 | 32.100.269a, b | 0 | 1 | 197125 | 3 | 75 | The Sacrifice of Noah | 666 | 439 | After a fresco in the Vatican logia by the Workshop of|Based on engraving by | Master K.I.P.|Raphael (Raffaello Sanzio or Santi)|Marco Dente | French, active mid-16th century|Italian, Urbino 1483–1520 Rome|Italian, Ravenna, active by 1515–died 1527 Rome | 9811 | 211 | 1530 |1483 |1515 | 1565 |1520 |1527 | mid-16th century | 1530 | 1565 | 20538 | 4 5/16 x 4 11/16 in. (11 x 11.9 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197125 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109083 | 32.100.271 | 0 | 1 | 197127 | 3 | 75 | The Crucifixion | 666 | 6 | Attributed to|Frame probably by the workshop of | Colin Nouailher|Alfred André | French, active 1539, d. after 1571|French, 1839–1919 | 9812 | 21 | 1471 |1839 | 1571 |1919 | mid-16th century | 1530 | 1565 | 22015 | 8 3/4 × 6 7/8 in. (22.2 × 17.5 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197127 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109086 | 32.100.274 | 0 | 1 | 197130 | 3 | 75 | Madonna and Child | 666 | 1 | Possibly by | Master of the Aeneid | active ca. 1530–40 | 8113 | 1525 | 1545 | second quarter 16th century | 1525 | 1550 | 20538 | Height: 3 15/16 in. (10 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197130 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109088 | 32.100.276 | 0 | 1 | 197132 | 3 | 75 | The Resurrection | 666 | 402 | Frame made by | Martial Reymond|Alfred André | recorded 1602–8|French, 1839–1919 | 9813 | 2 | 1602 |1839 | 1608 |1919 | early 17th century | 1600 | 1615 | 20538 | 8 × 6 3/4 in. (20.3 × 17.1 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197132 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
| 109089 | 32.100.277 | 0 | 1 | 197133 | 3 | 75 | Astronomy | 666 | 353 | Possibly | Jean de Court | French, active ca. 1555–85 | 9814 | 1555 | 1585 | ca. 1575–1600 | 1570 | 1605 | 20538 | Overall: 3 11/16 × 2 3/16 in. (9.4 × 5.6 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197133 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 109090 | 32.100.278 | 0 | 1 | 197134 | 3 | 75 | The Devotion of St. Bathilda | 666 | 353 | Attributed to | Jean Limosin | recorded 1615–35 | 9815 | 1615 | 1635 | first quarter 17th century | 1600 | 1625 | 20538 | 5 1/16 × 4 1/8 in. (12.9 × 10.5 cm) | The Friedsam Collection, Bequest of Michael Friedsam, 1931 | 193 | http://www.metmuseum.org/art/collection/search/197134 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 110068 | 38.145.145 | 0 | 1 | 198179 | 3 | 75 | Portrait of a man | 142 | possibly 18th century | 1700 | 1799 | 22150 | Framed: 7 × 5 3/4 in. (17.8 × 14.6 cm) | Bequest of Mary Martin, 1938 | 311 | http://www.metmuseum.org/art/collection/search/198179 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 110072 | 38.145.150 | 0 | 0 | 198183 | 3 | 75 | Portrait of Princess Marie | 6 | 19th century | 1800 | 1899 | 31 | Framed: 8 1/8 × 6 in. (20.6 × 15.2 cm) | Bequest of Mary Martin, 1938 | 315 | http://www.metmuseum.org/art/collection/search/198183 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 110073 | 38.145.151 | 0 | 0 | 198184 | 3 | 75 | Portrait of Charlotte White | 233 | 19th century | 1800 | 1899 | 22152 | Framed: 5 1/8 × 4 3/8 in. (13 × 11.1 cm) | Bequest of Mary Martin, 1938 | 315 | http://www.metmuseum.org/art/collection/search/198184 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 110082 | 38.145.163 | 0 | 0 | 198193 | 3 | 75 | Plaque | 142 | 19th century | 1800 | 1899 | 20491 | Framed: 5 3/8 × 4 1/8 in. (13.7 × 10.5 cm) | Bequest of Mary Martin, 1938 | 315 | http://www.metmuseum.org/art/collection/search/198193 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 110129 | 38.145.211 | 0 | 1 | 198240 | 3 | 75 | Portrait of a lady | 142 | late 18th century | 1785 | 1799 | 109 | Overall: 1 1/2 × 1 1/8 in. (3.8 × 2.9 cm) | Bequest of Mary Martin, 1938 | 307 | http://www.metmuseum.org/art/collection/search/198240 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||||
| 110194 | 38.152.11 | 0 | 1 | 198307 | 3 | 75 | The Rest on the Flight into Egypt | 549 | 2 | Alessandro Algardi | Italian, Bologna 1598–1654 Rome | 8588 | 6 | 1598 | 1654 | 17th century | 1600 | 1699 | 23 | 10 1/2 x 13 in. (26.7 x 33 cm) | Rogers Fund, 1938 | 304 | http://www.metmuseum.org/art/collection/search/198307 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 110291 | 39.78 | 0 | 1 | 198408 | 3 | 75 | Marriage of Peleus and Thetis | 122 | 2 | Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) | Italian, 1525–1608 | 8752 | 6 | 1525 | 1608 | ca. 1575 | 1570 | 1580 | 23 | 15 × 9 3/8 in. (38.1 × 23.8 cm) | Samuel D. Lee Fund, 1939 | 304 | http://www.metmuseum.org/art/collection/search/198408 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 110581 | 41.100.248 | 0 | 1 | 198770 | 3 | 75 | The Last Supper | 201 | 2 | Possibly Workshop of | Alfred André | French, 1839–1919 | 9086 | 2 | 1839 | 1919 | late 19th–early 20th century | 1885 | 1915 | 20538 | Overall: 6 5/8 × 5 3/8 in. (16.8 × 13.7 cm) | Gift of George Blumenthal, 1941 | 193 | http://www.metmuseum.org/art/collection/search/198770 | 4/23/2018 8:00:01 AM | 1 |