Data license: CC0 · Data source: metmuseum/openaccess
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 421297 | 2015.604.1 | 0 | 1 | 697702 | 11 | 23 | Erica Fulgida | 2 | Pierre Joseph Redouté | French, 1759–1840 | 28990 | 1759 | 1840 | 1813 | 1813 | 1813 | 60204 | Sheet: 17 3/4 × 11 3/4 in. (45.1 × 29.8 cm) | Gift of Anne H. Bass, 2015 | 9 | http://www.metmuseum.org/art/collection/search/697702 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421298 | 2015.604.2 | 0 | 1 | 697703 | 11 | 23 | Gloriosa Superba (Climbing Lily) | 2 | Nicolas Robert | French, Langres 1614–1685 Paris | 19524 | 1614 | 1685 | ca. 1660 | 1655 | 1665 | 60205 | Sheet: 15 1/4 × 11 1/2 in. (38.7 × 29.2 cm) | Gift of Anne H. Bass, 2015 | 9 | http://www.metmuseum.org/art/collection/search/697703 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421299 | 62.602.820 | 0 | 0 | 697712 | 11 | 731 | Jael hammering a tent peg into the temple of the sleeping Sisera, to the right a servant hides behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni | 878 | After | Pietro Monaco|Giovanni Battista Pittoni|Pietro Monaco | Italian, Belluno 1707–1772 Venice|Italian, Venice 1687–1767 Venice|Italian, Belluno 1707–1772 Venice | 53482 | 1707 |1687 |1707 | 1772 |1767 |1772 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 16 7/8 × 10 7/8 in. (42.8 × 27.6 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697712 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421300 | 2016.20 | 0 | 1 | 697751 | 11 | 23 | Portrait of Madame Paul Meurice, née Palmyre Granger | 2 | Jean Auguste Dominique Ingres | French, Montauban 1780–1867 Paris | 17393 | 1780 | 1867 | ca. 1845–50 | 1840 | 1855 | 1722 | Sheet: 22 × 17 5/8 in. (55.9 × 44.8 cm) | Purchase, Harris Brisbane Dick, Louis V. Bell, and Harry G. Sperling Funds, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, and Leon D. and Debra R. Black Gift, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697751 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421301 | 2016.307 | 0 | 1 | 697835 | 11 | 23 | A Dictamnus | 2 | Balthasar van der Ast | Dutch, Middelburg 1593/94–1657 Delft | 36686 | 1593 | 1657 | early 17th–mid 17th century | 1613 | 1657 | 42125 | Sheet: 12 3/8 × 8 1/16 in. (31.5 × 20.4 cm) | Van Day Truex Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697835 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421302 | 2016.308 | 0 | 1 | 697836 | 11 | 23 | Riverscape with Two Sailboats and Several Figures; verso: A Mountainous Landscape near a River with a Horse-Drawn Barge and Several Figures | 2 | Cornelis Claesz. van Wieringen | Netherlandish, Haarlem ca. 1576–1633 Haarlem | 53543 | 1571 | 1633 | early 17th century | 1596 | 1633 | 60206 | Sheet: 5 7/8 × 10 9/16 in. (15 × 26.8 cm) | Van Day Truex Fund and Frits and Rita Markus Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697836 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421303 | 2016.309 | 0 | 0 | 697837 | 11 | 23 | Wooded Clearing at the Estate Randenbroek near Amersfoort | 2 | Albertus Brondgeest | Dutch, Amsterdam 1786–1849 Amsterdam | 53544 | 1786 | 1849 | 1820 | 1820 | 1820 | 29958 | Sheet: 14 9/16 × 18 7/8 in. (37 × 47.9 cm) | Van Day Truex Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697837 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421304 | 2016.119 | 0 | 1 | 697838 | 11 | 731 | Portrait of the Artist Johann Christian Reinhart | 2 | José de Madrazo | Spanish, Santander 1781–1859 Madrid | 53545 | 1781 | 1859 | 1811 | 1811 | 1811 | 26137 | Sheet: 11 15/16 × 8 11/16 in. (30.3 × 22 cm) | Harry G. Sperling Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697838 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421305 | 2016.360.1–.9 | 0 | 1 | 697839 | 11 | 5018 | Enigmes Joyeuses pour les Bons Esprits | 13 | Jean Leclerc IV|Jan van Haelbeeck | French, baptized 1560, died Paris, 1622|Flemish, active Paris (and Copenhagen?), ca. 1600–1630, died Paris, ca. 1630 | 53546 | 1555 |1595 | 1627 |1635 | ca. 1615 | 1610 | 1620 | 60207 | Each: 4 5/16 × 5 1/2 in. (11 × 14 cm) | Mary Oenslager Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697839 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421306 | 2016.66 | 0 | 1 | 697840 | 11 | 731 | Carnival games held on the Mount Testaccio in Rome | 874 | Vincenzo Luchino|Giovanni Orlandi|Monogrammist ITF | Italian, active Rome and Venice from 1552, died Venice (?), 1569/71|Italian, active Rome, then Naples, from ca. 1590–1613, died 1640|Italian (?), active ca. 1540–60 | 53547 | 1552 |1590 |1500 | 1571 |1640 |1600 | 1558 | 1558 | 1558 | 7208 | Sheet: 10 5/8 × 17 3/16 in. (27 × 43.7 cm) | Edward Pearce Casey Fund, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697840 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421307 | 2016.361 | 0 | 1 | 697841 | 11 | 731 | Deck of a Warship | 2 | Christoffer Wilhelm Eckersberg | Danish, Blåkrog 1783–1853 Copenhagen | 31015 | 1783 | 1853 | ca. 1833 | 1828 | 1838 | 26137 | Sheet (Trimmed): 9 7/16 × 11 7/8 in. (24 × 30.2 cm) | Charles Z. Offin and Mary Oenslager Funds, 2016 | 13 | http://www.metmuseum.org/art/collection/search/697841 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421308 | 2016.525 | 0 | 1 | 697842 | 11 | 13828 | Design for a Garden Vase with Hunting Theme | 2 | Paul Egell | German, Waibstadt 1691–1752 Mannheim | 53548 | 1691 | 1752 | ca. 1740 | 1735 | 1745 | 60208 | Sheet: 16 7/8 × 10 7/16 in. (42.8 × 26.5 cm) | Edward Pearce Casey Fund, 2016 | 671 | http://www.metmuseum.org/art/collection/search/697842 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421309 | 2016.503 | 0 | 0 | 697843 | 11 | 23 | Bird's-Eye View of the City of Casale di Monferrato | 2 | Francesco Zucchi | Italian, Venice 1692–1764 Venice | 53549 | 1692 | 1764 | ca. 1730–40 | 1725 | 1745 | 60209 | Sheet: 6 5/8 × 14 3/4 in. (16.9 × 37.4 cm) | Edward Pearce Casey Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697843 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421310 | 62.602.819 | 0 | 0 | 697844 | 11 | 731 | Samson and Delilah seated on a bed, Samson tearing apart the ropes binding his hands as soldiers look on from behind a curtain; from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Pittoni | 878 | After | Pietro Monaco|Pietro Monaco|Giovanni Battista Pittoni | Italian, Belluno 1707–1772 Venice|Italian, Belluno 1707–1772 Venice|Italian, Venice 1687–1767 Venice | 53459 | 1707 |1707 |1687 | 1772 |1772 |1767 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 16 3/4 × 11 15/16 in. (42.6 × 30.4 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697844 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421311 | 63.625.433 | 0 | 0 | 697846 | 11 | 731 | Jacob Fighting with the Angel | 740 | Alfred Salmon|Léon Bonnat | French, Paris 1825–?1894|French, Bayonne 1833–1922 Monchy-Saint-Eloi | 53550 | 1825 |1833 | 1925 |1922 | 1876 | 1876 | 1876 | 29783 | Sheet: 11 in. × 8 1/8 in. (28 × 20.6 cm) Plate: 8 15/16 × 6 1/2 in. (22.7 × 16.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/697846 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421312 | 38.145.291 | 0 | 0 | 697847 | 11 | 731 | Bust Portrait of a Man | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | ca. 1819 | 1814 | 1824 | 26137 | Sheet (trimmed/circle): Diameter: 2 5/8 in. (6.6 cm) | Bequest of Mary Martin, 1938 | 13 | http://www.metmuseum.org/art/collection/search/697847 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421313 | 38.145.301 | 0 | 0 | 697848 | 11 | 731 | Bust Portrait of a Man in Uniform | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | ca. 1819 | 1814 | 1824 | 26137 | Sheet (trimmed/circle): 4 3/16 × 4 3/16 in. (10.6 × 10.7 cm) | Bequest of Mary Martin, 1938 | 13 | http://www.metmuseum.org/art/collection/search/697848 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421314 | 64.605.39 | 0 | 0 | 697849 | 11 | 731 | Basque Country, Saint Jean de Luz | 2 | Léon Bonnat | French, Bayonne 1833–1922 Monchy-Saint-Eloi | 43429 | 1833 | 1922 | 1898–99 | 1898 | 1899 | 29757 | Sheet: 9 9/16 × 12 1/16 in. (24.3 × 30.6 cm) Plate: 7 1/16 × 9 3/8 in. (18 × 23.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/697849 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421315 | 66.559.43 | 0 | 0 | 697850 | 11 | 731 | An Eagle Catching a Hare | 2 | Léon Bonnat | French, Bayonne 1833–1922 Monchy-Saint-Eloi | 43429 | 1833 | 1922 | 1898 | 1898 | 1898 | 30631 | Sheet: 9 9/16 × 12 1/16 in. (24.3 × 30.6 cm) Plate: 8 1/4 × 9 5/8 in. (21 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/697850 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421316 | 63.622.6 | 0 | 0 | 697851 | 11 | 731 | You have the key...but he found the lock | 878 | After | François Jules Gabriel Depeuille|Jean Louis Anselin|Antoine Borel | French, active Paris, 1783–98|French, Paris 1754–1823 Paris|French, Paris 1743–after 1810 | 53552 | 1783 |1754 |1743 | 1798 |1823 |1843 | probably 1783–89 | 1783 | 1789 | 26137 | Sheet: 13 3/8 in. × 17 in. (34 × 43.2 cm) Plate: 11 11/16 × 12 7/8 in. (29.7 × 32.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 13 | http://www.metmuseum.org/art/collection/search/697851 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421317 | 64.501.15 | 0 | 0 | 697853 | 11 | 731 | Camp at Châlons (Retreating from Flames) | 2 | Amédée de Boret | French, Jussey 1837–1916 Raincourt | 53553 | 1837 | 1916 | 1864–65 | 1864 | 1865 | 29783 | Sheet: 14 1/16 × 18 1/2 in. (35.7 × 47 cm) Plate: 9 3/8 × 12 1/2 in. (23.8 × 31.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1964 | 13 | http://www.metmuseum.org/art/collection/search/697853 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421318 | 63.527.62 | 0 | 0 | 697854 | 11 | 731 | Plowing in Nièvre | 1370 | After | Auguste-Paul-Charles Anastasi|Bertauts|Rosa Bonheur | French, Paris 1820–1889 Paris|French, Bordeaux 1822–1899 Thomery | 53554 | 1820 |1830 |1822 | 1889 |1860 |1899 | 1849 | 1849 | 1849 | 14948 | Sheet: 9 5/8 × 12 1/2 in. (24.5 × 31.7 cm) Image: 4 15/16 × 9 7/16 in. (12.5 × 24 cm) | Gift of Mrs. Frederick S. Hoppin, 1963 | 13 | http://www.metmuseum.org/art/collection/search/697854 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421319 | 1986.2012 | 0 | 0 | 697855 | 11 | 731 | Learn Justice by Admonition | 717 | After | Atelier Tanguy Garric|Francois Bonneville | French, founded 1977|French, active Paris, 1787–1810 | 53555 | 1977 |1787 | 9999 |1810 | 1985 | 1985 | 1985 | 60210 | Sheet: 11 5/16 × 8 15/16 in. (28.8 × 22.7 cm) Plate: 7 11/16 × 5 in. (19.6 × 12.7 cm) | Gift of Hubert et Paul Prouté, 1986 | 13 | http://www.metmuseum.org/art/collection/search/697855 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421320 | 68.578.2 | 0 | 0 | 697856 | 11 | 731 | Contemplation | 2 | Paolo Boni | Italian, born Vicchio di Mugello, 1926 | 53556 | 1926 | 2026 | 1966 | 1966 | 1966 | 60211 | Sheet: 18 1/8 in. × 13 in. (46.1 × 33 cm) | Adminsitrative Purchase Fund, 1968 | 13 | http://www.metmuseum.org/art/collection/search/697856 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421321 | 62.557.230 | 0 | 0 | 697857 | 11 | 731 | The Little Girl from Savoy | 878 | Designed by | Tessari & Co.|Nöel-Joseph Blaisot|Jacques Bonnefoy d'Arles | French, 1792–1820|French, Arles 1755–1828 Paris | 53557 | 1750 |1792 |1755 | 1850 |1820 |1828 | early 19th century | 1800 | 1828 | 60212 | Sheet: 13 in. × 16 5/8 in. (33 × 42.3 cm) Plate: 12 1/2 × 14 5/16 in. (31.7 × 36.3 cm) | Gift of Mrs. Olga Sichel and Max Philippson, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697857 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421322 | SL.19.2016.5.1 | 0 | 0 | 697861 | 6 | Knight of Cups, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.17) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697861 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421323 | 59.596.62 | 0 | 0 | 697862 | 11 | 731 | The Indiscrete | 13 | Designed by | François Nicolas Barthélemy Dequevauviller|Antoine Borel | French, Abbeville 1745–1807 Paris|French, Paris 1743–after 1810 | 53558 | 1745 |1743 | 1807 |1843 | 1786 | 1786 | 1786 | 6712 | Sheet: 12 5/8 × 9 3/4 in. (32.1 × 24.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 13 | http://www.metmuseum.org/art/collection/search/697862 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421324 | SL.19.2016.5.2 | 0 | 0 | 697863 | 6 | Knave of Cups, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.18) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697863 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421325 | SL.19.2016.5.3 | 0 | 0 | 697864 | 6 | 5 of Cups, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.26) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697864 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421326 | SL.19.2016.5.4 | 0 | 0 | 697865 | 6 | Queen of Swords, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.23) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697865 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421327 | SL.19.2016.5.5 | 0 | 0 | 697866 | 6 | 10 of Swords, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.35) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697866 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421328 | SL.19.2016.5.6 | 0 | 0 | 697867 | 6 | King of Batons, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.19) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697867 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421329 | SL.19.2016.5.7 | 0 | 0 | 697868 | 6 | Mountebank, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.1) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697868 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421330 | SL.19.2016.5.8 | 0 | 0 | 697869 | 6 | Pope, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.4) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697869 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421331 | SL.19.2016.5.9 | 0 | 0 | 697870 | 6 | Wheel of Fortune, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.9) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697870 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421332 | SL.19.2016.5.10 | 0 | 0 | 697871 | 6 | Traitor, from The Visconti-Sforza Tarot | 36 | 2 | Workshop of | Bonifacio Bembo | Italian, Cremonese, active ca. 1442–died before 1482 | 53529 | 1442 | 1482 | ca. 1450 | 1445 | 1455 | 60194 | 6 3/4 x 7 3/8 in. (17.3 x 8.7 cm) | The Morgan Library & Museum, New York (MS M.630.11) | 1 | 420 | 14 | 865 | http://www.metmuseum.org/art/collection/search/697871 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
| 421333 | 62.602.30 | 0 | 0 | 697872 | 11 | 731 | Charity | 2 | Antoine Borel | French, Paris 1743–after 1810 | 22742 | 1743 | 1843 | 1781 | 1781 | 1781 | 28977 | Sheet: 16 7/8 × 11 5/8 in. (42.8 × 29.6 cm) | Rogers Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697872 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421334 | 35.53.22 | 0 | 0 | 697873 | 11 | 731 | Henri IV's Sermon to Protestants after the Battle of Jarnac, March 14, 1569 | 13 | Designed by | Jean-Baptiste Patas|Antoine Borel | French, Paris 1744?–?1802 Paris|French, Paris 1743–after 1810 | 53559 | 1744 |1743 | 1802 |1843 | 1786 | 1786 | 1786 | 7208 | Sheet: 16 7/8 × 11 5/8 in. (42.8 × 29.6 cm) | Gift of Walter H. Smith,1935 | 13 | http://www.metmuseum.org/art/collection/search/697873 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421335 | 1978.667 | 0 | 0 | 697874 | 11 | 731 | Cafe Scene | 13 | Harry van der Zee|George Bottini | French, active Paris, 1897–1921|French, Paris 1874–1907 Villejui | 53560 | 1897 |1874 | 1921 |1907 | 1897 | 1897 | 1897 | 31861 | Sheet: 12 3/16 × 15 5/16 in. (31 × 38.9 cm) Plate: 6 1/2 × 7 11/16 in. (16.5 × 19.5 cm) | The Elisha Whilttelsey Collection, The Elisha Whittelsey Fund, 1978 | 13 | http://www.metmuseum.org/art/collection/search/697874 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421336 | 50.602.308 | 0 | 0 | 697875 | 11 | 731 | Portrait of a Man | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | first half 19th century | 1800 | 1850 | 26137 | Sheet: 9 7/16 × 5 7/8 in. (24 × 14.9 cm) Plate: 3 11/16 × 2 15/16 in. (9.3 × 7.5 cm) | The Glenn Tilley Morse Collection, Bequest of Glenn Tilley Morse, 1950 | 13 | http://www.metmuseum.org/art/collection/search/697875 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421337 | 50.602.309 | 0 | 0 | 697876 | 11 | 731 | Potrait of Mme. Veuve Boivin | 2 | Bouchardy père | French, active Paris, 1808–40 | 53551 | 1808 | 1840 | first half 19th century | 1800 | 1850 | 26137 | Sheet: 8 7/16 × 5 11/16 in. (21.4 × 14.5 cm) Plate: 3 5/8 × 3 1/16 in. (9.2 × 7.7 cm) | The Glenn Tilley Morse Collection, Bequest of Glenn Tilley Morse, 1950 | 13 | http://www.metmuseum.org/art/collection/search/697876 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421338 | 68.542.39 | 0 | 0 | 697877 | 11 | 731 | The Beautiful Irish Woman from Dublin | 715 | Bosselman|Bulla | French, active Paris, first half 19th century|French, 1815–77 | 53561 | 1800 |1815 | 1850 |1877 | first half 19th century | 1800 | 1850 | 60213 | Sheet: 16 1/4 × 11 1/4 in. (41.2 × 28.6 cm) Plate: 13 3/4 × 10 9/16 in. (35 × 26.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 13 | http://www.metmuseum.org/art/collection/search/697877 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421339 | 1977.527.4 | 0 | 0 | 697878 | 11 | 731 | Weaver from Brittany | 715 | François Bonvin|A. Clément | French, Paris 1817–1888 Saint-Germain-en-Laye|French, active Paris, 1887–92 | 53562 | 1817 |1887 | 1888 |1892 | 1888 | 1888 | 1888 | 36117 | Sheet: 16 5/16 × 11 1/4 in. (41.4 × 28.6 cm) Plate: 10 13/16 × 8 7/16 in. (27.5 × 21.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1977 | 13 | http://www.metmuseum.org/art/collection/search/697878 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421340 | 61.613.3 | 0 | 0 | 697879 | 11 | 731 | A Pasture in the Mountains of Auvergne | 13 | After | Louis Paul Pierre Dumont|Rosa Bonheur | French, born Paris, 1822|French, Bordeaux 1822–1899 Thomery | 53563 | 1822 |1822 | 1922 |1899 | 1855 | 1855 | 1855 | 14948 | Sheet: 10 1/2 × 15 9/16 in. (26.7 × 39.5 cm) Image: 7 11/16 × 10 1/4 in. (19.5 × 26 cm) | Gift of Walter Schatzki, 1961 | 13 | http://www.metmuseum.org/art/collection/search/697879 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421341 | 60.708(4) | 0 | 0 | 697880 | 11 | 731 | Saint Jerome seated by a tree looking up at a crucifix, a lion drinking water from a stream to his right | 53 | After | Baldassare Tommaso Peruzzi|Louis Surugue|Nicolas Chasteau | Italian, Ancaiano 1481–1536 Rome|French, Paris ca. 1686–1762 Grand Vaux|French, Paris 1680–ca. 1750 Paris | 53564 | 1481 |1686 |1680 | 1536 |1762 |1755 | 1728 | 1728 | 1728 | 6712 | Sheet: 21 in. × 15 1/4 in. (53.3 × 38.8 cm) Plate: 15 3/8 × 11 in. (39.1 × 28 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/697880 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421342 | 60.598.33 | 0 | 0 | 697881 | 11 | 731 | Ploughing in the Nivernais | 717 | After | Braun & Cie|Rosa Bonheur | French, Paris|French, Bordeaux 1822–1899 Thomery | 53565 | 1822 | 1899 | after 1849 | 1849 | 1949 | 60214 | Sheet: 6 11/16 × 9 13/16 in. (17 × 25 cm) Plate: 4 5/16 × 7 3/16 in. (11 × 18.2 cm) | Bequest of Julia H. Manges, in memory of Dr. Morris Manges, 1960 | 13 | http://www.metmuseum.org/art/collection/search/697881 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421343 | 62.600.160 | 0 | 0 | 697883 | 11 | 731 | Head of a Bull | 2 | Rosa Bonheur | French, Bordeaux 1822–1899 Thomery | 10717 | 1822 | 1899 | mid to late 19th century | 1850 | 1899 | 14948 | Sheet: 13 5/16 × 12 3/16 in. (33.8 × 31 cm) Image: 7 11/16 × 6 7/8 in. (19.5 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697883 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421344 | 62.600.156 | 0 | 0 | 697890 | 11 | 731 | Sheep Pen | 715 | Rosa Bonheur|Lemercier & Cie. | French, Bordeaux 1822–1899 Thomery|French, Paris | 53566 | 1822 | 1899 | mid to late 19th century | 1850 | 1899 | 30808 | Sheet: 13 5/16 × 12 3/16 in. (33.8 × 31 cm) Image: 7 11/16 × 6 7/8 in. (19.5 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697890 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421345 | 60.620.84 | 0 | 0 | 697891 | 11 | 731 | Sheep Pen | 5322 | François-August-Hippolyte Peyrol|Lemercier & Cie.|Rosa Bonheur | French, 1856–1929|French, Paris|French, Bordeaux 1822–1899 Thomery | 53567 | 1856 |1822 | 1929 |1899 | mid to late 19th century | 1850 | 1899 | 30815 | Sheet: 13 5/16 × 12 3/16 in. (33.8 × 31 cm) Image: 7 11/16 × 6 7/8 in. (19.5 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 13 | http://www.metmuseum.org/art/collection/search/697891 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421346 | 2015.583 | 0 | 0 | 697918 | 11 | 731 | Untitled from Locus | 1022 | Dorothea Rockburne|Parasol Press Ltd.|Crown Point Press|Kathan Brown | Canadian, born Montreal, 1932|American, born 1935 | 53568 | 1932 |1900 |1935 | 9999 |2099 |2035 | 1972 | 1972 | 1972 | 60215 | Sheet: 39 3/4 × 30 1/16 in. (101 × 76.4 cm) | John B. Turner Fund, 2015 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/697918 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421347 | SL.17.2016.1.1 | 0 | 0 | 697919 | 11 | 731 | Portrait of Matthias Buchinger | 392 | Matthias Buchinger|Anonymous, British, 18th century | German, Ansbach 1674–1739 | 53569 | 1674 |1700 | 1739 |1800 | 1705 | 1705 | 1705 | 7208 | Sheet: 10 1/2 × 7 3/4 in. (26.7 × 19.7 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697919 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421348 | SL.17.2016.1.2 | 0 | 0 | 697920 | 11 | 731 | Portrait of Matthias Buchinger | 392 | Matthias Buchinger|Anonymous, British, 18th century | German, Ansbach 1674–1739 | 53569 | 1674 |1700 | 1739 |1800 | 1724 | 1724 | 1724 | 7208 | Sheet: 12 1/8 in. × 8 in. (30.8 × 20.3 cm) Mat: 14 1/2 × 10 1/4 in. (36.8 × 26 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697920 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421349 | SL.17.2016.1.3 | 0 | 0 | 697921 | 11 | 731 | Portrait of Matthias Buchinger with Vignettes | 392 | Matthias Buchinger|Elias Baeck | German, Ansbach 1674–1739|German, Laybach 1679–1747 Augsburg | 53570 | 1674 |1679 | 1739 |1747 | 1717 | 1717 | 1717 | 7208 | Sheet: 7 1/2 × 10 1/4 in. (19.1 × 26 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697921 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421350 | SL.17.2016.1.4 | 0 | 0 | 697922 | 11 | 731 | Poem on Mathew Buckinger [sic], The Greatest German Living | 991 | Anonymous, German, 18th century|Matthias Buchinger | German, Ansbach 1674–1739 | 53571 | 1700 |1674 | 1800 |1739 | 1726 | 1726 | 1726 | 33578 | Sheet: 7 7/8 × 11 3/4 in. (20 × 29.8 cm) Framed: 9 1/2 × 14 in. (24.1 × 35.6 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697922 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421351 | SL.17.2016.1.5 | 0 | 0 | 697923 | 11 | 23 | Ten Commandments, Bath | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1717 | 1717 | 1717 | 41337 | Sheet: 4 1/4 × 5 1/4 in. (10.9 × 13.3 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697923 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421352 | SL.17.2016.1.6 | 0 | 0 | 697924 | 11 | 23 | Ten Commandments, Dublin | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1720 | 1720 | 1720 | 41337 | Sheet: 10 13/16 × 7 13/16 in. (27.4 × 19.8 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697924 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421353 | SL.17.2016.1.7 | 0 | 0 | 697925 | 11 | 23 | Ten Commandments, Chester, January 17, 1734 | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1734 | 1734 | 1734 | 41337 | Sheet: 4 5/16 × 6 1/8 in. (10.9 × 15.5 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697925 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421354 | SL.17.2016.1.8 | 0 | 0 | 697926 | 11 | 23 | Ten Commandments and Selections from the Gospel of John | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 0 | 0 | 41337 | Sheet: 4 3/8 × 3 7/16 in. (11.1 × 8.8 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697926 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421355 | SL.17.2016.1.9 | 0 | 0 | 697927 | 11 | 23 | Family Tree of the Stuarts of Allentown and the Denhams of Edinburgh | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1729 | 1729 | 1729 | 41337 | Sheet: 12 1/2 in. × 16 in. (31.8 × 40.6 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697927 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421356 | SL.17.2016.1.10 | 0 | 0 | 697928 | 11 | 23 | Buchinger Family Tree | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | May 28, 1729 | 1729 | 1729 | 60216 | Sheet: 10 1/4 × 7 3/4 in. (26 × 19.7 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697928 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421357 | SL.17.2016.1.11 | 0 | 0 | 697929 | 11 | 23 | Coat of Arms of the Duke of Gordon, Edinburgh | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1723 | 1723 | 1723 | 30239 | Sheet: 6 in. × 7 1/2 in. (15.2 × 19.1 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697929 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421358 | SL.17.2016.1.12 | 0 | 0 | 697930 | 11 | 23 | Coat of Arms, London, March 20 | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1717 or 1718 | 1717 | 1718 | 41337 | Sheet: 8 in. × 12 1/2 in. (20.3 × 31.8 cm) (framed) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697930 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421359 | SL.17.2016.1.13 | 0 | 0 | 697931 | 11 | 23 | Coat of Arms, Norwich | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1733 | 1733 | 1733 | 41337 | Sheet: 4 7/8 × 6 1/4 in. (12.3 × 15.9 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697931 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421360 | SL.17.2016.1.14 | 0 | 0 | 697932 | 11 | 731 | Announcement for Buchinger’s Appearance at Norwich in 1733 | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1733 | 1733 | 1733 | 26071 | Sheet: 3 3/4 × 4 1/2 in. (9.5 × 11.4 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697932 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421361 | SL.17.2016.1.15 | 0 | 0 | 697933 | 11 | 731 | Calligraphic Signature, Norwich | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1733 | 1733 | 1733 | 30239 | Sheet: 3 1/2 × 2 11/16 in. (8.9 × 6.9 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697933 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421362 | SL.17.2016.1.16 | 0 | 0 | 697934 | 11 | 23 | Family Tree of Thomas Bancks and Elizabeth Montgomery | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1727 | 1727 | 1727 | 30239 | Sheet: 7 in. × 11 1/2 in. (17.8 × 29.2 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697934 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421363 | SL.17.2016.1.17 | 0 | 0 | 697935 | 11 | 23 | Portrait of Queen Anne | 2 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | 1718 | 1718 | 1718 | 41337 | Framed: 7 1/2 × 8 3/4 in. (19.1 × 22.2 cm) | Collection of Ricky Jay | 9 | http://www.metmuseum.org/art/collection/search/697935 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421364 | SL.17.2016.1.18 | 0 | 0 | 697936 | 11 | 97 | Prayer Book, with inscription to Mrs. Elizabeth Inke by Matthias Buchinger | 5323 | Matthias Buchinger | German, Ansbach 1674–1739 | 35594 | 1674 | 1739 | February 26, 1728 | 1728 | 1728 | 7 3/4 × 5 1/4 × 1 5/8 in. (19.7 × 13.3 × 4.1 cm) | Collection of Ricky Jay | 442 | http://www.metmuseum.org/art/collection/search/697936 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421365 | SL.17.2016.1.19 | 0 | 0 | 697937 | 11 | 97 | Magic Book | 41 | Eberhard David Hauber | German, Hohenhaslach 1695–1765 Copenhagen | 53572 | 1695 | 1765 | 1740 | 1740 | 1740 | 4 1/4 × 6 7/8 × 2 in. (10.8 × 17.5 × 5.1 cm) | Collection of Ricky Jay | 442 | http://www.metmuseum.org/art/collection/search/697937 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421366 | SL.17.2016.1.20 | 0 | 0 | 697938 | 11 | 731 | Portrait of Johanna Sophia Liebschern | ca. 1780–90 | 1775 | 1795 | 60217 | Sheet: 8 1/2 × 7 1/4 in. (21.6 × 18.4 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697938 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 421367 | SL.17.2016.1.21 | 0 | 0 | 697939 | 11 | 731 | Portrait of Johannes Wynistorff | 2 | Thomas Bäeck | 53573 | 0 | 0 | 26137 | Sheet: 12 1/16 × 8 1/4 in. (30.6 × 21 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697939 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 421368 | SL.17.2016.1.22 | 0 | 0 | 697940 | 11 | 731 | Portrait of Thomas Inglefield | 1787 | 1787 | 1787 | 26137 | Sheet: 7 1/4 × 10 1/2 in. (18.4 × 26.7 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697940 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||||
| 421369 | SL.17.2016.1.23 | 0 | 0 | 697941 | 11 | 731 | Announcement of Miss Honeywell's skills | 2 | Anonymous, American, 19th century | 2752 | 19th century | 1801 | 1899 | 60218 | Sheet: 8 in. × 10 1/4 in. (20.3 × 26 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697941 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 421370 | SL.17.2016.1.24 | 0 | 0 | 697942 | 11 | 731 | Announcement of Miss Beffin's Skills | 15 | T. Romneye, London | 53574 | 0 | 0 | 26071 | Sheet: 32 1/2 in. × 23 in. (82.6 × 58.4 cm) | Collection of Ricky Jay | 13 | http://www.metmuseum.org/art/collection/search/697942 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 421371 | 17.3.756-2282 | 0 | 0 | 697945 | 11 | 731 | Portrait of Mariana Carolina, Grand Duchess of Tuscany | 2 | Antonio Perfetti | Italian, Florence 1792–1872 Florence | 53575 | 1792 | 1872 | ca. 1815–70 | 1810 | 1875 | 7208 | Sheet: 15 3/16 × 10 13/16 in. (38.5 × 27.5 cm) Plate: 12 13/16 × 9 1/16 in. (32.6 × 23 cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/697945 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421372 | 2016.37 | 0 | 1 | 697947 | 11 | 23 | Laban Searching for his Idols | 2 | Jan de Braij | Dutch, Haarlem ca. 1627–1697 Amsterdam | 51292 | 1622 | 1697 | 1667 | 1667 | 1667 | 60219 | 5 × 3 3/8 in. (12.7 × 8.6 cm) | Frits and Rita Markus Fund, 2016 | 9 | http://www.metmuseum.org/art/collection/search/697947 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421373 | 35.85.98 | 0 | 0 | 697948 | 11 | 731 | A sibyl, head and shoulders, wearing a turban | 13 | After | Domenichino (Domenico Zampieri)|Antonio Perfetti | Italian, Bologna 1581–1641 Naples|Italian, Florence 1792–1872 Florence | 53576 | 1581 |1792 | 1641 |1872 | ca. 1815–70 | 1810 | 1875 | 7208 | Sheet: 19 1/4 × 14 3/16 in. (48.9 × 36.1 cm) Plate: 12 5/8 × 9 7/16 in. (32 × 23.9 cm) | Gift of Lucy Chauncey, in memory of her father, Henry Chauncey, 1935 | 13 | http://www.metmuseum.org/art/collection/search/697948 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421374 | 41.97.385 | 0 | 0 | 697951 | 11 | 731 | Plate 8: Canonization of Saint Catherine of Siena; Pius II seated on a throne at right, blessing his nephew, Francesco Todeschini Piccolomini, who kneels before him; after Mattia Preti | 13 | After | Mattia Preti (Il Cavalier Calabrese)|Giuliano Traballesi | Italian, Taverna 1613–1699 Valletta|Italian, Florence 1727–1812 Milan | 53577 | 1613 |1727 | 1699 |1812 | 1760–80 | 1755 | 1785 | 6712 | Sheet: 21 3/4 × 14 3/4 in. (55.2 × 37.5 cm) Plate: 19 15/16 × 11 15/16 in. (50.6 × 30.3 cm) | Gift of Harry Shaw Newman, 1941 | 562 | 13 | http://www.metmuseum.org/art/collection/search/697951 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421375 | 62.602.827 | 0 | 0 | 697953 | 11 | 731 | Moses receiving the Tablets of the Law from God who descends from the heavens; from the series of 112 prints of the sacred history, after the painting by Mattia Preti | 895 | After | Mattia Preti (Il Cavalier Calabrese)|Pietro Monaco|Pietro Monaco | Italian, Taverna 1613–1699 Valletta|Italian, Belluno 1707–1772 Venice|Italian, Belluno 1707–1772 Venice | 53578 | 1613 |1707 |1707 | 1699 |1772 |1772 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 19 3/4 in. × 14 in. (50.2 × 35.6 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697953 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421376 | Museum Accession.1959.4 | 0 | 0 | 697954 | 11 | 731 | Costa Brava | 2 | Guy Bardone | French, born Saint-Claude, 1927 | 53579 | 1927 | 2027 | 1959 | 1959 | 1959 | 32281 | Sheet: 10 1/8 × 6 1/2 in. (25.7 × 16.5 cm) Image: 8 3/4 × 5 5/16 in. (22.3 × 13.5 cm) | Museum Accession, 1959 | 13 | © 2018 Artists Rights Society (ARS), New York | http://www.metmuseum.org/art/collection/search/697954 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421377 | 62.602.826 | 0 | 0 | 697955 | 11 | 731 | Christ on a balcony surrounded by guards, Pilate stands to the right gesturing toward him; from the series of 112 prints of the sacred history, after the painting by Mattia Preti | 878 | After | Pietro Monaco|Mattia Preti (Il Cavalier Calabrese)|Pietro Monaco | Italian, Belluno 1707–1772 Venice|Italian, Taverna 1613–1699 Valletta|Italian, Belluno 1707–1772 Venice | 53580 | 1707 |1613 |1707 | 1772 |1699 |1772 | ca. 1730–39 | 1725 | 1744 | 6712 | Sheet (Trimmed): 13 15/16 × 19 5/8 in. (35.4 × 49.9 cm) | Rogers Fund, 1962 | 276 | 13 | http://www.metmuseum.org/art/collection/search/697955 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421378 | SL.4.2016.9.3 | 0 | 0 | 697956 | 6 | Processional Cross | 1134 | ca. 1050 | 1045 | 1055 | 22257 | 12 3/4 × 17 5/8 × 2 1/4 in. (32.4 × 44.8 × 5.7 cm) | The Cleveland Museum of Art, Leonard C. Hanna. Jr. Fund, 1970.36 | 1 | 1052 | 313 | http://www.metmuseum.org/art/collection/search/697956 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||||
| 421393 | 62.600.563 | 0 | 0 | 697971 | 11 | 731 | Visitation; Saint Elizabeth embracing the Virgin at center as Saint Joseph walks toward them on the right and Zacharias greets them on the left; from 'Theatrum Pictorium', after Palma Il Vecchio | 53 | Intermediary draughtsman|After | David Teniers the Younger|Peeter van Lisebetten|Palma Il Vecchio | Flemish, Antwerp 1610–1690 Brussels|Flemish, Antwerp 1610–1678 Antwerp|Italian, Venetian, 1479–1528 | 53581 | 1610 |1610 |1479 | 1690 |1678 |1479 | ca. 1656–60 | 1651 | 1665 | 6712 | Sheet (Trimmed): 11 15/16 in. × 20 in. (30.3 × 50.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1962 | 13 | http://www.metmuseum.org/art/collection/search/697971 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421394 | 2016.47 | 0 | 1 | 697974 | 3 | 5 | Francesco Bernardi known as Il Senesino (1686–1758) | 6 | 2 | Louis François Roubiliac | British (born France), Lyons 1695/1702–1762 London | 53582 | 1695 | 1762 | ca. 1735 | 1730 | 1740 | 60221 | Overall (bust on socle, confirmed): 31 3/4 × 21 9/16 × 9 1/2 in., 71.6 lb. (80.6 × 54.8 × 24.1 cm, 32.5 kg); Overall (bust only): 24 1/4 × 21 9/16 × 8 15/16 in. (61.6 × 54.8 × 22.7 cm) | Purchase, Gift of Irwin Untermyer, by exchange, 2016 | 12 | http://www.metmuseum.org/art/collection/search/697974 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421395 | SL.18.2016.2.1 | 0 | 0 | 697976 | 15 | John VIII Paleologus | 2 | Pisanello (Antonio Pisano) | Italian, Pisa or Verona by 1395–1455 | 9539 | 1395 | 1455 | ca. 1438 | 1433 | 1443 | 21764 | 4 in. (10.2 cm) | Collection of Dr. Stephen K. Scher and Janie P. Woo | 229 | http://www.metmuseum.org/art/collection/search/697976 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421396 | SL.18.2016.3.1 | 0 | 0 | 697978 | 15 | Sacred Bleeding Host of Dijon | 2 | Machéco Master (Oudot Matuchet?) | French, Dijon, active 1530s | 53583 | 1530 | 1539 | 1530s | 1530 | 1539 | 60222 | 8 1/4 × 5 3/4 in. (21 × 14.6 cm) | Collection of Mr. and Mr. Roger S. Wieck and Jean-François A. Vilain | 162 | http://www.metmuseum.org/art/collection/search/697978 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
| 421397 | 68.673.24 | 0 | 0 | 697980 | 11 | 731 | Etching Tools | 2 | François Bonvin | French, Paris 1817–1888 Saint-Germain-en-Laye | 17483 | 1817 | 1888 | 1861 | 1861 | 1861 | 58747 | Sheet: 16 × 11 in. (40.6 × 28 cm) Plate: 8 7/8 × 6 1/8 in. (22.5 × 15.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 13 | http://www.metmuseum.org/art/collection/search/697980 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421398 | 66.559.32 | 0 | 0 | 697981 | 11 | 731 | Etching Tools | 2 | François Bonvin | French, Paris 1817–1888 Saint-Germain-en-Laye | 17483 | 1817 | 1888 | 1861 | 1861 | 1861 | 43767 | Sheet: 12 3/16 × 8 7/8 in. (31 × 22.6 cm) Plate: 8 11/16 × 5 13/16 in. (22.1 × 14.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 13 | http://www.metmuseum.org/art/collection/search/697981 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421399 | 83.2.2087 | 0 | 0 | 697982 | 11 | 731 | View of Battery Park, New York (Castle Gardens) | 2 | Anatole-Martin de Bonsonge | French, Saintes 1832–1881 Saint-Louis, Senegal | 53584 | 1832 | 1881 | 1867 | 1867 | 1867 | 29129 | Plate: 6 5/16 × 12 5/8 in. (16 × 32 cm) Sheet: 13 1/8 × 18 3/4 in. (33.3 × 47.7 cm) | Gift of William H. Huntington, 1883 | 13 | http://www.metmuseum.org/art/collection/search/697982 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421400 | 22.64.1(59) | 0 | 1 | 697983 | 11 | 26945 | The Russian Dance, in Oeuvres de Jean-Baptiste Le Prince, peintre du Roi | 45 | Basan Frères|Jean-Baptiste Le Prince | French, Metz 1734–1781 Saint-Denis-du-Port | , Paris | 53585 | 1734 | 1781 | 1782 | 1782 | 1782 | 28935 | Plate: 15 1/8 × 12 1/16 in. (38.4 × 30.7 cm) Sheet: 22 1/16 × 15 3/16 in. (56 × 38.5 cm) | Purchase, Jacob H. Schiff Bequest, 1922 | 442 | http://www.metmuseum.org/art/collection/search/697983 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421401 | 53.601.13(197) | 0 | 0 | 697996 | 11 | 731 | The vision of Saint Dominic, with God the Father and Christ at top center, the Virgin standing below on the crescent moon, and Saint Francis of Assisi and Saint Dominic in the foreground | 13 | After | Paolo Piazza|Raphael Sadeler II | Italian, Castelfranco ca. 1560–1621 Venice|Flemish, Antwerp 1584–1632 Munich | 53586 | 1555 |1584 | 1621 |1632 | 1607 | 1607 | 1607 | 7208 | Sheet (Trimmed): 20 5/8 × 11 13/16 in. (52.4 × 30 cm) | Harris Brisbane Dick Fund, 1953 | 13 | http://www.metmuseum.org/art/collection/search/697996 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421402 | 60.708(83) | 0 | 0 | 698000 | 11 | Hera, Aphrodite, and Athena preparing themselves for the contest of beauty before Paris; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after Perino del Vaga | 13 | After | Perino del Vaga (Pietro Buonaccorsi)|Philippe Simonneau | Italian, Florence 1501–1547 Rome|French, Paris 1685–after 1753 | 53587 | 1501 |1685 | 1547 |1785 | ca. 1729–40 | 1724 | 1745 | 6712 | Sheet: 20 7/8 × 15 3/16 in. (53 × 38.5 cm) Plate: 16 1/4 × 12 3/8 in. (41.3 × 31.4 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/698000 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421403 | 60.708(3) | 0 | 0 | 698009 | 11 | 731 | A shepherd holding a lion on a leash in the foreground, in the middle ground the shepherd stands in a meadow surrounded by wild beasts, in the background the shepherd is seated on a rock with the lion at his side; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' after a drawing by Baldassare Peruzzi | 53 | After | Baldassare Tommaso Peruzzi|Nicolas Le Sueur|Anne Claude Philippe de Tubières, comte de Caylus | Italian, Ancaiano 1481–1536 Rome|French, 1691–1764|French, Paris 1692–1765 Paris | 53588 | 1481 |1691 |1692 | 1536 |1764 |1765 | ca. 1729–64 | 1724 | 1769 | 59498 | Sheet: 20 7/8 × 15 1/4 in. (53 × 38.8 cm) Plate: 12 15/16 × 8 1/16 in. (32.8 × 20.5 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/698009 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421404 | 28.52.2(4) | 0 | 1 | 698011 | 11 | 26962 | Two Views of the Head (plate 4), in Myologie Complette en Couleur et Grandeur Naturelle | 1001 | Jacques Fabien Gautier Dagoty|Joseph Guichard Duverney|Gautier | French, Marseille 1716–1785 Paris|French, 1648–1730|Paris | 23988 | 1716 |1648 |1800 | 1785 |1730 |1900 | 1746 | 1746 | 1746 | 41059 | Plate: 15 7/8 × 12 15/16 in. (40.4 × 32.9 cm) Sheet: 21 3/4 × 15 3/16 in. (55.3 × 38.5 cm) | Harris Brisbane Dick Fund, 1928 | 442 | http://www.metmuseum.org/art/collection/search/698011 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
| 421405 | 60.708(18) | 0 | 0 | 698039 | 11 | 731 | Alexander the Great freeing Timoclea; from 'Recueil d'estampes d'après les plus beaux tableaux et d'après les plus beaux desseins qui sont en France, Cabinet Crozat' | 189 | After|After | Nicolas Le Sueur|Taddeo Zuccaro|Anne Claude Philippe de Tubières, comte de Caylus|Perino del Vaga (Pietro Buonaccorsi) | French, 1691–1764|Italian, Sant'Angelo in Vado 1529–1566 Rome|Italian, Florence 1501–1547 Rome | 53589 | 1691 |1529 |1501 | 1764 |1566 |1547 | ca. 1729–40 | 1724 | 1745 | 59498 | Sheet: 20 7/8 × 15 1/4 in. (53 × 38.7 cm) Plate: 10 7/8 × 13 3/4 in. (27.7 × 35 cm) | Gift of Harry G. Friedman, 1960 | 13 | http://www.metmuseum.org/art/collection/search/698039 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421406 | 28.113(2.52) | 0 | 1 | 698040 | 11 | 97 | L'Autonne, in L'Oeuvre D'Antoine Watteau Pientre du Roy en son Academie Roïale de Peinture et Sculpture Gravé d'après ses Tableaux & Desseins originaux...par les Soins de M. de Jullienne, Volume II, page 52 | 13 | After | Etienne Fessard|Antoine Watteau | French, Paris 1714–1777 Paris|French, Valenciennes 1684–1721 Nogent-sur-Marne | 53590 | 1714 |1684 | 1777 |1721 | ca. 1740 | 1735 | 1745 | 7208 | Book: 25 3/16 × 19 1/2 × 1 15/16 in. (64 × 49.5 × 5 cm) Plate: 17 13/16 × 13 3/8 in. (45.2 × 34 cm) | Gift of Mr. and Mrs. Herbert N. Straus, 1928 | 442 | http://www.metmuseum.org/art/collection/search/698040 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
| 421407 | SL.12.2016.5.8 | 0 | 0 | 698042 | 9 | 101 | Six-Pointed Star Tile Ensemble with Lute Player | ca. 1160s–1170s | 1135 | 1195 | 60223 | Diam: 4 7/16 in. (11.3 cm) | Museum für Islamische Kunst, Staatliche Museen zu Berlin (I.936 a-f) | 114 | 96 | 570 | 1006 | 5 | http://www.metmuseum.org/art/collection/search/698042 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 421408 | 41.91.225 | 0 | 0 | 698043 | 11 | 731 | Prince Raimondo di Sangro disentangling himself from the net of worldly cares with the help of his winged genius, after the marble statue by Francesco Queirolo in the Capella di Sansevero, Naples | 13 | After | Francesco Maria Queirolo|Francesco Wenzel | Italian, Genoa 1704–1762 Naples|Italian, active Naples, 1827–50 | 53591 | 1704 |1827 | 1762 |1850 | ca. 1840–50 | 1835 | 1855 | 14948 | Sheet: 21 5/16 × 14 15/16 in. (54.1 × 37.9 cm) | Gift of Harriet McDonald, 1941 | 436 | 13 | http://www.metmuseum.org/art/collection/search/698043 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
| 421409 | SL.12.2016.5.4 | 0 | 0 | 698044 | 9 | 163 | Candlestick with Sphinxes | mid-13th century | 1225 | 1275 | 60224 | Height: 7 7/8 in. (20 cm) Diameter: 11 7/16 in. (29.1 cm) | Museum für Islamische Kunst, Staatliche Museen zu Berlin (I.3571) | 107 | 96 | 61 | 462 | 1 | http://www.metmuseum.org/art/collection/search/698044 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
| 421410 | SL.12.2016.5.9 | 0 | 0 | 698045 | 9 | 101 | Tile with a Rosette Once Decorating an Upper Corner of the Mihrab in the Sircali Madrasa | late 13th century | 1250 | 1299 | 10 1/4 × 10 1/4 in. (26 × 26 cm) | Museum für Islamische Kunst, Staatliche Museen zu Berlin (KONYA99a) | 100 | 1538 | 96 | 1006 | 776 | http://www.metmuseum.org/art/collection/search/698045 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||||
| 421411 | SL.12.2016.5.1 | 0 | 0 | 698046 | 9 | 3984 | Mirror with Four Chasing Sphinxes | 12th–13th century | 1100 | 1299 | 44734 | Diameter: 7 11/16 in. (19.5 cm) | Museum für Islamische Kunst, Staatliche Museen zu Berlin (I.2200) | 102 | 96 | 351 | 1 | http://www.metmuseum.org/art/collection/search/698046 | 4/23/2018 8:00:01 AM | 1 |