Data license: CC0 · Data source: metmuseum/openaccess
rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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69250 | 1985.375.7 | 0 | 0 | 82567 | 8 | 5882 | Sweater | 6 | 229 | Vivienne Westwood|Malcolm McLaren|Seditionaries | British, born 1941|British, London 1946–2010 Switzerland|British, 1976–1980 | 5774 | 178 | 1941 |1946-01-22|1976 | 2041 |2010-04-08|1980 | 1976–80 | 1976 | 1980 | 15104 | Gift of Barbara and Gregory Reynolds, 1985 | http://www.metmuseum.org/art/collection/search/82567 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
69252 | 1985.375.9 | 0 | 0 | 82569 | 8 | 5916 | T-shirt | 6 | 229 | Attributed to|Attributed to|Attributed to | Malcolm McLaren|Vivienne Westwood|Seditionaries | British, London 1946–2010 Switzerland|British, born 1941|British, 1976–1980 | 5776 | 178 | 1946-01-22|1941 |1976 | 2010-04-08|2041 |1980 | 1976–80 | 1976 | 1980 | 3340 | Gift of Barbara and Gregory Reynolds, 1985 | http://www.metmuseum.org/art/collection/search/82569 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
69253 | 1985.375.10 | 0 | 0 | 82570 | 8 | 5916 | T-shirt | 6 | 229 | Attributed to|Attributed to|Attributed to | Malcolm McLaren|Vivienne Westwood|Seditionaries | British, London 1946–2010 Switzerland|British, born 1941|British, 1976–1980 | 5776 | 178 | 1946-01-22|1941 |1976 | 2010-04-08|2041 |1980 | 1976–80 | 1976 | 1980 | 3340 | Gift of Barbara and Gregory Reynolds, 1985 | http://www.metmuseum.org/art/collection/search/82570 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
74898 | 1982.157.1a–d | 0 | 0 | 95489 | 8 | 5978 | Wedding ensemble | 6 | 210 | David Emanuel|Elizabeth Emanuel|Emanuel | British, born 1952|British, born 1953|British, 1977–1990 | 6254 | 178 | 1952 |1953 |1977 | 2052 |2053 |1990 | 1982 | 1982 | 1982 | 15315 | Gift of David and Elizabeth Emanuel, 1982 | http://www.metmuseum.org/art/collection/search/95489 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
74908 | 1985.375.11 | 0 | 0 | 95812 | 8 | 5916 | T-shirt | 6 | 229 | Attributed to|Attributed to|Attributed to | Malcolm McLaren|Vivienne Westwood|Seditionaries | British, London 1946–2010 Switzerland|British, born 1941|British, 1976–1980 | and | 5776 | 178 | 1946-01-22|1941 |1976 | 2010-04-08|2041 |1980 | 1976–80 | 1976 | 1980 | 3340 | Gift of Barbara and Gregory Reynolds, 1985 | http://www.metmuseum.org/art/collection/search/95812 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
76213 | 2003.479a–d | 0 | 0 | 98013 | 8 | 5475 | Trousers | 6 | 229 | Vivienne Westwood|Malcolm McLaren|Seditionaries | British, born 1941|British, London 1946–2010 Switzerland|British, 1976–1980 | 5774 | 178 | 1941 |1946-01-22|1976 | 2041 |2010-04-08|1980 | 1976–80 | 1976 | 1980 | 17256 | Purchase, Richard Martin Bequest, 2003 | http://www.metmuseum.org/art/collection/search/98013 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
76546 | 2004.15a–c | 0 | 0 | 98568 | 8 | 5875 | Ensemble | 6 | 229 | Vivienne Westwood|Malcolm McLaren|Seditionaries | British, born 1941|British, London 1946–2010 Switzerland|British, 1976–1980 | 5774 | 178 | 1941 |1946-01-22|1976 | 2041 |2010-04-08|1980 | 1976–80 | 1976 | 1980 | 15378 | Purchase, Irene Lewisohn Bequest, 2004 | http://www.metmuseum.org/art/collection/search/98568 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
77391 | 1982.157.2a–c | 0 | 0 | 101811 | 8 | 6358 | Bridesmaid ensemble | 6 | 210 | David Emanuel|Elizabeth Emanuel|Emanuel | British, born 1952|British, born 1953|British, 1977–1990 | 6254 | 178 | 1952 |1953 |1977 | 2052 |2053 |1990 | 1982 | 1982 | 1982 | 17469 | Gift of David and Elizabeth Emanuel, 1982 | http://www.metmuseum.org/art/collection/search/101811 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
77392 | 1982.157.3a–c | 0 | 0 | 101812 | 8 | 6358 | Bridesmaid ensemble | 6 | 210 | David Emanuel|Elizabeth Emanuel|Emanuel | British, born 1952|British, born 1953|British, 1977–1990 | 6254 | 178 | 1952 |1953 |1977 | 2052 |2053 |1990 | 1982 | 1982 | 1982 | 15309 | Gift of David and Elizabeth Emanuel, 1982 | http://www.metmuseum.org/art/collection/search/101812 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
88164 | 2006.253.1 | 0 | 0 | 129613 | 8 | 5916 | "Derek Jarman" | 6 | 229 | Attributed to|Attributed to|Attributed to | Vivienne Westwood|Malcolm McLaren|Seditionaries | British, born 1941|British, London 1946–2010 Switzerland|British, 1976–1980 | 5774 | 178 | 1941 |1946-01-22|1976 | 2041 |2010-04-08|1980 | 1978–80 | 1978 | 1980 | 3340 | Purchase, Richard Martin Bequest and Friends of The Costume Institute Gifts, 2006 | http://www.metmuseum.org/art/collection/search/129613 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
88172 | 2006.253.8 | 0 | 0 | 129621 | 8 | 5887 | "Cowboys" | 6 | 229 | Attributed to|Attributed to|Attributed to | Vivienne Westwood|Malcolm McLaren|SEX | British, born 1941|British, London 1946–2010 Switzerland|British, 1974–1976 | 6787 | 178 | 1941 |1946-01-22|1974 | 2041 |2010-04-08|1976 | 1974–76 | 1974 | 1976 | 3340 | Purchase, Richard Martin Bequest and Friends of The Costume Institute Gifts, 2006 | http://www.metmuseum.org/art/collection/search/129621 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
88173 | 2006.253.9 | 0 | 0 | 129622 | 8 | 5916 | "Cowboys" | 6 | 229 | Attributed to|Attributed to|Attributed to | Vivienne Westwood|Malcolm McLaren|Seditionaries | British, born 1941|British, London 1946–2010 Switzerland|British, 1976–1980 | 5774 | 178 | 1941 |1946-01-22|1976 | 2041 |2010-04-08|1980 | 1976–80 | 1976 | 1980 | 3340 | Purchase, Richard Martin Bequest and Friends of The Costume Institute Gifts, 2006 | http://www.metmuseum.org/art/collection/search/129622 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
88174 | 2006.253.10 | 0 | 0 | 129623 | 8 | 5887 | "Anarchy in the UK" | 6 | 283 | Attributed to|Attributed to|Attributed to | Vivienne Westwood|Seditionaries|Malcolm McLaren | British, born 1941|British, 1976–1980|British, London 1946–2010 Switzerland | 6788 | 178 | 1941 |1976 |1946-01-22 | 2041 |1980 |2010-04-08 | 1976–80 | 1976 | 1980 | 3340 | Purchase, Richard Martin Bequest and Friends of The Costume Institute Gifts, 2006 | http://www.metmuseum.org/art/collection/search/129623 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
88177 | 2006.253.3 | 0 | 0 | 129626 | 8 | 5887 | "Black Footballer" | 6 | 283 | Malcolm McLaren|SEX|Vivienne Westwood | British, London 1946–2010 Switzerland|British, 1974–1976|British, born 1941 | 6790 | 178 | 1946-01-22|1974 |1941 | 2010-04-08|1976 |2041 | 1974–76 | 1974 | 1976 | 3340 | Purchase, Richard Martin Bequest and Friends of The Costume Institute Gifts, 2006 | http://www.metmuseum.org/art/collection/search/129626 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
88186 | 2006.253.15 | 0 | 0 | 129635 | 8 | 5916 | "Tits" | 6 | 229 | Vivienne Westwood|Malcolm McLaren|Seditionaries | British, born 1941|British, London 1946–2010 Switzerland|British, 1976–1980 | 5774 | 178 | 1941 |1946-01-22|1976 | 2041 |2010-04-08|1980 | 1976–80 | 1976 | 1980 | 3340 | Purchase, Richard Martin Bequest and Friends of The Costume Institute Gifts, 2006 | http://www.metmuseum.org/art/collection/search/129635 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
88218 | 2006.158a, b | 0 | 0 | 129735 | 8 | 5887 | Shirt | 6 | 285 | Attributed to|Attributed to|Attributed to | Seditionaries|Vivienne Westwood|Malcolm McLaren | British, 1976–1980|British, born 1941|British, London 1946–2010 Switzerland | 6793 | 178 | 1976 |1941 |1946-01-22 | 1980 |2041 |2010-04-08 | 1976–80 | 1976 | 1980 | 15421 | Purchase, Richard Martin Bequest, 2006 | http://www.metmuseum.org/art/collection/search/129735 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
88220 | 2006.253.26 | 0 | 0 | 129742 | 8 | 5887 | "Cambridge Rapist" | 6 | 229 | Vivienne Westwood|Malcolm McLaren|Seditionaries | British, born 1941|British, London 1946–2010 Switzerland|British, 1976–1980 | 5774 | 178 | 1941 |1946-01-22|1976 | 2041 |2010-04-08|1980 | 1976–80 | 1976 | 1980 | 3340 | Purchase, Richard Martin Bequest and Friends of The Costume Institute Gifts, 2006 | http://www.metmuseum.org/art/collection/search/129742 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
98462 | 2013.32a–d | 0 | 0 | 181415 | 8 | 5887 | Shirt | 6 | 229 | Malcolm McLaren|Vivienne Westwood|Seditionaries | British, London 1946–2010 Switzerland|British, born 1941|British, 1976–1980 | 5776 | 178 | 1946-01-22|1941 |1976 | 2010-04-08|2041 |1980 | 1976–80 | 1976 | 1980 | 15314 | Millia Davenport and Zipporah Fleisher Fund, 2013 | http://www.metmuseum.org/art/collection/search/181415 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
107111 | 23.200a | 0 | 0 | 195040 | 3 | 1084 | Greenery | 2767 | 419 | Designed by|Weaving workshop at|Woven by|Manufactured by | John Henry Dearle|Merton Abbey Tapestry Works|John Martin|Morris & Company | British, 1860–1932|British, founded 1881|British, active ca. 1884–after 1915 | 9466 | 178 | 1860 |1881 |1884 | 1932 |1981 |1915 | 1915 | 1915 | 1915 | 13764 | H. 83 1/2 x W. 185 in. (212.1 x 469.9 cm) | Purchase, Edward C. Moore Jr. Gift, 1923 | 186 | http://www.metmuseum.org/art/collection/search/195040 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
139091 | 2005.234 | 0 | 1 | 231283 | 3 | 4318 | Jardinière | 6 | 682 | Made by | Archibald Knox|Carter & Co.|Liberty & Co. | British, 1864–1933|British|British, founded London, 1875 | 12644 | 178 | 1864 |1875 | 1933 |2050 | ca. 1900–1905 | 1895 | 1910 | 25306 | Diameter: 14 5/8 in. (37.1 cm) | Purchase, H. Rodes and Patricia Hart and James David Draper Gifts, 2005 | 314 | http://www.metmuseum.org/art/collection/search/231283 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
158559 | 1972.708 | 0 | 0 | 260363 | 13 | 13002 | The Pageant of Peking, Comprising Sixty-Six Vandyke Photogravures of Peking and Environs from Photographs by Donald Mennie | 711 | Donald Mennie|Bertram Lenox Simpson|B. L. Putnam Weale [pseudonym] | British, 1899–1941|British, 1877–1930|British, 1877–1930 | 13588 | 178 | 1899 |1877 |1877 | 1941 |1930 |1930 | 1920s | 1920 | 1929 | 26081 | Gift of Weston J. Naef, 1972 | 442 | http://www.metmuseum.org/art/collection/search/260363 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
158712 | 1973.519.1 | 0 | 0 | 260783 | 13 | 13002 | The History of Windsor Great Park and Windsor Forest. Illustrated with Photographs by the Earl of Caithness and Mr. Bembridge | 722 | William Menzies|James Sinclair, Earl of Caithness|Bembridge | British|British, 1821–1881|British, active ca. 1860s | 13607 | 178 | 1821 |1860 | 1881 |1860 | 1860s | 1860 | 1869 | 26067 | Purchase, 1973 | 442 | http://www.metmuseum.org/art/collection/search/260783 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
158714 | 1973.519.3 | 0 | 0 | 260785 | 13 | 13002 | Normandy, its Gothic Architecture and History: As Illustrated by Twenty-five Photographs from Buildings in Rouen, Caen, Mantes, Bayeux and Falaise | 723 | Joseph Cundall|Cundall, Downes & Co.|Frederic George Stephens | British, Norwich, Norfolk 1818–1895 Wallington, Surrey|British, London|British, 1827–1907 | 13609 | 178 | 1818 |1827 | 1895 |1907 | 1860s | 1860 | 1869 | 26067 | Purchase, 1973 | 442 | http://www.metmuseum.org/art/collection/search/260785 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
161080 | 1981.1229.72 | 0 | 0 | 263251 | 13 | 13002 | Macaulay; The Historian, Statesman, and Essayist. Anecdotes of his Life and Literary Labours, with some account of His Early and Unknown Writings | 736 | George Henry Polyblank|John Camden Hotten|Henry Maull | British, born 1820|British, Clerkenwell 1832–1873 Hampstead|British, 1829–1914 | 14005 | 178 | 1820 |1832 |1829 | 1873 |1914 | 1860s | 1860 | 1869 | 26067 | Robert O. Dougan Collection, Gift of Warner Communications Inc., 1981 | 442 | http://www.metmuseum.org/art/collection/search/263251 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
161084 | 1981.1229.76 | 0 | 0 | 263255 | 13 | 13002 | Flemish Relics; Architectural, Legendary, and Pictorial, as Connected with Public Buildings in Belgium | 723 | Joseph Cundall|Fleming|Frederic George Stephens | British, Norwich, Norfolk 1818–1895 Wallington, Surrey|British|British, 1827–1907 | 14009 | 178 | 1818 |1827 | 1895 |1907 | 1860s | 1860 | 1869 | 26067 | Robert O. Dougan Collection, Gift of Warner Communications Inc., 1981 | 442 | http://www.metmuseum.org/art/collection/search/263255 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
161092 | 1981.1229.83 | 0 | 0 | 263263 | 13 | 13002 | The Isle of Wight, 2nd Edition | 723 | William Russell Sedgfield|Frank Mason Good|James Redding Ware | British, 1826–1902|British, 1839–1928|British | 14016 | 178 | 1826 |1839 | 1902 |1928 | 1870s | 1870 | 1879 | 26067 | Robert O. Dougan Collection, Gift of Warner Communications Inc., 1981 | 442 | http://www.metmuseum.org/art/collection/search/263263 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
161310 | 1982.1177 | 0 | 0 | 263481 | 13 | 13002 | Architecture at Ahmedabad, the Capital of Goozerat | 711 | Thomas Biggs|Sir Theodore Cracraft Hope|James Fergusson | British|British, 1831–1915|British, 1808–1886 | 14066 | 178 | 1831 |1808 | 1915 |1886 | 1860s | 1860 | 1869 | 26067 | Gift of Morrison H. Heckscher, 1982 | 442 | http://www.metmuseum.org/art/collection/search/263481 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
163582 | 1987.1183.38 | 0 | 1 | 265767 | 13 | 1119 | [Collection of British Calotypes and Wood-engravings] | 189 | William John Newton|Sir Thomas Maryon Wilson, 8th Baronet|Arthur James Melhuish|Unknown | British, 1785–1869|British, 1800–1869|British, 1829–1895|British | 14433 | 178 | 1785 |1800 |1829 | 1869 |1869 |1895 | 1850s | 1850 | 1859 | 26165 | 20.0 x 13.8 cm (7 7/8 x 5 7/16 in.) | Gift of Paul F. Walter, in memory of Christopher Hemphill, 1987 | 441 | http://www.metmuseum.org/art/collection/search/265767 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
163844 | 1988.1141 | 0 | 0 | 266032 | 13 | 13002 | Gems of Photographic Art. Selections from the Universal Series of Cabinet Photographs by the Best Artists | 53 | Francis Bedford|Francis Frith|Roger Fenton | British, London 1816–1894 London|British, Chesterfield, Derbyshire 1822–1898 Cannes, France|British, 1819–1869 | 14469 | 178 | 1816 |1822 |1819 | 1894 |1898 |1819 | 1860s | 1860 | 1869 | 26067 | Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1988 | 442 | http://www.metmuseum.org/art/collection/search/266032 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
163871 | 1988.1172 | 0 | 0 | 266059 | 13 | 13002 | Views in Wales. The Vale of Neath | 750 | Letterpress by | R. P Napper|C. H. Waring|The British and Foreign Portrait Company | British, active 1860s|British, active 1860s|British, active 1860s | 14473 | 178 | 1864 | 1864 | 1864 | 26067 | Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1988 | 442 | http://www.metmuseum.org/art/collection/search/266059 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
164474 | 1992.5027 | 0 | 0 | 266669 | 13 | 13002 | Narrative of a Walking Tour in Brittany | 736 | Henry Taylor|John Mounteney Jephson|Lovell Augustus Reeve | British, 1800–1886|British, 1819–1865|British, 1814–1865 | 14595 | 178 | 1800 |1819 |1814 | 1886 |1865 |1865 | 1859 | 1850 | 1859 | 26060 | Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1992 | 442 | http://www.metmuseum.org/art/collection/search/266669 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
164754 | 1993.44 | 0 | 0 | 266952 | 13 | 13002 | Photographic Portraits of Living Celebrities. Vol. I | 736 | George Henry Polyblank|Edward Walford|Henry Maull | British, born 1820|British, 1823–1897|British, 1829–1914 | 14660 | 178 | 1820 |1823 |1829 | 1897 |1914 | 1850s | 1850 | 1859 | 26067 | Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1993 | 442 | http://www.metmuseum.org/art/collection/search/266952 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
164792 | 1994.126 | 0 | 0 | 266990 | 13 | 13002 | Architecture at Ahmedabad, the Capital of Goozerat | 711 | Thomas Biggs|Sir Theodore Cracraft Hope|James Fergusson | British|British, 1831–1915|British, 1808–1886 | 14066 | 178 | 1831 |1808 | 1915 |1886 | 1860s | 1860 | 1869 | 26067 | Rogers Fund, 1926, transferred from the Library | 442 | http://www.metmuseum.org/art/collection/search/266990 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
169189 | 69.604.35 | 0 | 0 | 271508 | 13 | 13002 | Salvator Mundi. Brief Meditations in Prose and Verse on the Life of Christ. Selected from the Works of Chrysostom, Augustine, Anselm, Bishop Hall and other writers | 746 | Alfred Seeley|E. Seeley|Seeley, Jackson and Halliday | British|British|British, London | 15220 | 178 | 1860s | 1860 | 1869 | 26067 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 442 | http://www.metmuseum.org/art/collection/search/271508 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||||
184171 | 1982.1182.686–.700 | 0 | 1 | 288227 | 13 | 13055 | [Group of 15 Early Stereograph Views of Cambridge, England and the Surrounding Area] | 887 | Thomas Small|Unknown|Mrs. Charles Lawrence|London Stereoscopic Company | British|British|British|British | 16281 | 178 | 1860s–80s | 1860 | 1889 | 26067 | Mounts approximately: 8.4 x 16.8 cm (3 5/16 x 6 5/8 in.) to 8.5 x 17.7 cm (3 3/8 x 6 15/16 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | 21 | http://www.metmuseum.org/art/collection/search/288227 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
184185 | 1982.1182.833–.843 | 0 | 1 | 288241 | 13 | 13055 | [Group of 11 Early Stereograph Views of British Landscapes] | 896 | Westley's Cheltenham Library|Stereoscopic Gems|Unknown|C. K. Williams|William Spreat | British|British|British|British | 16294 | 178 | 1850s–1920s | 1850 | 1929 | 26067 | Mounts approximately: 8.4 x 17 cm (3 5/16 x 6 11/16 in.) to 8.5 x 17.5 cm (3 3/8 x 6 7/8 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | 21 | http://www.metmuseum.org/art/collection/search/288241 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
184192 | 1982.1182.876–.880 | 0 | 0 | 288248 | 13 | 13055 | [Group of 5 Stereograph Views of British Castles] | 899 | Unknown|Unknown|Dolamore & Bullock|Henry T. Cooke and Son|Nelson Barrowclough | British|British|British|British | 16300 | 178 | 1850s–1910s | 1850 | 1919 | 26067 | Mounts approximately: 8.3 x 17.1 cm (3 1/4 x 6 3/4 in.) to 8.8 x 17.8 cm (3 7/16 x 7 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | 21 | http://www.metmuseum.org/art/collection/search/288248 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||||
184236 | 1982.1182.902–.907 | 0 | 0 | 288299 | 13 | 13055 | [Group of 6 Stereograph Views of British Homes] | 916 | Unknown|E. Ryder|European Scenery|William Shakespeare|Anne Hathaway | British|British|British, Stratford-upon-Avon 1564–1616 Stratford-upon-Avon|British, 1556–1623 | 16328 | 178 | 1564 |1556 | 1616 |1623 | 1850s–1910s | 1850 | 1919 | 26067 | Mounts approximately: 8.4 x 16.8 cm (3 5/16 x 6 5/8 in.) to 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.) | Gift of Weston J. Naef, in memory of Kathleen W. Naef and Weston J. Naef Sr., 1982 | 21 | http://www.metmuseum.org/art/collection/search/288299 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206452 | 17.66.1 | 0 | 0 | 333796 | 11 | 1119 | Eight Original Etchings by the late John Sell Cotman now first published; also Ten Etchings by Miles Edmund Cotman | 895 | Published by | John Sell Cotman|Miles Edmund Cotman|Charles Muskett | British, Norwich 1782–1842 London|British, Norwich 1810–1858 Norwich|London | and Norwich | 17308 | 178 | 1782 |1810 |1800 | 1842 |1858 |1899 | 1846 | 1846 | 1846 | 26137 | Book: 19 11/16 x 13 1/4 x 5/8 in. (50 x 33.7 x 1.6cm) | Rogers Fund, 1917 | 462 | http://www.metmuseum.org/art/collection/search/333796 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
206455 | 17.20(2) | 0 | 0 | 333799 | 11 | 97 | A Descriptive and Critical Catalogue of Works Illustrated by Thomas and John Bewick, vol. 2 | 978 | About | John Bewick|Thomas Bewick|Thomas Bewick | British, Eltringham, Northumberland baptised 1760–1795 Ovingham, Northumberland|British, Eltringham, Northumberland 1753–1828 Gateshead|British, Eltringham, Northumberland 1753–1828 Gateshead | 17311 | 178 | 1760 |1753 |1753 | 1795 |1828 |1828 | 1851 | 1851 | 1851 | 28946 | 15 1/4 x 11 15/16 x 2 15/16 in. (38.7 x 30.3 x 7.5cm) | Gift of Mortimer L. Schiff, 1917 | 442 | http://www.metmuseum.org/art/collection/search/333799 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206501 | 22.77.4 | 0 | 0 | 333845 | 11 | 1119 | XII Views in Aquatinta...From drawings taken on the spot in South Wales | 988 | Paul Sandby|Charles Francis Greville|Sir Joseph Banks | British, baptized Nottingham 1731–1809 London|British, Warwick (?) 1749–1809 London|British, London 1743–1820 London | 17331 | 178 | 1731 |1749 |1743 | 1809 |1809 |1820 | 1775 | 1775 | 1775 | 28977 | 14 3/16 x 20 1/2 x 11/16 in. (36 x 52 x 1.7cm) | Rogers Fund, 1922 | 462 | http://www.metmuseum.org/art/collection/search/333845 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206506 | 22.106.71 | 0 | 0 | 333850 | 11 | 1119 | Facsimiles of Sketches Made in Flanders and Germany | 992 | Drawn on stone by|Published and printed by | Samuel Prout|Charles Joseph Hullmandel|Adelaide, Queen of England | British, Plymouth 1783–1852 London|British, London 1789–1850 London|Meiningen 1792–1849 Middlesex | 17336 | 178 | 1783 |1789 |1792 | 1852 |1850 |1849 | [1833] (?) | 1833 | 1833 | 28982 | Book: 22 5/16 x 15 1/4 x 1 1/4 in. (56.6 x 38.7 x 3.1cm) | Transferred from the Library, 1922 | 462 | http://www.metmuseum.org/art/collection/search/333850 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206656 | 35.23.25 | 0 | 0 | 334000 | 11 | 13814 | Plans, Elevations, Sections, Details, and Views, of the Magnificent Chapel of King Henry the Seventh, at Westminster Abbey Church; with The History of its Foundation, and an Authentic Account of its Restauration. | 1007 | Charles Joseph Hullmandel|Lewis Nockalls Cottingham|Priestly and Weale | British, London 1789–1850 London|British, 1787–1847|London | 17373 | 178 | 1789 |1787 |1750 | 1850 |1847 |1850 | 1822 | 1822 | 1822 | 29044 | 22 13/16 × 18 5/16 × 1 5/16 in. (58 × 46.5 × 3.4 cm) | Harris Brisbane Dick Fund, 1935 | 665 | http://www.metmuseum.org/art/collection/search/334000 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206712 | 39.63 | 0 | 0 | 334056 | 11 | 1119 | The Liber Nugarum: A Series of Mezzotint Engravings | 1011 | After | Carolina Courtenay Boyle|Samuel William Reynolds, the younger|Henry Petty-Fitzmaurice|Thomas Brooker | British, 1803–1883|British, London 1794–1872 Feltham Hill, Middlesex|British, London 1780–1863 Bowood, Wiltshire|British, active 1840–77 | 17380 | 178 | 1803 |1794 |1780 |1840 | 1883 |1872 |1863 |1877 | 1818–57 | 1818 | 1857 | 29072 | Book: 11 1/4 x 17 5/16 x 9/16 in. (28.6 x 44 x 1.5cm) | Gift of Stevenson Scott, 1939 | 462 | http://www.metmuseum.org/art/collection/search/334056 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206732 | 44.91.3 | 0 | 0 | 334076 | 11 | 97 | Compositions of the "Acts of Mercy" | 1016 | John Flaxman|Frederick Christian Lewis, Senior|Miss Flaxman & Miss Maria Denman | British, York 1755–1826 London|British, London 1779–1856 Enfield, Middlesex|London | 17394 | 178 | 1755 |1779 |1755 | 1826 |1856 |1868 | 1831 | 1831 | 1831 | 29080 | 13 3/8 x 20 1/16 x 1/2 in. (34 x 51 x 1.2cm) | Gift of Edith P. Blase, 1944 | 14 | 442 | http://www.metmuseum.org/art/collection/search/334076 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206809 | 52.519.158(1) | 0 | 0 | 334153 | 11 | 13814 | The New Vitruvius Britannicus; Consisting of Plans and Elevations of Modern Buildings, Public and Private, Erected in Great Britain by the Most Celebrated Architects. | 1031 | William Bulmer & Co.|George Richardson|Thomas Bensley | London|British, ca. 1736–1813|London | 17426 | 178 | 1750 |1736 |1759 | 1899 |1813 |1835 | 1802–8 | 1802 | 1808 | 29126 | 22 1/2 × 15 × 1 in. (57.2 × 38.1 × 2.5 cm) | Rogers Fund, 1952 | 665 | http://www.metmuseum.org/art/collection/search/334153 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206815 | 53.514.4(1-27) | 0 | 1 | 334159 | 11 | 13814 | Universal Architecture: Book I, Six Original Designs of Arbours; Book II, Six Original Designs for Grottoes | 1034 | Paul Sandby|Matthew Darly|Thomas Wright | British, baptized Nottingham 1731–1809 London|British, ca. 1720–80 London|British, Durham 1711–1786 Durham | (frontispiece vignette, book II)|(frontispiece vignette, book I) | 17431 | 178 | 1731 |1720 |1711 | 1809 |1778 |1786 | 1755 and 1758 | 1755 | 1758 | 28943 | 11 3/4 x 18 9/16 x 3/16in. (29.8 x 47.2 x 0.5cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 665 | http://www.metmuseum.org/art/collection/search/334159 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206835 | 56.582 | 0 | 0 | 334179 | 11 | 97 | The Parables of Our Lord and Saviour Jesus Christ | 1005 | After | Dalziel Brothers|Sir John Everett Millais|Routledge, Warne & Routledge | British, active 1839–1893|British, Southampton 1829–1896 London|London | 17441 | 178 | 1839 |1829 |1800 | 1893 |1896 |1899 | 1864 | 1864 | 1864 | 28946 | 22 13/16 x 16 3/4 x 3 1/8 in. (58 x 42.5 x 8cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1956 | 442 | http://www.metmuseum.org/art/collection/search/334179 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206872 | 60.633.8 | 0 | 0 | 334216 | 11 | 13811 | A Collection of Designs for Modern Embellishments | 1042 | Charles Augustus Busby|J. Taylor|Edward Lumley | British, London 1788–1834 Brighton|London|London | 17452 | 178 | 1788 |1700 |1800 | 1834 |1850 |1900 | 1834 (?) | 1834 | 1834 | 29159 | 8 7/16 x 10 15/16 x 1/4 in. (21.4 x 27.8 x 0.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1960 | 14 | 665 | http://www.metmuseum.org/art/collection/search/334216 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
206906 | 63.613.3 | 0 | 0 | 334250 | 11 | 97 | Manual of Wood Carving with Practical Instructions for Learners of the Art, and Original and Selected Designs | 1051 | Introduction by | William Bemrose, Jr.|Llewellynn Frederick William Jewitt|Bemrose and Sons | British, 1831–1908|British, 1816–1886|London | 17475 | 178 | 1831 |1816 |1827 | 1908 |1886 |1920 | [after 1906] | 1906 | 1915 | 29178 | 9 13/16 x 7 1/2 x 3/8 in. (24.9 x 19.1 x 1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 | 14 | 442 | http://www.metmuseum.org/art/collection/search/334250 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
206926 | 66.544.6 | 0 | 0 | 334270 | 11 | 97 | Selections from the Rejected Cartoons with Descriptive Letterpress and Critical Remarks | 1056 | Thomas McLean|Frederick Syrett|McLean & Co. | British, active London 1788-1885|London | 17486 | 178 | 1800 |1800 |1800 | 1899 |1899 |1899 | 1848 | 1848 | 1848 | 28942 | 17 5/8 x 13 5/16 x 7/8 in. (44.7 x 33.8 x 2.3cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 442 | http://www.metmuseum.org/art/collection/search/334270 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
206940 | 68.526.31 | 0 | 0 | 334284 | 11 | 97 | Views in Rome and Its Environs; Drawn from Nature and on Stone | 1061 | Edward Lear|Thomas McLean|Charles Joseph Hullmandel | British, London 1812–1888 San Remo|British, active London 1788-1885|British, London 1789–1850 London | 17496 | 178 | 1812 |1800 |1789 | 1888 |1899 |1850 | 1841 | 1841 | 1841 | 28996 | 21 3/4 x 15 3/16 x 1 3/16 in. (55.2 x 38.5 x 3cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 442 | http://www.metmuseum.org/art/collection/search/334284 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
207148 | 1991.1073.2 | 0 | 0 | 334496 | 11 | 1119 | Harry Willson's Fugitive Sketches in Rome, Venice, &c. | 1061 | Designed and drawn by | Harry Willson|Francis Graham Moon|Charles Joseph Hullmandel | British, active 1813–52|British, London 1796–1871 Brighton|British, London 1789–1850 London | 17579 | 178 | 1752 |1796 |1789 | 1913 |1871 |1850 | 1838 | 1838 | 1838 | 29321 | Overall: 21 1/4 x 14 15/16 x 11/16 in. (54 x 37.9 x 1.8 cm) | Rogers Fund, 1908, transferred from the Library (1991.1073.2) | 441 | http://www.metmuseum.org/art/collection/search/334496 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
207157 | 1991.1073.150 | 0 | 0 | 334505 | 11 | 97 | The Art of Garnishing Churches at Christmas and Other Festivals. | 1081 | Edward Young Cox|Savill & Edwards|Cox & Sons | British, 19th century|London|London | 17587 | 178 | 1800 |1800 |1800 | 1900 |1900 |1900 | [1869] | 1869 | 1869 | 28996 | 8 3/16 x 5 11/16 x 9/16 in. (20.8 x 14.4 x 1.5 cm) | Jane E. Andrews Fund, in memory of William Loring Andrews, 1942, transferred from the Library (1991.1073.150) | 14 | 442 | http://www.metmuseum.org/art/collection/search/334505 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
207407 | 1998.124.1 | 0 | 0 | 334761 | 11 | 731 | Steeple Chase Cracks | 1036 | After | John Frederick Herring Sr.|John Harris|Messrs. Fores | British, London 1795–1865 Kent|British, London 1811–1865 London|London | 17737 | 178 | 1795 |1811 |1800 | 1865 |1865 |1900 | October 25, 1847 | 1847 | 1847 | 29468 | 20-3/4 x 41-1/2 in. (52.7 x 105.4 cm) | Purchase, 1998 | 13 | http://www.metmuseum.org/art/collection/search/334761 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
207408 | 1998.124.2 | 0 | 0 | 334762 | 11 | 731 | Racing, plate 1: Saddling | 80 | 1099 | After | John Frederick Herring Sr.|John Harris|C. Quentery | British, London 1795–1865 Kent|British, London 1811–1865 London|British, active ca. 1850 | 17738 | 178 | 1795 |1811 |1820 | 1865 |1865 |1890 | May 13, 1856 | 1856 | 1856 | 29468 | Sheet: 20 11/16 × 39 13/16 in. (52.6 × 101.2 cm) | Purchase, 1998 | 14 | 13 | http://www.metmuseum.org/art/collection/search/334762 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
207409 | 1998.124.3 | 0 | 0 | 334763 | 11 | 731 | Racing, plate 2: A False Start | 80 | 1099 | After | John Frederick Herring Sr.|John Harris|William Summers | British, London 1795–1865 Kent|British, London 1811–1865 London|British, active 1850–59 | 17739 | 178 | 1795 |1811 |1800 | 1865 |1865 |1900 | September 1, 1856 | 1856 | 1856 | 29468 | 20-7/8 x 41-3/4 in. (53 x 106 cm) | Purchase, 1998 | 14 | 13 | http://www.metmuseum.org/art/collection/search/334763 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
207410 | 1998.124.4 | 0 | 0 | 334764 | 11 | 731 | Racing, plate 3: The Run In | 80 | 1099 | After | John Frederick Herring Sr.|John Harris|William Summers | British, London 1795–1865 Kent|British, London 1811–1865 London|British, active 1850–59 | 17739 | 178 | 1795 |1811 |1800 | 1865 |1865 |1900 | 1857 | 1857 | 1857 | 29468 | 21 x 41-3/4 in. (53.3 x 106 cm) | Purchase, 1998 | 13 | http://www.metmuseum.org/art/collection/search/334764 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
209185 | 1974.672.10 | 0 | 0 | 336562 | 11 | 731 | Deerstalking | 53 | After | Charles Hancock|Henry Guest|John Harris | British, Marlborough, 1795–1868|British, active 1843–53|British, London 1811–1865 London | 18472 | 178 | 1795 |1843 |1811 | 1868 |1853 |1865 | May 1, 1840 | 1835 | 1845 | 30561 | Sheet: 23 5/8 x 31 in. (60 x 78.8 cm) Image: 15 15/16 x 23 7/8 in. (40.5 x 60.7 cm) Plate: 19 3/16 x 26 1/8 in. (48.8 x 66.3 cm) | Bequest of Anna Hyatt Huntington, 1974 | 13 | http://www.metmuseum.org/art/collection/search/336562 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
209268 | 1974.672.18 | 0 | 0 | 336649 | 11 | 731 | High Life | 1036 | After | Sir Edwin Henry Landseer|Christopher C. Hollyer|Henry Graves & Company | British, London 1802–1873 London|British, active ca. 1863–ca. 1873|London | 18493 | 178 | 1802 |1840 |1820 | 1873 |1900 |1899 | October 17, 1873 | 1870 | 1875 | 30617 | Image: 18 7/8 × 14 15/16 in. (47.9 × 38 cm) Sheet: 23 1/4 × 17 11/16 in. (59 × 45 cm) | Bequest of Anna Hyatt Huntington, 1974 | 1056 | 13 | http://www.metmuseum.org/art/collection/search/336649 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
209274 | 1974.672.21 | 0 | 0 | 336655 | 11 | 731 | Bolton Abbey in Olden TIme | 1206 | After | Sir Edwin Henry Landseer|Samuel Cousins|William Spencer Cavendish, 6th Duke of Devonshire|Thomas Boys | British, London 1802–1873 London|British, Exeter 1801–1887 London|British, 1790–1858|London | 18499 | 178 | 1802 |1801 |1790 |1800 | 1873 |1887 |1858 |1880 | May 8, 1837 | 1830 | 1840 | 30620 | Sheet: 25 3/4 x 29 15/16 in. (65.4 x 76 cm) Image: 22 3/8 x 28 3/8 in. (56.8 x 72 cm) | Bequest of Anna Hyatt Huntington, 1974 | 14 | 13 | http://www.metmuseum.org/art/collection/search/336655 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
211000 | 1991.1268 | 0 | 0 | 338388 | 11 | 13811 | The Cabinet Maker's Guide: Or, Rules and Instructions in the Art of Varnishing, Dying, Staining, Japanning, Polishing, Lackering and Beautifying Wood, Ivory, Tortoiseshell and Metal, with Observations on Their Management and Application | 1081 | Written and illustrated by | George A. Siddons|B. McMillan|Sherwood, Gilbert & Piper | British|London|London | 19072 | 178 | 1800 |1806 | 1900 |1830 | 1830 | 1830 | 1830 | 29021 | 6 1/16 x 3 7/8 x 13/16 in. (15.4 x 9.8 x 2.1 cm) | A. Hyatt Mayor Purchase Fund, Marjorie Phelps Starr Bequest, 1991 | 14 | 665 | http://www.metmuseum.org/art/collection/search/338388 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
211004 | 1970.699.5 | 0 | 0 | 338392 | 11 | 97 | Theory on the Classification of Beauty and Deformity, and Their Correspondence with Physiognomonic Expression, Exemplified in Various Works of Art, and Natural Objects | 1154 | Mary Anne Schimmelpenninck|William Henry Brooke|John and Arthur Arch | British, Birmingham 1778–1856 Clifton, Bristol|British, London (?) 1772–1860 Chichester, Sussex|London | 19076 | 178 | 1778 |1772 |1800 | 1856 |1860 |1850 | 1815 | 1815 | 1815 | 31505 | 11 1/8 x 8 3/4 x 1 3/4 in. (28.3 x 22.2 x 4.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 14 | 442 | http://www.metmuseum.org/art/collection/search/338392 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
211255 | 1999.523.4 | 0 | 0 | 338645 | 11 | 731 | An Archery Contest | 895 | After | Philip Browne|William Garet|Graf and Soret | British, active 1824–65|British, active London, mid-19th century|London | 19180 | 178 | 1824 |1800 |1800 | 1865 |1900 |1900 | 1850–59 | 1850 | 1859 | 14948 | 10 x 12-7/8 in. (25.4 x 32.7 cm) | Gift of Lev Tsitrin, 1999 | 13 | http://www.metmuseum.org/art/collection/search/338645 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
211268 | 1999.509.5 | 0 | 1 | 338658 | 11 | 731 | Girl and Pigs | 895 | After | Richard Earlom|Thomas Gainsborough|John Boydell | British, London 1743–1822 London|British, Sudbury 1727–1788 London|British, Shropshire 1720–1804 London | 19188 | 178 | 1743 |1727 |1720 | 1822 |1788 |1804 | 1783 | 1783 | 1783 | 29072 | 15-13/16 x 18-1/2 in. (40.2 x 47.0 cm) | Gift of Leo Steinberg, 1999 | 13 | http://www.metmuseum.org/art/collection/search/338658 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
216201 | 17.3.2867 | 0 | 0 | 343632 | 11 | 731 | Barnyard Scene | 1357 | After | Francis Place|Francis Barlow|Pierce Tempest | British, 1647–1728 York|British, Lincolnshire ca. 1626–1704 London|British, 1653–1717 | 20478 | 178 | 1647 |1626 |1653 | 1728 |1704 |1717 | ca. 1683 | 1678 | 1688 | 26137 | 5 1/2 x 7 1/8in. (14 x 18.1cm) | Harris Brisbane Dick Fund, 1917 | 13 | http://www.metmuseum.org/art/collection/search/343632 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
216308 | 44.13.34 | 0 | 1 | 343739 | 11 | 731 | The Conversion of Galen | 874 | Robert Sayer|John Bennett|Anonymous, British, 18th century | British, Sunderland 1725–1794 Bath|British, active from 1760, died 1787 Islington | 20539 | 178 | 1725 |1760 |1700 | 1794 |1787 |1800 | March 1, 1775 | 1775 | 1775 | 33714 | image: 12 9/16 x 9 15/16 in. (31.9 x 25.2 cm) sheet: 14 13/16 x 10 3/4 in. (37.6 x 27.3 cm) plate: 13 15/16 x 9 15/16 in. (35.4 x 25.3 cm) | Gift of Albert Ten Eyck Gardner, 1944 | 13 | http://www.metmuseum.org/art/collection/search/343739 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
216314 | 67.539.88 | 0 | 0 | 343745 | 11 | 731 | Celadon and Celia | 874 | James Birchall|John Raphael Smith|Anonymous, British, 18th century | British, active 1781–94|British, baptized Derby 1751–1812 Doncaster | (No. 10 Batemans Building, Soho) | 20543 | 178 | 1781 |1751 |1700 | 1794 |1812 |1800 | May 12, 1781 | 1781 | 1781 | 33714 | Sheet: 15 1/4 × 10 7/8 in. (38.7 × 27.7 cm) Image: 12 15/16 × 9 13/16 in. (32.9 × 25 cm) | Purchase, Harry G. Friedman Bequest, 1967 | 13 | http://www.metmuseum.org/art/collection/search/343745 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
216317 | 1971.600.20 | 0 | 1 | 343748 | 11 | 731 | The Camp Laundry | 874 | Robert Sayer|John Bennett|Anonymous, British, 18th century | British, Sunderland 1725–1794 Bath|British, active from 1760, died 1787 Islington | 20539 | 178 | 1725 |1760 |1700 | 1794 |1787 |1800 | February 14, 1782 | 1782 | 1782 | 33715 | 13 x 9 7/8 in. (33 x 25.1 cm) (image) 14 3/16 x 10 1/8 in. (36 x 25.7 cm) (sheet) | Bequest of Flora E. Whiting, 1971 | 13 | http://www.metmuseum.org/art/collection/search/343748 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
216319 | 1971.600.22 | 0 | 1 | 343750 | 11 | 731 | Starting of Game | 874 | Robert Sayer|John Bennett|Anonymous, British, 18th century | British, Sunderland 1725–1794 Bath|British, active from 1760, died 1787 Islington | 20539 | 178 | 1725 |1760 |1700 | 1794 |1787 |1800 | September 21, 1782 | 1782 | 1782 | 33715 | 12 7/8 x 9 13/16 in. (32.7 x 25 cm) (image) 14 1/8 x 10 1/16 in. (35.8 x 25.5 cm) (sheet) | Bequest of Flora E. Whiting, 1971 | 13 | http://www.metmuseum.org/art/collection/search/343750 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
216836 | 21.36.102 | 0 | 0 | 344320 | 11 | 97 | A Apple Pie | 1465 | Frederick Warne & Co.|Kate Greenaway|Edmund Evans | British, London 1846–1901 London|British, Southwark, London 1826–1905 Ventnor, Isle of Wight | London & New York | 20803 | 178 | 1850 |1846 |1826 | 1950 |1901 |1905 | [before 1921] | 1921 | 1921 | 33868 | 8 1/2 x 10 1/2 in. (21.6 x 26.7 cm) | Museum Accession, transferred from the Library, 1921 | 442 | http://www.metmuseum.org/art/collection/search/344320 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
216886 | 1973.521.1 | 0 | 0 | 344370 | 11 | 97 | An Account of His Royal Highness The Prince Regent, with their Imperial and Royal Majesties The Emperor of all the Russias and the King of Prussia, to the Corporation on London, in June 1814 | 1476 | Nichols, Son, and Bentley|William Daniell|R. S. Mann | London|British, 1769–1837 London|British, active early 19th century | 20831 | 178 | 1800 |1769 |1800 | 1899 |1837 |1900 | 1814 | 1814 | 1814 | 28943 | 15 3/8 x 11 x 1 in. (39.1 x 28 x 2.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund | 442 | http://www.metmuseum.org/art/collection/search/344370 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
216918 | 45.19 | 0 | 0 | 344404 | 11 | 97 | Walter Crane's Painting Book | 1036 | Written and illustrated by|Engraved and printed by | Walter Crane|Edmund Evans|Frederick Warne & Co. | British, Liverpool 1845–1915 Horsham|British, Southwark, London 1826–1905 Ventnor, Isle of Wight | 20834 | 178 | 1845 |1826 |1850 | 1915 |1905 |1950 | ca. 1889–95 | 1884 | 1900 | 31191 | 7 1/2 x 7 3/4 in. (19.1 x 19.7 cm) | Harris Brisbane Dick Fund, 1945 | 1061 | 442 | http://www.metmuseum.org/art/collection/search/344404 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
216920 | 1973.504.1 | 0 | 0 | 344406 | 11 | 97 | Walter Crane's Painting Book | 1036 | Written and illustrated by|Engraved and printed by | Walter Crane|Edmund Evans|Frederick Warne & Co. | British, Liverpool 1845–1915 Horsham|British, Southwark, London 1826–1905 Ventnor, Isle of Wight | 20834 | 178 | 1845 |1826 |1850 | 1915 |1905 |1950 | ca. 1889–95 | 1884 | 1900 | 31191 | 7 7/16 x 7 13/16 in. (18.9 x 19.9 cm) | Administrative Fund Purchase, 1973 | 1061 | 442 | http://www.metmuseum.org/art/collection/search/344406 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
216949 | 52.519.61 | 0 | 0 | 344435 | 11 | 97 | Select Views of London; with Historical and Descriptive Sketches of Some of the Most Interesting of its Public Buildings | 1482 | Written and illustrated by | J. Diggens|J. R. Hamble|Rudolph Ackermann, London|Joseph Constantine Stadler|Auguste Charles Pugin|John Buonarotti Papworth | London|British, early 19th century|active 1794–1829|German, active London, 1780–1822|British (born France), Paris 1768/69–1832 London|British, Marylebone, Middlesex 1775–1847 | 20842 | 178 | 1800 |1800 |1764 |1780 |1768 |1775 | 1900 |1900 |1834 |1822 |1832 |1847 | 1816 | 1816 | 1816 | 33905 | 11 x 7 11/16 x 1 5/8 in. (28 x 19.6 x 4.2 cm) | Rogers Fund, 1952 | 442 | http://www.metmuseum.org/art/collection/search/344435 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217037 | 21.36.157 | 0 | 0 | 344527 | 11 | 97 | The Baby's Opera, A Book of Old Rhymes with New Dresses...the Music by the Earliest Masters | 1036 | Engraved and printed by | Walter Crane|Edmund Evans|Frederick Warne & Co. | British, Liverpool 1845–1915 Horsham|British, Southwark, London 1826–1905 Ventnor, Isle of Wight | London and New York | 20834 | 178 | 1845 |1826 |1850 | 1915 |1905 |1950 | 1877 | 1877 | 1877 | 31191 | 7 5/16 x 7 9/16 x 1/2in. (18.5 x 19.2 x 1.3cm) | Museum Accession, transferred from the Library, 1921 | 1063 | 442 | http://www.metmuseum.org/art/collection/search/344527 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||
217092 | 66.540.39 | 0 | 0 | 344582 | 11 | 97 | Let's Pretend | 1215 | Ernest Howard Shepard|J. Saville & Co.|Georgette Agnew | British, London 1879–1976 Midhurst, Sussex|London|British, died 1957 | 20942 | 178 | 1879 |1900 |1857 | 1976 |2100 |1957 | 1927 | 1927 | 1927 | 28996 | 10 3/4 x 8 13/16 x 3/4 in. (27.3 x 22.4 x 1.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 14 | 442 | http://www.metmuseum.org/art/collection/search/344582 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217095 | 1970.657.2 | 0 | 0 | 344585 | 11 | 97 | The Baby's Own Aesop, Being the Fables Condensed in Rhyme with Portable Morals Pictorially Pointed | 1036 | Engraved and printed by | Walter Crane|Edmund Evans|Frederick Warne & Co. | British, Liverpool 1845–1915 Horsham|British, Southwark, London 1826–1905 Ventnor, Isle of Wight | 20834 | 178 | 1845 |1826 |1850 | 1915 |1905 |1950 | 1887 | 1887 | 1887 | 31191 | 7 5/16 x 7 11/16 x 1/2 in. (18.6 x 19.6 x 1.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | 442 | http://www.metmuseum.org/art/collection/search/344585 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217261 | 47.104 | 0 | 0 | 344752 | 11 | 97 | The Beauties and Defects in the Figure of the Horse | 1466 | Henry Thomas Alken|S. & J. Fuller|Henry Thomas Alken | British, London 1785–1851 London|London|British, London 1785–1851 London | 21047 | 178 | 1785 |1800 |1785 | 1851 |1900 |1851 | 1816 | 1816 | 1816 | 33999 | 11 3/16 x 7 7/8 x 5/16 in. (28.4 x 20 x 0.8 cm) | Gift of Bernard J. Dubos, 1947 | 14 | 442 | http://www.metmuseum.org/art/collection/search/344752 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217262 | 34.5.5 | 0 | 0 | 344753 | 11 | 97 | Illustrations for Landscape Scenery | 1061 | Henry Thomas Alken|S. & J. Fuller|L. Harrison | British, London 1785–1851 London|London|London | 21048 | 178 | 1785 |1800 |1750 | 1851 |1900 |1899 | 1821 | 1821 | 1821 | 28943 | 8 3/4 x 10 15/16 x 7/16 in. (22.2 x 27.8 x 1.1 cm) | Harris Brisbane Dick Fund, 1934 | 14 | 442 | http://www.metmuseum.org/art/collection/search/344753 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217320 | 65.517.2(1–7) | 0 | 0 | 344812 | 11 | 97 | Amateur Work Illustrated | 1589 | Ward, Lock and Co.|Francis Chilton-Young|Witherby & Co. | London|British|London | 21094 | 178 | 1800 |1880 |1850 | 1900 |1890 |1900 | 1881–88 | 1881 | 1888 | 34013 | 9 15/16 x 7 5/8 x 1 7/8 in. (25.3 x 19.3 x 4.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1965 | 442 | http://www.metmuseum.org/art/collection/search/344812 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
217478 | 68.603 | 0 | 0 | 344971 | 11 | 97 | Angelo's Picnic | 1154 | Henry Angelo|George Cruikshank|John Ebers | British, London 1756–1835 London|British, London 1792–1878 London|London | 21219 | 178 | 1756 |1792 |1800 | 1835 |1878 |1900 | 1834 | 1834 | 1834 | 29159 | 9 1/16 x 6 1/8 in. (23 x 15.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1968 | 14 | 442 | http://www.metmuseum.org/art/collection/search/344971 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217503 | 24.66.142 | 0 | 0 | 344996 | 11 | 97 | Antiquities in Great Britain | 1617 | T. Hearne and W. Byrne|Thomas Hearne|William Byrne | London|British, Marshfield 1744–1817 London|British, 1743–1805 | 21239 | 178 | 1750 |1744 |1743 | 1805 |1817 |1805 | January 1, 1778 | 1778 | 1778 | 28942 | 17 5/8 x 12 x 1 3/16 in. (44.8 x 30.5 x 3 cm) | Harris Brisbane Dick Fund, 1924 | 14 | 442 | http://www.metmuseum.org/art/collection/search/344996 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217546 | 69.604.7 | 0 | 0 | 345039 | 11 | 97 | The Adventure of the Hunch-Back and the Stories Connected With It, (From the Arabian Nights Entertainments) | 1627 | Thomas Davison|Sir Robert Smirke|William Daniell | London|British, London 1780/1781–1867 Cheltenham|British, 1769–1837 London | 21273 | 178 | 1765 |1780 |1769 | 1830 |1867 |1837 | 1814 | 1814 | 1814 | 33775 | 16 5/16 × 12 5/8 × 1 1/8 in. (41.5 × 32 × 2.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1969 | 442 | http://www.metmuseum.org/art/collection/search/345039 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
217656 | 59.519 | 0 | 0 | 345151 | 11 | 13811 | Illustrations of the Guild of Handicraft | 1653 | Charles Robert Ashbee|Guild of Handicraft|Thomas Way | British, Isleworth, Middlesex 1863–1942 Godden Green, Kent|British|British, London 1837–1915 London | 21366 | 178 | 1863 |1888 |1837 | 1942 |1908 |1915 | 1895 | 1895 | 1895 | 28996 | 10 1/8 x 7 11/16 x 1/16 in. (25.7 x 19.5 x 0.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | 14 | 665 | http://www.metmuseum.org/art/collection/search/345151 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217666 | 41.100.202 | 0 | 0 | 345161 | 11 | 97 | The Origin and Progress of Writing | 1658 | Thomas Astle|George III, King of Great Britain and Ireland|Benjamin Thomas Pouncy | British, 1735–1803|British, London 1738–1820 Windsor|British, Lambeth ca. 1750–1799 Lambeth | 21376 | 178 | 1735 |1738 |1750 | 1803 |1820 |1799 | 1784 | 1784 | 1784 | 34108 | 11 13/16 x 9 7/16 x 1 3/8 in. (30 x 24 x 3.5 cm) | Bequest of W. Gedney Beatty, 1941 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345161 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217671 | 53.594 | 0 | 0 | 345166 | 11 | 97 | A Picturesque Representation of the Manners, Customs, and Amusements of the Russians, in one hundred coloured plates; with an accurate explanation of each plate in English and French | 1659 | Written and published by | John Augustus Atkinson|William Bulmer & Co.|John Walker | British, Durham 1780–1852 London|London|British, active 1776–1802 | 21380 | 178 | 1780 |1750 |1776 | 1852 |1899 |1802 | 1803–4 | 1803 | 1804 | 34011 | 19 5/16 x 13 3/8 x 2 1/16 in. (49 x 34 x 5.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1953 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345166 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
217765 | 29.106.1 | 0 | 0 | 345261 | 11 | 97 | A Tutor to Penmanship or the Writing Master (in two parts) | 1688 | Major John Ayres|Thomas Ayres|John Sturt | British, active 1680–1700|British, late 17th century|British, London 1658–1730 London | 21452 | 178 | 1680 |1650 |1658 | 1700 |1700 |1730 | 1697–98 | 1697 | 1698 | 28942 | 10 7/16 x 15 15/16 x 9/16 in. (26.5 x 40.5 x 1.5 cm) | Harris Brisbane Dick Fund, 1929 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345261 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217766 | 34.43 | 0 | 0 | 345262 | 11 | 97 | Emblems of Love in Four Languages Dedicated to the Ladies | 1465 | J. Osborn|Philip Ayres|S. Nicholls | London|British, 1638–1712|British, 17th–18th century | 21453 | 178 | 1700 |1638 |1680 | 1899 |1712 |1799 | 18th century | 1700 | 1800 | 34128 | 7 7/8 x 5 1/8 in. (20 x 13 cm) | Harris Brisbane Dick Fund, 1934 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345262 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217777 | 1977.595.87 | 0 | 0 | 345273 | 11 | 97 | Illustrations for Furniture | 1690 | Issued by | W. Cowie|Ford, Shapland & Co.|S. & P. B. | British, active ca. 1900|London|British, active ca. 1900 | 21460 | 178 | 1850 |1850 |1800 | 1950 |1950 |1900 | ca. 1900 | 1895 | 1905 | 28996 | 12 x 15 1/2 x 13/16 in. (30.5 x 39.4 x 2 cm) | Gift of Harvey Smith, 1977 | 442 | http://www.metmuseum.org/art/collection/search/345273 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
217794 | 20.90.3 | 0 | 0 | 345290 | 11 | 97 | The Influence of Christianity in Promoting the Abolition of Slavery in Europe | 1358 | Cambridge University Press|Churchill Babington|J. & J. J. Deighton | British, Cambridge|British, 1821–1889|Cambridge | 21473 | 178 | 1821 |1800 | 1889 |1900 | 1846 | 1846 | 1846 | Gift of William E. Baillie, 1920 | 51 | 442 | http://www.metmuseum.org/art/collection/search/345290 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||||
218034 | 47.72 | 0 | 0 | 345535 | 11 | 13817 | A Booke containing such Beasts as are most usefull for such as practice Drawing, Graveing, Armes Painting, Chaseing, and for several other occasions | 1739 | Francis Barlow|Henry Overton|William Vaughan | British, Lincolnshire ca. 1626–1704 London|London|British, active London 1664 | 21591 | 178 | 1626 |1700 |1600 | 1704 |1800 |1700 | [1664] | 1664 | 1664 | 28942 | 8 1/16 x 6 1/8 x 5/16 in. (20.5 x 15.6 x 0.8 cm) | Harris Brisbane Dick Fund, 1947 | 14 | 665 | http://www.metmuseum.org/art/collection/search/345535 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
218131 | 62.675 | 0 | 1 | 345632 | 11 | 97 | Celtic Fairy Tales | 1756 | Selected and edited by | John Dickson Batten|Joseph Jacobs|David Nutt | British, 1860–1932|Sydney, New South Wales, Australia 1854–1916 New Rochelle, New York|London | 21655 | 178 | 1860 |1854 |1850 | 1932 |1916 |1950 | 1895 | 1895 | 1895 | 28946 | 7 11/16 x 5 11/16 in. (19.5 x 14.5 cm) | Gift of Marion P. Bolles, 1962 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345632 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
218252 | 1970.544.1 | 0 | 0 | 345755 | 11 | 97 | The Mysterious Toyshop, A Fairy Tale | 1154 | Cyril William Beaumont|Wyndham Payne|C. W. Beaumont & Co. | British, London 1891–1976 London|British, active ca. 1920–30|London | 21709 | 178 | 1891 |1830 |1900 | 1976 |2020 |1950 | 1924 | 1924 | 1924 | 34219 | 9 x 5 13/16 x 1/2 in. (22.9 x 14.8 x 1.2 cm) | Rogers Fund, 1970 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345755 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
218287 | 1986.1145.41 | 0 | 0 | 345790 | 11 | 97 | The Bee and the Wasp, A Fable in Verse | 1083 | Verses by | George Cruikshank|F. R.|Charles Tilt | British, London 1792–1878 London|British, active 1830s|London | 21733 | 178 | 1792 |1800 |1800 | 1878 |1900 |1900 | 1832 | 1832 | 1832 | 28943 | 7 x 4 1/2 x 1/4 in. (17.8 x 11.4 x 0.6 cm) | Gift of Estate of Jane Erdmann Whitney, 1986 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345790 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
218290 | 55.650.3 | 0 | 0 | 345793 | 11 | 97 | The Poets' Corner | 1743 | Written and illustrated by | William Heinemann Ltd.|Max Beerbohm|Hazell, Watson, & Viney, Ltd. | London|British, London 1872–1956 Rapallo|British, London and Aylesbury | 21736 | 178 | 1850 |1872 | 1950 |1956 | 1904 | 1904 | 1904 | 34224 | 14 3/4 x 10 15/16 x 5/16 in. (37.5 x 27.8 x 0.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, by Exchange, 1955 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345793 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
218391 | 55.578.10 | 0 | 0 | 345895 | 11 | 97 | Animal, Vegetable and South Kensington: A Book of Nicolas Bentley's Pictures | 1061 | Illustrated by | Nicolas Clerihew Bentley|Methuen & Co., Ltd.|Kimble & Bradford | British, Highgate, Middlesex 1907–1978 Bath|London|London | 21801 | 178 | 1907 |1900 |1900 | 1978 |1950 |1950 | 1940 | 1940 | 1940 | 34244 | 10 1/4 x 7 9/16 x 3/8 in. (26 x 19.2 x 1 cm) | Bequest of Helen W. D. Mileham, 1955 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345895 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||
218490 | 31.69.2(1) | 0 | 1 | 345995 | 11 | 97 | Quadrupeds | 1824 | Designed and engraved by | Thomas Bewick|Edward Walker|William W. Temple | British, Eltringham, Northumberland 1753–1828 Gateshead|Newcastle-upon-Tyne|British, baptized Newcastle upon Tyne 1798–1837 | 21886 | 178 | 1753 |1800 |1798 | 1828 |1850 |1837 | [1820] | 1820 | 1820 | 28946 | 11 1/8 × 7 1/2 × 1 7/8 in. (28.3 × 19.1 × 4.7 cm) | Harris Brisbane Dick Fund, 1931 | 442 | http://www.metmuseum.org/art/collection/search/345995 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
218491 | 58.591.2 | 0 | 0 | 345996 | 11 | 97 | Bewick Memento | 1825 | About|Introduction by|Published by | Thomas Bewick|Robert Robinson|Field and Tuer | British, Eltringham, Northumberland 1753–1828 Gateshead|London | 21887 | 178 | 1753 |1800 | 1828 |1900 | 1958 | 1958 | 1958 | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1958 | 14 | 442 | http://www.metmuseum.org/art/collection/search/345996 | 4/23/2018 8:00:01 AM | 1 | |||||||||||||||||||
218511 | 66.540.5 | 0 | 0 | 346016 | 11 | 97 | The Book of Genesis: Now Printed in the Authorised Version... | 1833 | Title lettering by | (Frederick) Cayley Robinson|Edith M. Engall|Charles T. Jacobi | British, Brentford-on-Thames, Middlesex 1862–1927 London|British, active early 20th century|British, active early 20th century | 21904 | 178 | 1862 |1900 |1900 | 1927 |1925 |1925 | 1914 | 1914 | 1914 | 34271 | 10 11/16 x 8 x 15/16 in. (27.1 x 20.3 x 2.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966 | 442 | http://www.metmuseum.org/art/collection/search/346016 | 4/23/2018 8:00:01 AM | 1 | ||||||||||||||||||
218519 | 55.650.4 | 0 | 0 | 346024 | 11 | 97 | The Psalms of David (The Victoria Psalter) | 1840 | Leighton Son and Hodge|Queen Victoria|Owen Jones | British, 19th century|British, London 1819–1901 Isle of Wight|British, London 1809–1874 London | 21911 | 178 | 1850 |1819 |1809 | 1899 |1901 |1874 | [1861–62] (?) | 1861 | 1862 | 34273 | 16 1/2 x 12 1/4 in. (41.9 x 31.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, by Exchange, 1955 | 442 | http://www.metmuseum.org/art/collection/search/346024 | 4/23/2018 8:00:01 AM | 1 |