Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 421297 | 2015.604.1 | 0 | 1 | 697702 | 11 | 23 | Erica Fulgida | 2 | Pierre Joseph Redouté | French, 1759–1840 | 28990 | 1759 | 1840 | 1813 | 1813 | 1813 | 60204 | Sheet: 17 3/4 × 11 3/4 in. (45.1 × 29.8 cm) | Gift of Anne H. Bass, 2015 | 9 | http://www.metmuseum.org/art/collection/search/697702 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421298 | 2015.604.2 | 0 | 1 | 697703 | 11 | 23 | Gloriosa Superba (Climbing Lily) | 2 | Nicolas Robert | French, Langres 1614–1685 Paris | 19524 | 1614 | 1685 | ca. 1660 | 1655 | 1665 | 60205 | Sheet: 15 1/4 × 11 1/2 in. (38.7 × 29.2 cm) | Gift of Anne H. Bass, 2015 | 9 | http://www.metmuseum.org/art/collection/search/697703 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421299 | 62.602.820 | 0 | 0 | 697712 | 11 | 731 | Jael hammering a tent peg into the temple of the sleeping Sisera, to the right a servant hides behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni | 878 | After | Pietro Monaco|Giovanni Battista Pittoni|Pietro Monaco | Italian, Belluno 1707–1772 Venice|Italian, Venice 1687–1767 Venice|Italian, Belluno 1707–1772 Venice | 53482 | 1707 |1687 |1707 | 1772 |1767 |1772 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 16 7/8 × 10 7/8 in. (42.8 × 27.6 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697712 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421300 | 2016.20 | 0 | 1 | 697751 | 11 | 23 | Portrait of Madame Paul Meurice, née Palmyre Granger | 2 | Jean Auguste Dominique Ingres | French, Montauban 1780–1867 Paris | 17393 | 1780 | 1867 | ca. 1845–50 | 1840 | 1855 | 1722 | Sheet: 22 × 17 5/8 in. (55.9 × 44.8 cm) | Purchase, Harris Brisbane Dick, Louis V. Bell, and Harry G. Sperling Funds, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and Leon D. and Debra R. Black Gift, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697751 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421301 | 2016.307 | 0 | 1 | 697835 | 11 | 23 | A Dictamnus | 2 | Balthasar van der Ast | Dutch, Middelburg 1593/94–1657 Delft | 36686 | 1593 | 1657 | early 17th–mid 17th century | 1613 | 1657 | 42125 | Sheet: 12 3/8 × 8 1/16 in. (31.5 × 20.4 cm) | Van Day Truex Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697835 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421302 | 2016.308 | 0 | 1 | 697836 | 11 | 23 | Riverscape with Two Sailboats and Several Figures; verso: A Mountainous Landscape near a River with a Horse-Drawn Barge and Several Figures | 2 | Cornelis Claesz. van Wieringen | Netherlandish, Haarlem ca. 1576–1633 Haarlem | 53543 | 1571 | 1633 | early 17th century | 1596 | 1633 | 60206 | Sheet: 5 7/8 × 10 9/16 in. (15 × 26.8 cm) | Van Day Truex Fund and Frits and Rita Markus Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697836 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421303 | 2016.309 | 0 | 0 | 697837 | 11 | 23 | Wooded Clearing at the Estate Randenbroek near Amersfoort | 2 | Albertus Brondgeest | Dutch, Amsterdam 1786–1849 Amsterdam | 53544 | 1786 | 1849 | 1820 | 1820 | 1820 | 29958 | Sheet: 14 9/16 × 18 7/8 in. (37 × 47.9 cm) | Van Day Truex Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697837 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421304 | 2016.119 | 0 | 1 | 697838 | 11 | 731 | Portrait of the Artist Johann Christian Reinhart | 2 | José de Madrazo | Spanish, Santander 1781–1859 Madrid | 53545 | 1781 | 1859 | 1811 | 1811 | 1811 | 26137 | Sheet: 11 15/16 × 8 11/16 in. (30.3 × 22 cm) | Harry G. Sperling Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697838 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421305 | 2016.360.1–.9 | 0 | 1 | 697839 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits | 13 | Jean Leclerc IV|Jan van Haelbeeck | French, baptized 1560, died Paris, 1622|Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630 | 53546 | 1555 |1595 | 1627 |1635 | ca. 1615 | 1610 | 1620 | 60207 | Each: 4 5/16 × 5 1/2 in. (11 × 14 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421306 | 2016.66 | 0 | 1 | 697840 | 11 | 731 | Carnival games held on the Mount Testaccio in Rome | 874 | Vincenzo Luchino|Giovanni Orlandi|Monogrammist ITF | Italian, active Rome and Venice from 1552, died Venice (?), 1569/71|Italian, active Rome, then Naples, from ca. 1590–1613, died 1640|Italian (?), active ca. 1540–60 | 53547 | 1552 |1590 |1500 | 1571 |1640 |1600 | 1558 | 1558 | 1558 | 7208 | Sheet: 10 5/8 × 17 3/16 in. (27 × 43.7 cm) | Edward Pearce Casey Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697840 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421307 | 2016.361 | 0 | 1 | 697841 | 11 | 731 | Deck of a Warship | 2 | Christoffer Wilhelm Eckersberg | Danish, Blåkrog 1783–1853 Copenhagen | 31015 | 1783 | 1853 | ca. 1833 | 1828 | 1838 | 26137 | Sheet (Trimmed): 9 7/16 × 11 7/8 in. (24 × 30.2 cm) | Charles Z. Offin and Mary Oenslager Funds, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697841 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421308 | 2016.525 | 0 | 1 | 697842 | 11 | 13828 | Design for a Garden Vase with Hunting Theme | 2 | Paul Egell | German, Waibstadt 1691–1752 Mannheim | 53548 | 1691 | 1752 | ca. 1740 | 1735 | 1745 | 60208 | Sheet: 16 7/8 × 10 7/16 in. (42.8 × 26.5 cm) | Edward Pearce Casey Fund, 2016 | 671 | http://www.metmuseum.org/art/collection/search/697842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421309 | 2016.503 | 0 | 0 | 697843 | 11 | 23 | Bird's-Eye View of the City of Casale di Monferrato | 2 | Francesco Zucchi | Italian, Venice 1692–1764 Venice | 53549 | 1692 | 1764 | ca. 1730–40 | 1725 | 1745 | 60209 | Sheet: 6 5/8 × 14 3/4 in. (16.9 × 37.4 cm) | Edward Pearce Casey Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421310 | 62.602.819 | 0 | 0 | 697844 | 11 | 731 | Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni | 878 | After | Pietro Monaco|Pietro Monaco|Giovanni Battista Pittoni | Italian, Belluno 1707–1772 Venice|Italian, Belluno 1707–1772 Venice|Italian, Venice 1687–1767 Venice | 53459 | 1707 |1707 |1687 | 1772 |1772 |1767 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 16 3/4 × 11 15/16 in. (42.6 × 30.4 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697844 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421311 | 63.625.433 | 0 | 0 | 697846 | 11 | 731 | Jacob Fighting with the Angel | 740 | Alfred Salmon|Léon Bonnat | French, Paris 1825–?1894|French, Bayonne 1833–1922 Monchy-Saint-Eloi | 53550 | 1825 |1833 | 1925 |1922 | 1876 | 1876 | 1876 | 29783 | Sheet: 11 in. × 8 1/8 in. (28 × 20.6 cm) Plate: 8 15/16 × 6 1/2 in. (22.7 × 16.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/697846 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421312 | 38.145.291 | 0 | 0 | 697847 | 11 | 731 | Bust Portrait of a Man | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | ca. 1819 | 1814 | 1824 | 26137 | Sheet (trimmed/circle): Diameter: 2 5/8 in. (6.6 cm) | Bequest of Mary Martin, 1938 | 13 | http://www.metmuseum.org/art/collection/search/697847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421313 | 38.145.301 | 0 | 0 | 697848 | 11 | 731 | Bust Portrait of a Man in Uniform | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | ca. 1819 | 1814 | 1824 | 26137 | Sheet (trimmed/circle): 4 3/16 × 4 3/16 in. (10.6 × 10.7 cm) | Bequest of Mary Martin, 1938 | 13 | http://www.metmuseum.org/art/collection/search/697848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421314 | 64.605.39 | 0 | 0 | 697849 | 11 | 731 | Basque Country, Saint Jean de Luz | 2 | Léon Bonnat | French, Bayonne 1833–1922 Monchy-Saint-Eloi | 43429 | 1833 | 1922 | 1898–99 | 1898 | 1899 | 29757 | Sheet: 9 9/16 × 12 1/16 in. (24.3 × 30.6 cm) Plate: 7 1/16 × 9 3/8 in. (18 × 23.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/697849 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421315 | 66.559.43 | 0 | 0 | 697850 | 11 | 731 | An Eagle Catching a Hare | 2 | Léon Bonnat | French, Bayonne 1833–1922 Monchy-Saint-Eloi | 43429 | 1833 | 1922 | 1898 | 1898 | 1898 | 30631 | Sheet: 9 9/16 × 12 1/16 in. (24.3 × 30.6 cm) Plate: 8 1/4 × 9 5/8 in. (21 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/697850 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421316 | 63.622.6 | 0 | 0 | 697851 | 11 | 731 | You have the key...but he found the lock | 878 | After | François Jules Gabriel Depeuille|Jean Louis Anselin|Antoine Borel | French, active Paris, 1783–98|French, Paris 1754–1823 Paris|French, Paris 1743–after 1810 | 53552 | 1783 |1754 |1743 | 1798 |1823 |1843 | probably 1783–89 | 1783 | 1789 | 26137 | Sheet: 13 3/8 in. × 17 in. (34 × 43.2 cm) Plate: 11 11/16 × 12 7/8 in. (29.7 × 32.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/697851 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421317 | 64.501.15 | 0 | 0 | 697853 | 11 | 731 | Camp at Châlons (Retreating from Flames) | 2 | Amédée de Boret | French, Jussey 1837–1916 Raincourt | 53553 | 1837 | 1916 | 1864–65 | 1864 | 1865 | 29783 | Sheet: 14 1/16 × 18 1/2 in. (35.7 × 47 cm) Plate: 9 3/8 × 12 1/2 in. (23.8 × 31.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/697853 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421318 | 63.527.62 | 0 | 0 | 697854 | 11 | 731 | Plowing in Nièvre | 1370 | After | Auguste-Paul-Charles Anastasi|Bertauts|Rosa Bonheur | French, Paris 1820–1889 Paris|French, Bordeaux 1822–1899 Thomery | 53554 | 1820 |1830 |1822 | 1889 |1860 |1899 | 1849 | 1849 | 1849 | 14948 | Sheet: 9 5/8 × 12 1/2 in. (24.5 × 31.7 cm) Image: 4 15/16 × 9 7/16 in. (12.5 × 24 cm) | Gift of Mrs. Frederick S. Hoppin, 1963 | 13 | http://www.metmuseum.org/art/collection/search/697854 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421319 | 1986.2012 | 0 | 0 | 697855 | 11 | 731 | Learn Justice by Admonition | 717 | After | Atelier Tanguy Garric|Francois Bonneville | French, founded 1977|French, active Paris, 1787–1810 | 53555 | 1977 |1787 | 9999 |1810 | 1985 | 1985 | 1985 | 60210 | Sheet: 11 5/16 × 8 15/16 in. (28.8 × 22.7 cm) Plate: 7 11/16 × 5 in. (19.6 × 12.7 cm) | Gift of Hubert et Paul Prouté, 1986 | 13 | http://www.metmuseum.org/art/collection/search/697855 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421320 | 68.578.2 | 0 | 0 | 697856 | 11 | 731 | Contemplation | 2 | Paolo Boni | Italian, born Vicchio di Mugello, 1926 | 53556 | 1926 | 2026 | 1966 | 1966 | 1966 | 60211 | Sheet: 18 1/8 in. × 13 in. (46.1 × 33 cm) | Adminsitrative Purchase Fund, 1968 | 13 | http://www.metmuseum.org/art/collection/search/697856 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421321 | 62.557.230 | 0 | 0 | 697857 | 11 | 731 | The Little Girl from Savoy | 878 | Designed by | Tessari & Co.|Nöel-Joseph Blaisot|Jacques Bonnefoy d'Arles | French, 1792–1820|French, Arles 1755–1828 Paris | 53557 | 1750 |1792 |1755 | 1850 |1820 |1828 | early 19th century | 1800 | 1828 | 60212 | Sheet: 13 in. × 16 5/8 in. (33 × 42.3 cm) Plate: 12 1/2 × 14 5/16 in. (31.7 × 36.3 cm) | Gift of Mrs. Olga Sichel and Max Philippson, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697857 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421322 | SL.19.2016.5.1 | 0 | 0 | 697861 | 6 | Knight of Cups, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.17) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697861 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421323 | 59.596.62 | 0 | 0 | 697862 | 11 | 731 | The Indiscrete | 13 | Designed by | François Nicolas Barthélemy Dequevauviller|Antoine Borel | French, Abbeville 1745–1807 Paris|French, Paris 1743–after 1810 | 53558 | 1745 |1743 | 1807 |1843 | 1786 | 1786 | 1786 | 6712 | Sheet: 12 5/8 × 9 3/4 in. (32.1 × 24.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/697862 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421324 | SL.19.2016.5.2 | 0 | 0 | 697863 | 6 | Knave of Cups, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.18) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697863 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421325 | SL.19.2016.5.3 | 0 | 0 | 697864 | 6 | 5 of Cups, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.26) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697864 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421326 | SL.19.2016.5.4 | 0 | 0 | 697865 | 6 | Queen of Swords, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.23) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697865 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421327 | SL.19.2016.5.5 | 0 | 0 | 697866 | 6 | 10 of Swords, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.35) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697866 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421328 | SL.19.2016.5.6 | 0 | 0 | 697867 | 6 | King of Batons, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.19) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697867 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421329 | SL.19.2016.5.7 | 0 | 0 | 697868 | 6 | Mountebank, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.1) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697868 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421330 | SL.19.2016.5.8 | 0 | 0 | 697869 | 6 | Pope, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.4) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697869 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421331 | SL.19.2016.5.9 | 0 | 0 | 697870 | 6 | Wheel of Fortune, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.9) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697870 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421332 | SL.19.2016.5.10 | 0 | 0 | 697871 | 6 | Traitor, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.11) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697871 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421333 | 62.602.30 | 0 | 0 | 697872 | 11 | 731 | Charity | 2 | Antoine Borel | French, Paris 1743–after 1810 | 22742 | 1743 | 1843 | 1781 | 1781 | 1781 | 28977 | Sheet: 16 7/8 × 11 5/8 in. (42.8 × 29.6 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697872 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421334 | 35.53.22 | 0 | 0 | 697873 | 11 | 731 | Henri IV's Sermon to Protestants after the Battle of Jarnac, March 14, 1569 | 13 | Designed by | Jean-Baptiste Patas|Antoine Borel | French, Paris 1744?–?1802 Paris|French, Paris 1743–after 1810 | 53559 | 1744 |1743 | 1802 |1843 | 1786 | 1786 | 1786 | 7208 | Sheet: 16 7/8 × 11 5/8 in. (42.8 × 29.6 cm) | Gift of Walter H. Smith,1935 | 13 | http://www.metmuseum.org/art/collection/search/697873 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421335 | 1978.667 | 0 | 0 | 697874 | 11 | 731 | Cafe Scene | 13 | Harry van der Zee|George Bottini | French, active Paris, 1897–1921|French, Paris 1874–1907 Villejui | 53560 | 1897 |1874 | 1921 |1907 | 1897 | 1897 | 1897 | 31861 | Sheet: 12 3/16 × 15 5/16 in. (31 × 38.9 cm) Plate: 6 1/2 × 7 11/16 in. (16.5 × 19.5 cm) | The Elisha Whilttelsey Collection, The Elisha Whittelsey Fund, 1978 | 13 | http://www.metmuseum.org/art/collection/search/697874 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421336 | 50.602.308 | 0 | 0 | 697875 | 11 | 731 | Portrait of a Man | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | first half 19th century | 1800 | 1850 | 26137 | Sheet: 9 7/16 × 5 7/8 in. (24 × 14.9 cm) Plate: 3 11/16 × 2 15/16 in. (9.3 × 7.5 cm) | The Glenn Tilley Morse Collection, Bequest of Glenn Tilley Morse, 1950 | 13 | http://www.metmuseum.org/art/collection/search/697875 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421337 | 50.602.309 | 0 | 0 | 697876 | 11 | 731 | Potrait of Mme. Veuve Boivin | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | first half 19th century | 1800 | 1850 | 26137 | Sheet: 8 7/16 × 5 11/16 in. (21.4 × 14.5 cm) Plate: 3 5/8 × 3 1/16 in. (9.2 × 7.7 cm) | The Glenn Tilley Morse Collection, Bequest of Glenn Tilley Morse, 1950 | 13 | http://www.metmuseum.org/art/collection/search/697876 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421338 | 68.542.39 | 0 | 0 | 697877 | 11 | 731 | The Beautiful Irish Woman from Dublin | 715 | Bosselman|Bulla | French, active Paris, first half 19th century|French, 1815–77 | 53561 | 1800 |1815 | 1850 |1877 | first half 19th century | 1800 | 1850 | 60213 | Sheet: 16 1/4 × 11 1/4 in. (41.2 × 28.6 cm) Plate: 13 3/4 × 10 9/16 in. (35 × 26.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 13 | http://www.metmuseum.org/art/collection/search/697877 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421339 | 1977.527.4 | 0 | 0 | 697878 | 11 | 731 | Weaver from Brittany | 715 | François Bonvin|A. Clément | French, Paris 1817–1888 Saint-Germain-en-Laye|French, active Paris, 1887–92 | 53562 | 1817 |1887 | 1888 |1892 | 1888 | 1888 | 1888 | 36117 | Sheet: 16 5/16 × 11 1/4 in. (41.4 × 28.6 cm) Plate: 10 13/16 × 8 7/16 in. (27.5 × 21.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1977 | 13 | http://www.metmuseum.org/art/collection/search/697878 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421340 | 61.613.3 | 0 | 0 | 697879 | 11 | 731 | A Pasture in the Mountains of Auvergne | 13 | After | Louis Paul Pierre Dumont|Rosa Bonheur | French, born Paris, 1822|French, Bordeaux 1822–1899 Thomery | 53563 | 1822 |1822 | 1922 |1899 | 1855 | 1855 | 1855 | 14948 | Sheet: 10 1/2 × 15 9/16 in. (26.7 × 39.5 cm) Image: 7 11/16 × 10 1/4 in. (19.5 × 26 cm) | Gift of Walter Schatzki, 1961 | 13 | http://www.metmuseum.org/art/collection/search/697879 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421341 | 60.708(4) | 0 | 0 | 697880 | 11 | 731 | Saint Jerome seated by a tree looking up at a crucifix, a lion drinking water from a stream to his right | 53 | After | Baldassare Tommaso Peruzzi|Louis Surugue|Nicolas Chasteau | Italian, Ancaiano 1481–1536 Rome|French, Paris ca. 1686–1762 Grand Vaux|French, Paris 1680–ca. 1750 Paris | 53564 | 1481 |1686 |1680 | 1536 |1762 |1755 | 1728 | 1728 | 1728 | 6712 | Sheet: 21 in. × 15 1/4 in. (53.3 × 38.8 cm) Plate: 15 3/8 × 11 in. (39.1 × 28 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/697880 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421342 | 60.598.33 | 0 | 0 | 697881 | 11 | 731 | Ploughing in the Nivernais | 717 | After | Braun & Cie|Rosa Bonheur | French, Paris|French, Bordeaux 1822–1899 Thomery | 53565 | 1822 | 1899 | after 1849 | 1849 | 1949 | 60214 | Sheet: 6 11/16 × 9 13/16 in. (17 × 25 cm) Plate: 4 5/16 × 7 3/16 in. (11 × 18.2 cm) | Bequest of Julia H. Manges, in memory of Dr. Morris Manges, 1960 | 13 | http://www.metmuseum.org/art/collection/search/697881 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421343 | 62.600.160 | 0 | 0 | 697883 | 11 | 731 | Head of a Bull | 2 | Rosa Bonheur | French, Bordeaux 1822–1899 Thomery | 10717 | 1822 | 1899 | mid to late 19th century | 1850 | 1899 | 14948 | Sheet: 13 5/16 × 12 3/16 in. (33.8 × 31 cm) Image: 7 11/16 × 6 7/8 in. (19.5 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697883 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421344 | 62.600.156 | 0 | 0 | 697890 | 11 | 731 | Sheep Pen | 715 | Rosa Bonheur|Lemercier & Cie. | French, Bordeaux 1822–1899 Thomery|French, Paris | 53566 | 1822 | 1899 | mid to late 19th century | 1850 | 1899 | 30808 | Sheet: 13 5/16 × 12 3/16 in. (33.8 × 31 cm) Image: 7 11/16 × 6 7/8 in. (19.5 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697890 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421345 | 60.620.84 | 0 | 0 | 697891 | 11 | 731 | Sheep Pen | 5322 | François-August-Hippolyte Peyrol|Lemercier & Cie.|Rosa Bonheur | French, 1856–1929|French, Paris|French, Bordeaux 1822–1899 Thomery | 53567 | 1856 |1822 | 1929 |1899 | mid to late 19th century | 1850 | 1899 | 30815 | Sheet: 13 5/16 × 12 3/16 in. (33.8 × 31 cm) Image: 7 11/16 × 6 7/8 in. (19.5 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/697891 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421346 | 2015.583 | 0 | 0 | 697918 | 11 | 731 | Untitled from Locus | 1022 | Dorothea Rockburne|Parasol Press Ltd.|Crown Point Press|Kathan Brown | Canadian, born Montreal, 1932|American, born 1935 | 53568 | 1932 |1900 |1935 | 9999 |2099 |2035 | 1972 | 1972 | 1972 | 60215 | Sheet: 39 3/4 × 30 1/16 in. (101 × 76.4 cm) | John B. Turner Fund, 2015 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/697918 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421347 | SL.17.2016.1.1 | 0 | 0 | 697919 | 11 | 731 | Portrait of Matthias Buchinger | 392 | Matthias Buchinger|Anonymous, British, 18th century | German, Ansbach 1674–1739 | 53569 | 1674 |1700 | 1739 |1800 | 1705 | 1705 | 1705 | 7208 | Sheet: 10 1/2 × 7 3/4 in. (26.7 × 19.7 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697919 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421348 | SL.17.2016.1.2 | 0 | 0 | 697920 | 11 | 731 | Portrait of Matthias Buchinger | 392 | Matthias Buchinger|Anonymous, British, 18th century | German, Ansbach 1674–1739 | 53569 | 1674 |1700 | 1739 |1800 | 1724 | 1724 | 1724 | 7208 | Sheet: 12 1/8 in. × 8 in. (30.8 × 20.3 cm) Mat: 14 1/2 × 10 1/4 in. (36.8 × 26 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697920 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421349 | SL.17.2016.1.3 | 0 | 0 | 697921 | 11 | 731 | Portrait of Matthias Buchinger with Vignettes | 392 | Matthias Buchinger|Elias Baeck | German, Ansbach 1674–1739|German, Laybach 1679–1747 Augsburg | 53570 | 1674 |1679 | 1739 |1747 | 1717 | 1717 | 1717 | 7208 | Sheet: 7 1/2 × 10 1/4 in. (19.1 × 26 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697921 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421350 | SL.17.2016.1.4 | 0 | 0 | 697922 | 11 | 731 | Poem on Mathew Buckinger [sic], The Greatest German Living | 991 | Anonymous, German, 18th century|Matthias Buchinger | German, Ansbach 1674–1739 | 53571 | 1700 |1674 | 1800 |1739 | 1726 | 1726 | 1726 | 33578 | Sheet: 7 7/8 × 11 3/4 in. (20 × 29.8 cm) Framed: 9 1/2 × 14 in. (24.1 × 35.6 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697922 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421351 | SL.17.2016.1.5 | 0 | 0 | 697923 | 11 | 23 | Ten Commandments, Bath | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1717 | 1717 | 1717 | 41337 | Sheet: 4 1/4 × 5 1/4 in. (10.9 × 13.3 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697923 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421352 | SL.17.2016.1.6 | 0 | 0 | 697924 | 11 | 23 | Ten Commandments, Dublin | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1720 | 1720 | 1720 | 41337 | Sheet: 10 13/16 × 7 13/16 in. (27.4 × 19.8 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697924 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421353 | SL.17.2016.1.7 | 0 | 0 | 697925 | 11 | 23 | Ten Commandments, Chester, January 17, 1734 | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1734 | 1734 | 1734 | 41337 | Sheet: 4 5/16 × 6 1/8 in. (10.9 × 15.5 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697925 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421354 | SL.17.2016.1.8 | 0 | 0 | 697926 | 11 | 23 | Ten Commandments and Selections from the Gospel of John | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 0 | 0 | 41337 | Sheet: 4 3/8 × 3 7/16 in. (11.1 × 8.8 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697926 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421355 | SL.17.2016.1.9 | 0 | 0 | 697927 | 11 | 23 | Family Tree of the Stuarts of Allentown and the Denhams of Edinburgh | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1729 | 1729 | 1729 | 41337 | Sheet: 12 1/2 in. × 16 in. (31.8 × 40.6 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697927 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421356 | SL.17.2016.1.10 | 0 | 0 | 697928 | 11 | 23 | Buchinger Family Tree | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | May 28, 1729 | 1729 | 1729 | 60216 | Sheet: 10 1/4 × 7 3/4 in. (26 × 19.7 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697928 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421357 | SL.17.2016.1.11 | 0 | 0 | 697929 | 11 | 23 | Coat of Arms of the Duke of Gordon, Edinburgh | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1723 | 1723 | 1723 | 30239 | Sheet: 6 in. × 7 1/2 in. (15.2 × 19.1 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697929 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421358 | SL.17.2016.1.12 | 0 | 0 | 697930 | 11 | 23 | Coat of Arms, London, March 20 | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1717 or 1718 | 1717 | 1718 | 41337 | Sheet: 8 in. × 12 1/2 in. (20.3 × 31.8 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697930 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421359 | SL.17.2016.1.13 | 0 | 0 | 697931 | 11 | 23 | Coat of Arms, Norwich | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1733 | 1733 | 1733 | 41337 | Sheet: 4 7/8 × 6 1/4 in. (12.3 × 15.9 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697931 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421360 | SL.17.2016.1.14 | 0 | 0 | 697932 | 11 | 731 | Announcement for Buchinger’s Appearance at Norwich in 1733 | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1733 | 1733 | 1733 | 26071 | Sheet: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697932 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421361 | SL.17.2016.1.15 | 0 | 0 | 697933 | 11 | 731 | Calligraphic Signature, Norwich | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1733 | 1733 | 1733 | 30239 | Sheet: 3 1/2 × 2 11/16 in. (8.9 × 6.9 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697933 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421362 | SL.17.2016.1.16 | 0 | 0 | 697934 | 11 | 23 | Family Tree of Thomas Bancks and Elizabeth Montgomery | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1727 | 1727 | 1727 | 30239 | Sheet: 7 in. × 11 1/2 in. (17.8 × 29.2 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697934 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421363 | SL.17.2016.1.17 | 0 | 0 | 697935 | 11 | 23 | Portrait of Queen Anne | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1718 | 1718 | 1718 | 41337 | Framed: 7 1/2 × 8 3/4 in. (19.1 × 22.2 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697935 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421364 | SL.17.2016.1.18 | 0 | 0 | 697936 | 11 | 97 | Prayer Book, with inscription to Mrs. Elizabeth Inke by Matthias Buchinger | 5323 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | February 26, 1728 | 1728 | 1728 | 7 3/4 × 5 1/4 × 1 5/8 in. (19.7 × 13.3 × 4.1 cm) | Collection of Ricky Jay | 442 | http://www.metmuseum.org/art/collection/search/697936 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421365 | SL.17.2016.1.19 | 0 | 0 | 697937 | 11 | 97 | Magic Book | 41 | Eberhard David Hauber | German, Hohenhaslach 1695–1765 Copenhagen | 53572 | 1695 | 1765 | 1740 | 1740 | 1740 | 4 1/4 × 6 7/8 × 2 in. (10.8 × 17.5 × 5.1 cm) | Collection of Ricky Jay | 442 | http://www.metmuseum.org/art/collection/search/697937 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421366 | SL.17.2016.1.20 | 0 | 0 | 697938 | 11 | 731 | Portrait of Johanna Sophia Liebschern | ca. 1780–90 | 1775 | 1795 | 60217 | Sheet: 8 1/2 × 7 1/4 in. (21.6 × 18.4 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697938 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 421367 | SL.17.2016.1.21 | 0 | 0 | 697939 | 11 | 731 | Portrait of Johannes Wynistorff | 2 | Thomas Bäeck | 53573 | 0 | 0 | 26137 | Sheet: 12 1/16 × 8 1/4 in. (30.6 × 21 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697939 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 421368 | SL.17.2016.1.22 | 0 | 0 | 697940 | 11 | 731 | Portrait of Thomas Inglefield | 1787 | 1787 | 1787 | 26137 | Sheet: 7 1/4 × 10 1/2 in. (18.4 × 26.7 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697940 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 421369 | SL.17.2016.1.23 | 0 | 0 | 697941 | 11 | 731 | Announcement of Miss Honeywell's skills | 2 | Anonymous, American, 19th century | 2752 | 19th century | 1801 | 1899 | 60218 | Sheet: 8 in. × 10 1/4 in. (20.3 × 26 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697941 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 421370 | SL.17.2016.1.24 | 0 | 0 | 697942 | 11 | 731 | Announcement of Miss Beffin's Skills | 15 | T. Romneye, London | 53574 | 0 | 0 | 26071 | Sheet: 32 1/2 in. × 23 in. (82.6 × 58.4 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697942 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 421371 | 17.3.756-2282 | 0 | 0 | 697945 | 11 | 731 | Portrait of Mariana Carolina, Grand Duchess of Tuscany | 2 | Antonio Perfetti | Italian, Florence 1792–1872 Florence | 53575 | 1792 | 1872 | ca. 1815–70 | 1810 | 1875 | 7208 | Sheet: 15 3/16 × 10 13/16 in. (38.5 × 27.5 cm) Plate: 12 13/16 × 9 1/16 in. (32.6 × 23 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/697945 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421372 | 2016.37 | 0 | 1 | 697947 | 11 | 23 | Laban Searching for his Idols | 2 | Jan de Braij | Dutch, Haarlem ca. 1627–1697 Amsterdam | 51292 | 1622 | 1697 | 1667 | 1667 | 1667 | 60219 | 5 × 3 3/8 in. (12.7 × 8.6 cm) | Frits and Rita Markus Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697947 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421373 | 35.85.98 | 0 | 0 | 697948 | 11 | 731 | A sibyl, head and shoulders, wearing a turban | 13 | After | Domenichino (Domenico Zampieri)|Antonio Perfetti | Italian, Bologna 1581–1641 Naples|Italian, Florence 1792–1872 Florence | 53576 | 1581 |1792 | 1641 |1872 | ca. 1815–70 | 1810 | 1875 | 7208 | Sheet: 19 1/4 × 14 3/16 in. (48.9 × 36.1 cm) Plate: 12 5/8 × 9 7/16 in. (32 × 23.9 cm) | Gift of Lucy Chauncey, in memory of her father, Henry Chauncey, 1935 | 13 | http://www.metmuseum.org/art/collection/search/697948 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421374 | 41.97.385 | 0 | 0 | 697951 | 11 | 731 | Plate 8: Canonization of Saint Catherine of Siena; Pius II seated on a throne at right, blessing his nephew, Francesco Todeschini Piccolomini, who kneels before him; after Mattia Preti | 13 | After | Mattia Preti (Il Cavalier Calabrese)|Giuliano Traballesi | Italian, Taverna 1613–1699 Valletta|Italian, Florence 1727–1812 Milan | 53577 | 1613 |1727 | 1699 |1812 | 1760–80 | 1755 | 1785 | 6712 | Sheet: 21 3/4 × 14 3/4 in. (55.2 × 37.5 cm) Plate: 19 15/16 × 11 15/16 in. (50.6 × 30.3 cm) | Gift of Harry Shaw Newman, 1941 | 562 | 13 | http://www.metmuseum.org/art/collection/search/697951 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421375 | 62.602.827 | 0 | 0 | 697953 | 11 | 731 | Moses receiving the Tablets of the Law from God who descends from the heavens; from the series of 112 prints of the sacred history, after the painting by Mattia Preti | 895 | After | Mattia Preti (Il Cavalier Calabrese)|Pietro Monaco|Pietro Monaco | Italian, Taverna 1613–1699 Valletta|Italian, Belluno 1707–1772 Venice|Italian, Belluno 1707–1772 Venice | 53578 | 1613 |1707 |1707 | 1699 |1772 |1772 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 19 3/4 in. × 14 in. (50.2 × 35.6 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697953 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421376 | Museum Accession.1959.4 | 0 | 0 | 697954 | 11 | 731 | Costa Brava | 2 | Guy Bardone | French, born Saint-Claude, 1927 | 53579 | 1927 | 2027 | 1959 | 1959 | 1959 | 32281 | Sheet: 10 1/8 × 6 1/2 in. (25.7 × 16.5 cm) Image: 8 3/4 × 5 5/16 in. (22.3 × 13.5 cm) | Museum Accession, 1959 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/697954 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421377 | 62.602.826 | 0 | 0 | 697955 | 11 | 731 | Christ on a balcony surrounded by guards, Pilate stands to the right gesturing toward him; from the series of 112 prints of the sacred history, after the painting by Mattia Preti | 878 | After | Pietro Monaco|Mattia Preti (Il Cavalier Calabrese)|Pietro Monaco | Italian, Belluno 1707–1772 Venice|Italian, Taverna 1613–1699 Valletta|Italian, Belluno 1707–1772 Venice | 53580 | 1707 |1613 |1707 | 1772 |1699 |1772 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 13 15/16 × 19 5/8 in. (35.4 × 49.9 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697955 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421378 | SL.4.2016.9.3 | 0 | 0 | 697956 | 6 | Processional Cross | 1134 | ca. 1050 | 1045 | 1055 | 22257 | 12 3/4 × 17 5/8 × 2 1/4 in. (32.4 × 44.8 × 5.7 cm) | The Cleveland Museum of Art, Leonard C. Hanna. Jr. Fund, 1970.36 | 1 | 1052 | 313 | http://www.metmuseum.org/art/collection/search/697956 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 421379 | 02.4.104a | 0 | 0 | 697957 | 19 | 26950 | Amulet fragment from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 8207 | H. 0.5 cm (3/16 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697957 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421380 | 02.4.104b | 0 | 0 | 697958 | 19 | 26951 | Amulet representing a grain of wheat or barley | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 5589 | H. 1 cm (3/8 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697958 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421381 | 02.4.104c | 0 | 0 | 697959 | 19 | 26952 | Lotus flower amulet from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 8207 | H. 1 cm (3/8 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697959 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421382 | 02.4.104d | 0 | 0 | 697960 | 19 | 26953 | Ox-head amulet from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 12820 | H. 0.7 cm (1/4 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697960 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421383 | 02.4.104e | 0 | 0 | 697961 | 19 | 26953 | Ox-head amulet from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 55973 | H. 0.9 cm (3/8 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697961 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421384 | 02.4.104f | 0 | 0 | 697962 | 19 | 26954 | Amulet representing a leg of beef, from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 60220 | H. 1.7 cm (11/16 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697962 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421385 | 02.4.104g | 0 | 0 | 697963 | 19 | 26954 | Amulet representing a leg of beef, from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 8207 | H. 1.4 cm (9/16 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697963 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421386 | 02.4.104h | 0 | 0 | 697964 | 19 | 26955 | Plaque with no visible inscription, from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 2 | H. 1.3 × W. 0.8 cm (1/2 × 5/16 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697964 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421387 | 02.4.104i | 0 | 0 | 697965 | 19 | 26956 | Plaque inscribed with cartouche of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 55973 | H. 1 × W. 0.7 cm (3/8 × 1/4 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697965 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421388 | 02.4.104j | 0 | 0 | 697966 | 19 | 26957 | Plaque inscribed with cartouche of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 60220 | H. 1.3 × W. 0.9 cm (1/2 × 3/8 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697966 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421389 | 02.4.104k | 0 | 0 | 697967 | 19 | 26958 | Fragment of metal from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 772 | H. 1 cm (3/8 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697967 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421390 | 02.4.104l | 0 | 0 | 697968 | 19 | 26959 | Fragment of metal from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 772 | H. 1.7 cm (11/16 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697968 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421391 | 02.4.104m | 0 | 0 | 697969 | 19 | 26960 | Fragment of iron from a foundation deposit of Apries | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 13 | H. 1.6 cm (5/8 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 528 | 921 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697969 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421392 | 02.4.105b | 0 | 0 | 697970 | 19 | 26961 | Rectangular plaque with the cartouches of Apries, from a foundation deposit | Late Period, Saite | 115 | 132 | 589–570 B.C. | -589 | -570 | 781 | H. 3.8 cm (1 1/2 in.) | Gift of Egypt Exploration Fund, 1902 | 19 | 104 | 644 | 142 | 529 | 922 | 103 | 259 | http://www.metmuseum.org/art/collection/search/697970 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421393 | 62.600.563 | 0 | 0 | 697971 | 11 | 731 | Visitation; Saint Elizabeth embracing the Virgin at center as Saint Joseph walks toward them on the right and Zacharias greets them on the left; from 'Theatrum Pictorium', after Palma Il Vecchio | 53 | Intermediary draughtsman|After | David Teniers the Younger|Peeter van Lisebetten|Palma Il Vecchio | Flemish, Antwerp 1610–1690 Brussels|Flemish, Antwerp 1610–1678 Antwerp|Italian, Venetian, 1479–1528 | 53581 | 1610 |1610 |1479 | 1690 |1678 |1479 | ca. 1656–60 | 1651 | 1665 | 6712 | Sheet (Trimmed): 11 15/16 in. × 20 in. (30.3 × 50.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697971 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421394 | 2016.47 | 0 | 1 | 697974 | 3 | 5 | Francesco Bernardi known as Il Senesino (1686–1758) | 6 | 2 | Louis François Roubiliac | British (born France), Lyons 1695/1702–1762 London | 53582 | 1695 | 1762 | ca. 1735 | 1730 | 1740 | 60221 | Overall (bust on socle, confirmed): 31 3/4 × 21 9/16 × 9 1/2 in., 71.6 lb. (80.6 × 54.8 × 24.1 cm, 32.5 kg); Overall (bust only): 24 1/4 × 21 9/16 × 8 15/16 in. (61.6 × 54.8 × 22.7 cm) | Purchase, Gift of Irwin Untermyer, by exchange, 2016 | 12 | http://www.metmuseum.org/art/collection/search/697974 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421395 | SL.18.2016.2.1 | 0 | 0 | 697976 | 15 | John VIII Paleologus | 2 | Pisanello (Antonio Pisano) | Italian, Pisa or Verona by 1395–1455 | 9539 | 1395 | 1455 | ca. 1438 | 1433 | 1443 | 21764 | 4 in. (10.2 cm) | Collection of Dr. Stephen K. Scher and Janie P. Woo | 229 | http://www.metmuseum.org/art/collection/search/697976 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421396 | SL.18.2016.3.1 | 0 | 0 | 697978 | 15 | Sacred Bleeding Host of Dijon | 2 | Machéco Master (Oudot Matuchet?) | French, Dijon, active 1530s | 53583 | 1530 | 1539 | 1530s | 1530 | 1539 | 60222 | 8 1/4 × 5 3/4 in. (21 × 14.6 cm) | Collection of Mr. and Mr. Roger S. Wieck and Jean-François A. Vilain | 162 | http://www.metmuseum.org/art/collection/search/697978 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421397 | 68.673.24 | 0 | 0 | 697980 | 11 | 731 | Etching Tools | 2 | François Bonvin | French, Paris 1817–1888 Saint-Germain-en-Laye | 17483 | 1817 | 1888 | 1861 | 1861 | 1861 | 58747 | Sheet: 16 × 11 in. (40.6 × 28 cm) Plate: 8 7/8 × 6 1/8 in. (22.5 × 15.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 13 | http://www.metmuseum.org/art/collection/search/697980 | 4/23/2018 8:00:01 AM | 1 |