This data as json
| rowid | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 211629 | 1971.617 | 0 | 0 | 339019 | 11 | 97 | La parole from Répétitions (Paris: Au Sans Pareil, 1922) | 709 | Written by | Max Ernst|Paul Éluard | French (born Germany), Brühl 1891–1976 Paris|French, Saint-Denis 1895–1952 Charenton-le-Pont | 19321 | 142 | 1891 |1895 | 1976 |1952 | 1922 | 1922 | 1922 | 31844 | Overall: 8 7/16 x 5 1/2 x 1/4 in. (21.4 x 14 x 0.6 cm) | Stewart S. MacDermott Fund, 1971 | 442 | http://www.metmuseum.org/art/collection/search/339019 | 4/23/2018 8:00:01 AM | 1 |