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| id ▼ | value |
|---|---|
| 201 | Scenographiae sive Perspectivae |
| 202 | See Metropolitan Museum of Art acc. nos. 59.600.176 - 59.600.212 |
| 203 | Vers et Prose |
| 204 | Boydell's Shakespeare Gallery |
| 205 | The Hudson River Portfolio |
| 206 | L'Estampe originale, Album IV |
| 207 | L'Estampe originale, Album I |
| 208 | see 80.3.63 and 80.3.69 |
| 209 | see 80.3.26 and 80.3.69 |
| 210 | see 80.3.26 and 80.3.63 |
| 211 | 65.653.1-65.653.17 |
| 212 | Bauhaus-Drucke Neue Europäische Graphik, Portfolio 4:1 |
| 213 | Lascivie |
| 214 | Lascivie? |
| 215 | The Apostles |
| 216 | Ancient Bas-Reliefs |
| 217 | The Triumphs of Petrarch |
| 218 | The Triumph of Petrarch |
| 219 | Female martyrs |
| 220 | The Story of Tobias |
| 221 | The Story of Abraham |
| 222 | 'La Gerusalemme Liberata' |
| 223 | Six views of Gennep (one plate) |
| 224 | Christ and the Apostles |
| 225 | Allegories Concerning the House of Habsburg |
| 226 | Six Views During the Siege of Gennep (one plate) |
| 227 | 'Battles of Different Nations' (Capricci di varie battaglie) |
| 228 | Book: Pictorum aliquot Celebrium Germaniae inferions Effigies (1st edition: published by Volexken Dirckx. Text by Lampsonius) |
| 229 | Esias van Hulsen, Repraesentation der fürstlichen Aufzug und Ritterspil (Stuttgart, 1616-18) |
| 230 | Title-page plus a series of four prints commemorating the visit paid by the Imperial Postmaster-General, the count de la Tour et Tassis, and his wife to Alexander Roelants, the Imperial Postmaster for the Netherlands (P.562-566). |
| 231 | Les Beaux Jours de la Vie |
| 232 | Published on the cover of the playbill for a performance of the Théàtre Libre on January 31, 1889. (Cover design used throughout the 1888-89 season) |
| 233 | Le Public du Salon |
| 234 | 'Friezes, foliage, and grotesques' (Frises, feuillages et grotesques) |
| 235 | Portfolio of six signed and numbered intaligos with a seventh attached to a signed title page and printed in relief on the colophon |
| 236 | Portfolio of 12 signed and numbered intaligos, a signed title page, and colophon, contained in a box laminated with a light-reflective fabric, stamped with artist's name, title, publisher's seal, and edition number. |
| 237 | From portfolio "For Meyer Schapiro" |
| 238 | Portfolio of 6 |
| 239 | from the series "Tropical Fish" |
| 240 | Four Cries of Rome |
| 241 | Cries of Rome |
| 242 | from "11 Pop Artists, Volume I" |
| 243 | Ten from Leo Castelli |
| 244 | La Sacra Genesi (series of prints after Raphael's Old Testament scenes in the Vatican loggia) |
| 245 | La Sacra Genesi (series of prints after Raphael's Old Testament scenes in the Vatican loggia |
| 246 | From Stockholm Portfolio, 1973 |
| 247 | 4 panels |
| 248 | from "New York, New York" portfolio |
| 249 | Six Landscapes with St. Hubert on the First Plate |
| 250 | Malerisch radirte Prospecte aus Italien |
| 251 | Life of the Virgin |
| 252 | The Passion of Christ |
| 253 | Passion of Christ |
| 254 | Suite of fifteen prints: Shakespeare's Othello / Quinze Esquisses à l'eau forte dessinées et gravées par Théodore Chasseriau |
| 255 | Number 163 from an edition of 250. |
| 256 | series of eight etchings of Roman villas |
| 257 | series |
| 258 | From a series of 49 drypoints, aquatints and mezzotints entitled Gothic Maidens (Gotische Mädchen) |
| 259 | Master plate in series of seven impressions from four plates (1986.1127.2-8) |
| 260 | First plate in series of seven impressions from four plates (1986.1127.2-8) designed to investigate printmaking techniques of Mary Cassatt |
| 261 | Second color plate in series of seven impressions from four plates (1986.1127.2-8) designed to investigate printmaking techniques of Mary Cassatt |
| 262 | Third color plate in series of seven impressions from four plates (1986.1127.2-8) designed to investigate printmaking techniques of Mary Cassatt |
| 263 | From a series of seven impressions from four plates (1986.1127.2-8) designed to investigate printmaking techniques of Mary Cassatt |
| 264 | Proof, in a series of seven impressions from four plates (1986.1127.2-8) designed to investigate printmaking techniques of Mary Cassatt |
| 265 | Collection of Grimaces (Recueil de Grimaces) |
| 266 | Pièces d'Essai du Vernis Dur |
| 267 | Speculum Romanae Magnificentia |
| 268 | Portfolio of 14 facsimiles |
| 269 | The Life of Margaret of Austria (Essequie della Sacra Cattolica e Real Maestà di Margherita Regina d. Margherita d' Austria Regina di Spagna Celebrate dal Serenissimo Don Cosimo II Gran Duca di Toscana IIII. Descritte da Giovanni Altoviti) |
| 270 | Jones & Newman's Architectural Publications, Second Series |
| 271 | Les Artistes Anciens et Modernes |
| 272 | Series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries |
| 273 | Speculum Romanae Magnificentae |
| 274 | Spuculum Romanae Magnificentiae |
| 275 | The Life of the Virgin |
| 276 | Story of Cupid and Psyche as told by Apuleius |
| 277 | Raccolta di vasi diversi, Frises, feuillages, et grotesques |
| 278 | Nouvelles inventions de Cartouches |
| 279 | Pygmalion, Scene Lyrique de Mr. J. J. Rousseau, Mise en Vers par Mr. Berquin. Le Text Gravé par Droüet. Paris 1775 in a blue paper folder with Idylle par Mr. Berquin |
| 280 | Published in the album, Germinal, in 1899 |
| 281 | Relazione del Torneo à Piedi Fatto in Mantova l'Anno 1674 per Feseggiare gli Augustissimi Sponsali Delle Sacre Cesaree Maest di Leopoldo Cesare e di Clavdia Felice Arcidvchessa d'Austria Ordinato, e Disposato Dal Sig. Co" Pinamonte Bonacossi Ferrarese |
| 282 | The Five Senses |
| 283 | The Four Elements |
| 284 | Livre de Cartouches |
| 285 | Livre de Chinois |
| 286 | Livre de Vases |
| 287 | Second Livre de Fontaines |
| 288 | Suite de Figures Chinoises |
| 289 | The Power of Women |
| 290 | From Portfolio for Meyer Shapiro |
| 291 | California Missions |
| 292 | Lux Claustri au La Lumière du Cloitre |
| 293 | Les Grands Apôtres Debout, Représentant Le Sauveur, La Bienheureuse Marie et Les Saints Apôtres |
| 294 | Voyage en Terre Sainte |
| 295 | Maria Vergine Coronata; Descrizione e dichiarazione della Divota Solennita fatta in Reggio li 13 Maggio 1674 |
| 296 | 18 Cantos |
| 297 | Livre Nouveau de Fleurs Tres-Util Pour L'Art D'orfevrerie, Et Autres |
| 298 | Mayhew's Great Exhibition of 1851 |
| 299 | probably a pair with 56.597.14 |
| 300 | from the series Multifariarum Casularum |
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