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Link | rowid ▲ | Object Number | Is Highlight | Is Public Domain | Object ID | Department | Object Name | Title | Culture | Period | Dynasty | Reign | Portfolio | Artist Role | Artist Prefix | Artist Display Name | Artist Display Bio | Artist Suffix | Artist Alpha Sort | Artist Nationality | Artist Begin Date | Artist End Date | Object Date | Object Begin Date | Object End Date | Medium | Dimensions | Credit Line | Geography Type | City | State | County | Country | Region | Subregion | Locale | Locus | Excavation | River | Classification | Rights and Reproduction | Link Resource | Metadata Date | Repository |
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458731 | 458731 | 2018.53.4 | 0 | 1 | 775367 | Drawings and Prints 11 | A Performer on a Stage with a Monkey | Second Suite of Figures 3024 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775367 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458730 | 458730 | 2018.53.3 | 0 | 1 | 775366 | Drawings and Prints 11 | Dancing Man, Holding a Violin, Seen from Behind | Second Suite of Figures 3024 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775366 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458729 | 458729 | 2018.53.2 | 0 | 1 | 775365 | Drawings and Prints 11 | Drunkard Lifting a Beer | Second Suite of Figures 3024 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775365 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458728 | 458728 | 2018.53.1 | 0 | 1 | 775364 | Drawings and Prints 11 | Print 731 | Seated Man Smoking a Pipe | Second Suite of Figures 3024 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775364 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458727 | 458727 | 2018.52.6 | 0 | 1 | 775363 | Drawings and Prints 11 | Soldier with Sword and Shield, Stepping over a Body | First Suite of Soldiers 3023 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.1 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775363 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458726 | 458726 | 2018.52.5 | 0 | 1 | 775362 | Drawings and Prints 11 | Standing Officer Holding a Lance | First Suite of Soldiers 3023 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/8 × 3 3/4 in. (13.7 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775362 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458725 | 458725 | 2018.52.4 | 0 | 1 | 775361 | Drawings and Prints 11 | Standing Solider Holding a Rolled Flag | First Suite of Soldiers 3023 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.1 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775361 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458724 | 458724 | 2018.52.3 | 0 | 1 | 775360 | Drawings and Prints 11 | Savage Solider Swinging a Club | First Suite of Soldiers 3023 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 3 3/4 in. (9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775360 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458723 | 458723 | 2018.52.2 | 0 | 1 | 775359 | Drawings and Prints 11 | Standing Soldier Seen from Behind | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.1 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775359 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||||
458720 | 458720 | 59.533.495 | 0 | 1 | 775356 | Drawings and Prints 11 | Print 731 | A Visit to the Uncle | Publisher|Artist|Artist 878 | Aquatint by | Samuel William Fores|Thomas Rowlandson|Francis Jukes | British, 1761–1838|British, London 1757–1827 London|British, Hertfordshire 1747–1812 London | Fores, Samuel William|Rowlandson, Thomas|Jukes, Francis 58894 | 1761 |1757 |1747 | 1838 |1827 |1812 | December 20, 1794 | 1794 | 1794 | Hand-colored etching and aquatint 32179 | Sheet (trimmed): 7 in. × 8 3/4 in. (17.8 × 22.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775356 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458715 | 458715 | 2018.52.1 | 0 | 1 | 775351 | Drawings and Prints 11 | Seated Soldier Holding a Shield | First Suite of Soldiers 3023 | Artist 2 | Philippe Jacques de Loutherbourg | French, Strasbourg 1740–1812 London | Loutherbourg, Philippe Jacques de 18240 | 1740 | 1812 | 1755-1771 | 1755 | 1771 | Etching 26137 | Sheet: 5 3/16 × 3 3/4 in. (13.1 × 9.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775351 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458704 | 458704 | 59.533.489 | 0 | 1 | 775339 | Drawings and Prints 11 | Print 731 | The Comforts of High Living | Etcher|Publisher 1787 | Thomas Rowlandson|Samuel William Fores | British, London 1757–1827 London|British, 1761–1838 | Rowlandson, Thomas|Fores, Samuel William 27822 | 1757 |1761 | 1827 |1838 | December 16, 1794 | 1794 | 1794 | Hand-colored etching 34862 | Plate: 6 1/8 × 8 7/8 in. (15.5 × 22.5 cm) Sheet: 6 15/16 × 9 9/16 in. (17.7 × 24.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775339 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458703 | 458703 | 59.533.1821 | 0 | 1 | 775338 | Drawings and Prints 11 | Print 731 | A Return from a Visit | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|J. Harris|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, active 1787–1800|British, London 1757–1827 London | Bunbury, Henry William|Harris, J.|Rowlandson, Thomas 58893 | 1750 |1787 |1757 | 1811 |1800 |1827 | April 3, 1798 | 1798 | 1798 | Hand-colored etching 34862 | Plate: 5 3/16 × 6 3/4 in. (13.2 × 17.2 cm) Sheet: 7 13/16 × 9 1/16 in. (19.9 × 23 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775338 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458702 | 458702 | 59.533.1820 | 0 | 1 | 775337 | Drawings and Prints 11 | Print 731 | Richmond Hill | Etcher|Artist 1330 | After | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Bunbury, Henry William 56509 | 1757 |1750 | 1827 |1811 | 1811 | 1811 | 1811 | Hand-colored etching 34862 | Plate: 8 1/4 × 11 13/16 in. (20.9 × 30 cm) Sheet: 9 1/8 × 13 5/16 in. (23.2 × 33.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775337 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458701 | 458701 | 59.533.1467 | 0 | 1 | 775336 | Drawings and Prints 11 | Print 731 | Anglers of 1811 | Artist|Etcher 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | Bunbury, Henry William|Rowlandson, Thomas 32203 | 1750 |1757 | 1811 |1827 | 1811 | 1811 | 1811 | Hand-colored etching 34862 | Sheet (trimmed): 7 1/2 × 10 5/8 in. (19 × 27 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775336 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458700 | 458700 | 59.533.1718 | 0 | 1 | 775335 | Drawings and Prints 11 | Print 731 | The Production of a Post House | Miseries of Human Life 1461 | Artist|Author 709 | Related outhor | Thomas Rowlandson|Rev. James Beresford | British, London 1757–1827 London|British, 1764–1840 | Rowlandson, Thomas|Beresford, James Rev. 58892 | 1757 |1764 | 1827 |1840 | 1808 | 1808 | 1808 | Hand-colored etching 34862 | Plate: 6 11/16 × 9 15/16 in. (17 × 25.2 cm) Sheet: 7 5/16 × 10 13/16 in. (18.5 × 27.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775335 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458698 | 458698 | 59.533.1717 | 0 | 1 | 775333 | Drawings and Prints 11 | Print 731 | The Production of a Post House | Miseries of Human Life 1461 | Artist|Author 709 | Related outhor | Thomas Rowlandson|Rev. James Beresford | British, London 1757–1827 London|British, 1764–1840 | Rowlandson, Thomas|Beresford, James Rev. 58892 | 1757 |1764 | 1827 |1840 | 1808 | 1808 | 1808 | Etching 26137 | Plate: 6 11/16 × 9 13/16 in. (17 × 25 cm) Sheet: 8 3/8 × 10 3/4 in. (21.3 × 27.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775333 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458683 | 458683 | 42.119.170 | 0 | 1 | 775316 | Drawings and Prints 11 | Print 731 | Mary Horneck | Publisher|Sitter|Engraver|Artist 5946 | After | Walter Shropshire|Mary Horneck|Robert Dunkarton|Sir Joshua Reynolds | British, active 1767–85|British, ca. 1752–1840|British, 1744–1811|British, Plympton 1723–1792 London | Shropshire, Walter|Horneck, Mary|Dunkarton, Robert|Reynolds, Joshua, Sir 58891 | 1767 |1752 |1744 |1723 | 1785 |1840 |1744 |1792 | February 1, 1778 | 1778 | 1778 | Mezzotint 29072 | Sheet (trimmed within plate): 19 11/16 × 13 11/16 in. (50 × 34.7 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | Philadelphia 1 | Prints 13 | http://www.metmuseum.org/art/collection/search/775316 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458679 | 458679 | 53.600.442 | 0 | 1 | 775312 | Drawings and Prints 11 | Print 731 | Henry Bunbury Esq-r., Youngest Son of the late Sir William Bunbury | Sitter|Engraver|Artist 3819 | After | Henry William Bunbury|Thomas Blackmore|Sir Joshua Reynolds | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1740–1780|British, Plympton 1723–1792 London | Bunbury, Henry William|Blackmore, Thomas|Reynolds, Joshua, Sir 58890 | 1750 |1740 |1723 | 1811 |1780 |1792 | ca. 1769 | 1764 | 1774 | Mezzotint 29072 | Plate: 14 × 9 15/16 in. (35.5 × 25.2 cm) Sheet: 14 3/8 × 10 5/16 in. (36.5 × 26.2 cm) | Harris Brisbane Dick Fund, 1953 | Prints 13 | http://www.metmuseum.org/art/collection/search/775312 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458678 | 458678 | 41.105.25 | 0 | 1 | 775311 | Drawings and Prints 11 | Print 731 | Mrs. Gwyn | Engraver|Artist|Sitter|Publisher 4844 | After | John Young|John Hoppner|Mary Gwyn|John Young | British, 1755–1825 London|British, London 1758–1810 London|British, ca. 1752–1840|British, 1755–1825 London | Young, John|Hoppner, John|Gwyn, Mary|Young, John 58889 | 1755 |1758 |1752 |1755 | 1825 |1810 |1840 |1825 | January 15, 1791 | 1791 | 1791 | Mezzotint; published state 36795 | Plate: 12 1/16 × 9 1/8 in. (30.7 × 23.2 cm) Sheet: 12 3/4 × 9 13/16 in. (32.4 × 24.9 cm) | Harris Brisbane Dick Fund, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/775311 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458676 | 458676 | 41.105.24 | 0 | 1 | 775309 | Drawings and Prints 11 | Print 731 | Mrs. Bunbury | Engraver|Artist|Publisher|Sitter 4220 | After | John Young|John Hoppner|John Young|Catherine Bunbury | British, 1755–1825 London|British, London 1758–1810 London|British, 1755–1825 London|British, 1754–1799 | Young, John|Hoppner, John|Young, John|Bunbury, Catherine 58888 | 1755 |1758 |1755 |1754 | 1825 |1810 |1825 |1799 | January 15, 1791 | 1791 | 1791 | Mezzotint; published state 36795 | Plate: 12 1/16 × 8 15/16 in. (30.7 × 22.7 cm) Sheet: 17 in. × 12 15/16 in. (43.2 × 32.8 cm) | Harris Brisbane Dick Fund, 1941 | Prints 13 | http://www.metmuseum.org/art/collection/search/775309 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458670 | 458670 | 60.718.4 | 0 | 1 | 775303 | Drawings and Prints 11 | Print 731 | Henry William Bunbury Drawing his "Long Minuet" | Engraver|Sitter|Publisher|Publisher|Artist 6055 | After | Thomas Ryder I|Henry William Bunbury|Thomas Ryder I|Simon Watts|Sir Thomas Lawrence | British, 1746–1810|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1746–1810|British, active London 1767–87|British, Bristol 1769–1830 London | Ryder, Thomas|Bunbury, Henry William|Ryder, Thomas|Watts, Simon|Lawrence, Thomas, Sir 58887 | 1746 |1750 |1746 |1767 |1769 | 1810 |1811 |1810 |1787 |1830 | 1789 | 1789 | 1789 | Stipple engraving and etching; working proof 63745 | Sheet (trimmed): 17 1/8 × 11 7/8 in. (43.5 × 30.2 cm) | Gift of the Guild of Book Workers, 1960 | Prints 13 | http://www.metmuseum.org/art/collection/search/775303 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458651 | 458651 | 2018.98 | 0 | 1 | 775284 | Drawings and Prints 11 | Print 731 | Joseph Second | Artist 2 | Jean Étienne Liotard | Swiss, Geneva 1702–1789 Geneva | Liotard, Jean Étienne 17415 | 1702 | 1789 | ca. 1778–79 | 1775 | 1785 | Engraving 7208 | Sheet: 14 15/16 × 11 3/8 in. (38 × 28.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775284 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458650 | 458650 | 2018.108 | 0 | 1 | 775283 | Drawings and Prints 11 | Lucretia | Artist 2 | Lucas van Leyden | Netherlandish, Leiden ca. 1494–1533 Leiden | Leyden, Lucas van 18372 | 1494 | 1533 | ca. 1515 | 1510 | 1520 | Engraving 7208 | Sheet: 4 5/8 × 3 1/8 in. (11.7 × 7.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/775283 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||||
458621 | 458621 | 59.533.878 | 0 | 1 | 775237 | Drawings and Prints 11 | Print 731 | A Camp Scene | Artist|Etcher 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | Bunbury, Henry William|Rowlandson, Thomas 32203 | 1750 |1757 | 1811 |1827 | March 1, 1803 | 1803 | 1803 | Hand-colored etching 34862 | Sheet (trimmed within plateline): 7 3/16 × 8 3/8 in. (18.2 × 21.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775237 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458620 | 458620 | 59.533.868 | 0 | 1 | 775236 | Drawings and Prints 11 | Print 731 | Recruits | Artist|Etcher 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | Bunbury, Henry William|Rowlandson, Thomas 32203 | 1750 |1757 | 1811 |1827 | March 1, 1803 | 1803 | 1803 | Hand-colored etching 34862 | Sheet (trimmed within plateline): 9 in. × 6 7/8 in. (22.8 × 17.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775236 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458619 | 458619 | 59.533.1801 | 0 | 1 | 775235 | Drawings and Prints 11 | Print 731 | A Visit to the Camp, and Recruits | Artist|Etcher 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | Bunbury, Henry William|Rowlandson, Thomas 32203 | 1750 |1757 | 1811 |1827 | 1811 (?) | 1811 | 1811 | Hand-colored etching 34862 | Image: 6 in. × 9 7/16 in. (15.3 × 24 cm) Image: 6 1/16 × 9 3/16 in. (15.4 × 23.3 cm) Sheet (trimmed within plateline): 13 3/8 × 9 5/8 in. (34 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/775235 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458618 | 458618 | 59.533.885 | 0 | 1 | 774889 | Drawings and Prints 11 | Print 731 | The Country Club | Etcher|Publisher|Artist 3566 | After | Thomas Rowlandson|Rudolph Ackermann, London|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Ackermann, Rudolph|Bunbury, Henry William 58879 | 1757 |1764 |1750 | 1827 |1834 |1811 | April 7, 1803 | 1803 | 1803 | Hand-colored etching 34862 | Sheet: 7 3/16 × 7 15/16 in. (18.2 × 20.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774889 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458617 | 458617 | 59.533.873 | 0 | 1 | 774888 | Drawings and Prints 11 | Print 731 | Conversazione | Etcher|Publisher|Artist 3566 | After | Thomas Rowlandson|Rudolph Ackermann, London|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Ackermann, Rudolph|Bunbury, Henry William 58879 | 1757 |1764 |1750 | 1827 |1834 |1811 | March 20, 1803 | 1803 | 1803 | Hand-colored etching 34862 | Sheet: 7 3/16 × 7 15/16 in. (18.2 × 20.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774888 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458616 | 458616 | 59.533.1799 | 0 | 1 | 774887 | Drawings and Prints 11 | Print 731 | Conversazione / A Country Club | Artist|Etcher 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | Bunbury, Henry William|Rowlandson, Thomas 32203 | 1750 |1757 | 1811 |1827 | 1806–11 (?) | 1806 | 1811 | Hand-colored etching 34862 | Image: 5 7/8 × 9 7/16 in. (15 × 24 cm) Image: 6 9/16 × 9 7/16 in. (16.7 × 24 cm) Sheet (trimmed within plate): 13 9/16 × 9 5/8 in. (34.5 × 24.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774887 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458615 | 458615 | 59.533.1800 | 0 | 1 | 774886 | Drawings and Prints 11 | Print 731 | Conversazione, and A Country Club | Artist|Etcher 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | Bunbury, Henry William|Rowlandson, Thomas 32203 | 1750 |1757 | 1811 |1827 | 1806–11 (?) | 1806 | 1811 | Etching 26137 | Image: 5 7/8 × 9 7/16 in. (15 × 24 cm) Image: 6 9/16 × 9 7/16 in. (16.7 × 24 cm) Plate: 13 3/4 × 9 3/4 in. (34.9 × 24.8 cm) Sheet: 17 1/4 × 11 1/4 in. (43.8 × 28.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774886 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458614 | 458614 | 59.533.592 | 0 | 1 | 774885 | Drawings and Prints 11 | Print 731 | Legerdemain | Etcher|Artist 1330 | After | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Bunbury, Henry William 56509 | 1757 |1750 | 1827 |1811 | 1799 (?) | 1799 | 1799 | Hand-colored etching 34862 | Sheet: 6 3/8 × 9 1/2 in. (16.2 × 24.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774885 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458613 | 458613 | 59.533.1737 | 0 | 1 | 774884 | Drawings and Prints 11 | Print 731 | The Morning News | Etcher|Artist 1330 | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Bunbury, Henry William 56509 | 1757 |1750 | 1827 |1811 | ca. 1800 | 1795 | 1805 | Hand-colored etching with stipple 42354 | Sheet: 6 5/8 × 8 3/16 in. (16.8 × 20.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774884 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458612 | 458612 | 59.533.1735 | 0 | 1 | 774883 | Drawings and Prints 11 | Print 731 | Sunday Evening | Artist|Etcher 1324 | After | Henry William Bunbury|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London | Bunbury, Henry William|Rowlandson, Thomas 32203 | 1750 |1757 | 1811 |1827 | 1770–1780 | 1770 | 1780 | Hand-colored etching 34862 | Sheet (trimmed within plate): 4 15/16 × 6 5/16 in. (12.5 × 16 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774883 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458611 | 458611 | 59.533.1734 | 0 | 1 | 774882 | Drawings and Prints 11 | Print 731 | Sunday Evening | Publisher|Etcher|Artist 1962 | Rudolph Ackermann, London|Thomas Rowlandson|Henry William Bunbury | active 1794–1829|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Ackermann, Rudolph|Rowlandson, Thomas|Bunbury, Henry William 58880 | 1764 |1757 |1750 | 1834 |1827 |1811 | May 21, 1803 | 1803 | 1803 | Hand-colored etching 34862 | Sheet (trimmed within plate): 7 3/8 × 8 3/8 in. (18.8 × 21.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774882 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458610 | 458610 | 59.533.861 | 0 | 1 | 774881 | Drawings and Prints 11 | Print 731 | Grown Gentlemen Taught to Dance | Artist|Publisher|Artist 867 | or After (?)|After (?) | Thomas Rowlandson|Rudolph Ackermann, London|Henry William Bunbury | British, London 1757–1827 London|active 1794–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Ackermann, Rudolph|Bunbury, Henry William 58879 | 1757 |1764 |1750 | 1827 |1834 |1811 | February 1, 1803 | 1803 | 1803 | Etching 26137 | Plate: 9 3/4 × 7 7/8 in. (24.8 × 20 cm) Sheet: 11 1/8 × 8 9/16 in. (28.2 × 21.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774881 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458609 | 458609 | 59.533.860 | 0 | 1 | 774880 | Drawings and Prints 11 | Print 731 | Grown Gentlemen Taught to Dance | Artist|Artist|Publisher 895 | or after (?)|After (?) | Thomas Rowlandson|Henry William Bunbury|Rudolph Ackermann, London | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829 | Rowlandson, Thomas|Bunbury, Henry William|Ackermann, Rudolph 58878 | 1757 |1750 |1764 | 1827 |1811 |1834 | February 1, 1803 | 1803 | 1803 | Hand-colored etching 34862 | Sheet (trimmed within plate): 9 9/16 × 7 5/16 in. (24.3 × 18.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774880 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458563 | 458563 | 59.533.1081(16) | 0 | 1 | 774809 | Drawings and Prints 11 | Print 731 | How to Lose Your Way | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | June 11, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 9/16 × 5 1/2 in. (9 × 14 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774809 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458562 | 458562 | 59.533.1081(15) | 0 | 1 | 774808 | Drawings and Prints 11 | Print 731 | How to Ride Up Hyde Park | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Artist|Etcher|Publisher 1699 | After | Henry William Bunbury|Thomas Rowlandson|Thomas Tegg | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|British, 1776–1846 | Bunbury, Henry William|Rowlandson, Thomas|Tegg, Thomas 58870 | 1750 |1757 |1776 | 1811 |1827 |1846 | June 11, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 3/4 × 5 11/16 in. (9.5 × 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774808 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458561 | 458561 | 59.533.1081(14) | 0 | 1 | 774807 | Drawings and Prints 11 | Print 731 | The Mistaken Notion | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | June 11, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 11/16 × 5 11/16 in. (9.3 × 14.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774807 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458560 | 458560 | 59.533.1081(13) | 0 | 1 | 774806 | Drawings and Prints 11 | Print 731 | How to Turn Any Horse, Mare, or Gelding | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Etcher|Artist|Publisher 1357 | After | Thomas Rowlandson|Henry William Bunbury|Thomas Tegg | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1776–1846 | Rowlandson, Thomas|Bunbury, Henry William|Tegg, Thomas 58869 | 1757 |1750 |1776 | 1827 |1811 |1846 | June 11, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 9/16 × 5 1/2 in. (9 × 14 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774806 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458559 | 458559 | 59.533.1081(18) | 0 | 1 | 774805 | Drawings and Prints 11 | Print 731 | A Daisy Cutter with His Varieties | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 3/4 × 5 11/16 in. (9.5 × 14.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774805 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458558 | 458558 | 59.533.1081(17) | 0 | 1 | 774804 | Drawings and Prints 11 | Print 731 | Me, My Wife & Daughter | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 13/16 × 5 11/16 in. (9.7 × 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774804 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458557 | 458557 | 59.533.1081(12) | 0 | 1 | 774803 | Drawings and Prints 11 | Print 731 | The Puzzle for the Dog; The Puzzle for the Horse; The Puzzle for Turk, Frenchman, or Christian | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Etcher|Publisher|Artist 3566 | After | Thomas Rowlandson|Thomas Tegg|Henry William Bunbury | British, London 1757–1827 London|British, 1776–1846|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Tegg, Thomas|Bunbury, Henry William 58867 | 1757 |1776 |1750 | 1827 |1846 |1811 | 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 5 3/8 × 3 1/4 in. (13.7 × 8.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774803 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458556 | 458556 | 59.533.1081(19) | 0 | 1 | 774801 | Drawings and Prints 11 | Print 731 | Mr. Gambado Seeing the World | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|Thomas Tegg|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1776–1846|British, London 1757–1827 London | Bunbury, Henry William|Tegg, Thomas|Rowlandson, Thomas 58868 | 1750 |1776 |1757 | 1811 |1846 |1827 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 5/8 × 5 9/16 in. (9.2 × 14.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774801 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458555 | 458555 | 59.533.1081(11) | 0 | 1 | 774800 | Drawings and Prints 11 | Print 731 | How to Travel Upon Two Legs in a Frost | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 5/8 × 5 11/16 in. (9.2 × 14.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774800 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458554 | 458554 | 59.533.1081(10) | 0 | 1 | 774799 | Drawings and Prints 11 | Print 731 | Love and Wind | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|Thomas Tegg|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1776–1846|British, London 1757–1827 London | Bunbury, Henry William|Tegg, Thomas|Rowlandson, Thomas 58868 | 1750 |1776 |1757 | 1811 |1846 |1827 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 5/8 × 5 11/16 in. (9.2 × 14.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774799 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458553 | 458553 | 59.533.1081(9) | 0 | 1 | 774798 | Drawings and Prints 11 | Print 731 | Dr. Cassock, F.R.S., Inventor of the Noble Puzzle for Tumble Down Horses | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Etcher|Publisher|Artist 3566 | After | Thomas Rowlandson|Thomas Tegg|Henry William Bunbury | British, London 1757–1827 London|British, 1776–1846|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Tegg, Thomas|Bunbury, Henry William 58867 | 1757 |1776 |1750 | 1827 |1846 |1811 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 7/16 × 5 7/16 in. (8.8 × 13.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774798 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458552 | 458552 | 59.533.1081(7) | 0 | 1 | 774797 | Drawings and Prints 11 | Print 731 | The Apotheosis, or, Geoffery Gambado | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Etcher|Publisher|Artist 3566 | After | Thomas Rowlandson|Thomas Tegg|Henry William Bunbury | British, London 1757–1827 London|British, 1776–1846|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Tegg, Thomas|Bunbury, Henry William 58867 | 1757 |1776 |1750 | 1827 |1846 |1811 | 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 5 1/2 × 3 9/16 in. (14 × 9.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774797 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458551 | 458551 | 59.533.1081(8) | 0 | 1 | 774796 | Drawings and Prints 11 | Print 731 | How to Ride a Horse Upon Three Legs | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | June 11, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 11/16 × 5 11/16 in. (9.4 × 14.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774796 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458550 | 458550 | 59.533.1081(6) | 0 | 1 | 774795 | Drawings and Prints 11 | Print 731 | How to Prevent a Horse From Slipping His Girths | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 3/4 × 5 13/16 in. (9.5 × 14.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774795 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458549 | 458549 | 59.533.1081(5) | 0 | 1 | 774794 | Drawings and Prints 11 | Print 731 | Tricks Upon Travellers | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|Thomas Tegg|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1776–1846|British, London 1757–1827 London | Bunbury, Henry William|Tegg, Thomas|Rowlandson, Thomas 58868 | 1750 |1776 |1757 | 1811 |1846 |1827 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 9/16 × 5 9/16 in. (9.1 × 14.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774794 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458548 | 458548 | 59.533.1081(4) | 0 | 1 | 774793 | Drawings and Prints 11 | Print 731 | How to Do Things by Halves | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Etcher|Publisher|Artist 3566 | After | Thomas Rowlandson|Thomas Tegg|Henry William Bunbury | British, London 1757–1827 London|British, 1776–1846|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Tegg, Thomas|Bunbury, Henry William 58867 | 1757 |1776 |1750 | 1827 |1846 |1811 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 9/16 × 5 1/2 in. (9.1 × 14 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774793 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458547 | 458547 | 59.533.1081(3) | 0 | 1 | 774792 | Drawings and Prints 11 | Print 731 | How to Make the Least of Him | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | May 4, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 9/16 × 5 9/16 in. (9 × 14.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774792 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458546 | 458546 | 59.533.1081(2) | 0 | 1 | 774791 | Drawings and Prints 11 | Print 731 | How to Pass a Carriage | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|Thomas Tegg|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1776–1846|British, London 1757–1827 London | Bunbury, Henry William|Tegg, Thomas|Rowlandson, Thomas 58868 | 1750 |1776 |1757 | 1811 |1846 |1827 | June 11, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 11/16 × 5 5/8 in. (9.4 × 14.3 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774791 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458544 | 458544 | 59.533.1081(1) | 0 | 1 | 774789 | Drawings and Prints 11 | Print 731 | Geoffrey Gambado, Esqr. | Academy for Grown Horsemen, and Annals of Horsemanship 2914 | Etcher|Publisher|Artist 3566 | After | Thomas Rowlandson|Thomas Tegg|Henry William Bunbury | British, London 1757–1827 London|British, 1776–1846|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Tegg, Thomas|Bunbury, Henry William 58867 | 1757 |1776 |1750 | 1827 |1846 |1811 | June 11, 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 11/16 × 5 11/16 in. (9.4 × 14.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774789 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458534 | 458534 | 59.533.1081(1-19) | 0 | 1 | 774777 | Drawings and Prints 11 | Print 731 | Academy for Grown Horsemen, and Annals of Horsemanship | Publisher|Etcher|Artist 1962 | After | Thomas Tegg|Thomas Rowlandson|Henry William Bunbury | British, 1776–1846|British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Tegg, Thomas|Rowlandson, Thomas|Bunbury, Henry William 58866 | 1776 |1757 |1750 | 1846 |1827 |1811 | 1808 | 1808 | 1808 | Hand-colored etching 34862 | Sheet: 3 3/4 × 5 11/16 in. (9.5 × 14.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774777 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458530 | 458530 | 59.533.596 | 0 | 1 | 774773 | Drawings and Prints 11 | Print 731 | A Riding House | Artist|Etcher|Publisher 1699 | After|(?) | Henry William Bunbury|Thomas Rowlandson|Rudolph Ackermann, London | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1757–1827 London|active 1794–1829 | Bunbury, Henry William|Rowlandson, Thomas|Ackermann, Rudolph 58865 | 1750 |1757 |1764 | 1811 |1827 |1834 | 1799 (?) | 1799 | 1799 | Hand-colored etching 34862 | Sheet (trimmed within plate): 6 11/16 × 9 3/4 in. (17 × 24.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774773 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458527 | 458527 | 59.533.896 | 0 | 1 | 774770 | Drawings and Prints 11 | Print 731 | The Easter Hunt and The City Hunt | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|Rudolph Ackermann, London|Thomas Rowlandson | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|active 1794–1829|British, London 1757–1827 London | Bunbury, Henry William|Ackermann, Rudolph|Rowlandson, Thomas 56641 | 1750 |1764 |1757 | 1811 |1834 |1827 | May 1, 1803 | 1803 | 1803 | Hand-colored etching 34862 | Plate: 11 5/8 × 15 9/16 in. (29.6 × 39.5 cm) Sheet: 12 1/2 × 15 15/16 in. (31.7 × 40.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774770 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458525 | 458525 | 59.533.599 | 0 | 1 | 774768 | Drawings and Prints 11 | Print 731 | The City Hunt | Etcher|Artist 1330 | After | Thomas Rowlandson|Henry William Bunbury | British, London 1757–1827 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Rowlandson, Thomas|Bunbury, Henry William 56509 | 1757 |1750 | 1827 |1811 | ca. 1810 | 1805 | 1815 | Hand-colored etching 34862 | Plate: 9 13/16 × 13 15/16 in. (25 × 35.4 cm) Sheet: 10 11/16 × 14 5/8 in. (27.1 × 37.1 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774768 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458521 | 458521 | 59.533.1738 | 0 | 1 | 774764 | Drawings and Prints 11 | Print 731 | Concerto Spirituale | Sitter|Sitter|Sitter|Artist|Sitter 6052 | Probably represents|May represent|After | Johann Christian Fisher|Carl Friedrich Abel|Johann Christian Bach|Henry William Bunbury|Giovanni Punto | German, ca. 1733–1800|German, Cöthen 1723–1787 London|German, 1735–1782|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|Bohemian, 1746–1803 | Fisher, Johann Christian|Abel, Carl Friedrich|Bach, Johann Christian|Bunbury, Henry William|Punto, Giovanni 58864 | 1733 |1723 |1735 |1750 |1746 | 1800 |1787 |1782 |1811 |1803 | ca. 1803 (?) | 1798 | 1808 | Hand-colored etching 34862 | Sheet (trimmed within plate): 5 3/16 × 4 3/16 in. (13.2 × 10.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774764 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458505 | 458505 | 1970.541.170 | 0 | 1 | 774746 | Drawings and Prints 11 | Print 731 | Love at First Sight | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|Thomas Macklin|George Shepheard | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1752/53–1800 London|British, 1770–1842 | Bunbury, Henry William|Macklin, Thomas|Shepheard, George 58861 | 1750 |1752 |1770 | 1811 |1800 |1842 | January 10th, 1796 | 1796 | 1796 | Stipple engraving and etching 37906 | Sheet (trimmed to plate): 11 3/4 × 9 1/2 in. (29.8 × 24.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774746 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458498 | 458498 | 1970.541.169 | 0 | 1 | 774739 | Drawings and Prints 11 | Print 731 | Real Inhabitants of This Earth | Artist|Publisher|Etcher 2090 | After | Henry William Bunbury|Thomas Macklin|George Shepheard | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, 1752/53–1800 London|British, 1770–1842 | Bunbury, Henry William|Macklin, Thomas|Shepheard, George 58861 | 1750 |1752 |1770 | 1811 |1800 |1842 | January 10th, 1796 | 1796 | 1796 | Stipple engraving and etching 37906 | Plate: 11 5/8 × 9 9/16 in. (29.5 × 24.3 cm) Sheet: 14 13/16 × 10 7/8 in. (37.7 × 27.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774739 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458484 | 458484 | 67.539.262 | 0 | 1 | 774725 | Drawings and Prints 11 | Print 731 | Prince Lee Boo, Second Son of Abba Thulle | Publisher|Artist|Engraver 1361 | After | George Nichol|Georgiana Keate|Henry Kingsbury | British, 1769–1829|British, 1770–1850|British, active ca. 1775–98 | Nichol, George|Keate, Georgiana|Kingsbury, Henry 58854 | 1769 |1770 |1750 | 1829 |1850 |1800 | May 1, 1788 | 1788 | 1788 | Stipple engraving and etching 37906 | Plate: 9 7/8 × 7 9/16 in. (25.1 × 19.2 cm) Sheet: 10 13/16 × 8 9/16 in. (27.4 × 21.7 cm) | Purchase, Harry G. Friedman Bequest, 1967 | Prints 13 | http://www.metmuseum.org/art/collection/search/774725 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458483 | 458483 | 67.539.261 | 0 | 1 | 774724 | Drawings and Prints 11 | Print 731 | Ludee, One of the Wives of Abba Thulle | Publisher|Artist|Engraver 1361 | After | George Nichol|Arthur William Devis|Henry Kingsbury | British, 1769–1829|British, London 1763–1822 London|British, active ca. 1775–98 | Nichol, George|Devis, Arthur William|Kingsbury, Henry 58853 | 1769 |1763 |1750 | 1829 |1822 |1800 | May 1, 1788 | 1788 | 1788 | Stipple engraving and etching 37906 | Plate: 10 1/16 × 7 3/8 in. (25.5 × 18.7 cm) Sheet: 11 1/8 × 8 9/16 in. (28.2 × 21.7 cm) | Purchase, Harry G. Friedman Bequest, 1967 | Prints 13 | http://www.metmuseum.org/art/collection/search/774724 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458476 | 458476 | 1971.564.7 | 0 | 1 | 774715 | Drawings and Prints 11 | Print 731 | A Macaroni Dressing Room | Artist|Publisher|Etcher 2090 | After | Captain Minshull|Matthew Darly|I.W. | British, active 1772|British, ca. 1720–80 London|British, active 1772 | Minshull Captain|Darly, Matthew|I.W. 58851 | 1750 |1720 |1770 | 1800 |1778 |1775 | June 26, 1772 | 1772 | 1772 | Hand-colored etching 34862 | Plate: 9 13/16 × 13 7/8 in. (24.9 × 35.2 cm) Sheet: 10 3/4 × 15 3/16 in. (27.3 × 38.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1971 | Prints 13 | http://www.metmuseum.org/art/collection/search/774715 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458473 | 458473 | 1976.602.10 | 0 | 1 | 774710 | Drawings and Prints 11 | Print 731 | The Flying Breakfast | Artist|Publisher|Artist 867 | Possibly after | Anonymous, British, 19th century|John Walker|Thomas Rowlandson | British, active 1776–1802|British, London 1757–1827 London | Anonymous, British, 19th century|Walker, John|Rowlandson, Thomas 58850 | 1800 |1776 |1757 | 1900 |1802 |1827 | 1782 | 1782 | 1782 | Etching 26137 | Sheet (trimmed within plate): 8 13/16 × 11 5/16 in. (22.4 × 28.8 cm) | Gift of Adele S. Gollin, 1976 | Prints 13 | http://www.metmuseum.org/art/collection/search/774710 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458472 | 458472 | 1976.602.21 | 0 | 1 | 774709 | Drawings and Prints 11 | Print 731 | Les Gourmands | Sitter|Sitter|Artist 5589 | James Boswell|Samuel Johnson|Anonymous, British, late 18th century | British, Edinburgh, Scotland 1740–1795|British, Lichfield, Staffordshire 1709–1784 London | Boswell, James|Johnson, Samuel|Anonymous, British, 18th century late 58849 | 1740 |1709 |1750 | 1795 |1784 |1800 | 1780–1820 | 1780 | 1820 | Etching 26137 | Sheet (trimmed within plate): 10 7/8 × 8 3/8 in. (27.6 × 21.2 cm) | Gift of Adele S. Gollin, 1976 | Prints 13 | http://www.metmuseum.org/art/collection/search/774709 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458469 | 458469 | 1976.602.16 | 0 | 1 | 774706 | Drawings and Prints 11 | Print 731 | Known Characters in a Chop House | Sitter|Artist|Sitter|Artist 6051 | After | James Boswell|Anonymous, British, 19th century|Samuel Johnson|Henry William Bunbury | British, Edinburgh, Scotland 1740–1795|British, Lichfield, Staffordshire 1709–1784 London|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Boswell, James|Anonymous, British, 19th century|Johnson, Samuel|Bunbury, Henry William 58848 | 1740 |1800 |1709 |1750 | 1795 |1900 |1784 |1811 | 1800–1820 | 1800 | 1820 | Hand-colored lithograph 3394 | Sheet (trimmed within plate): 8 13/16 × 11 5/16 in. (22.4 × 28.8 cm) | Gift of Adele S. Gollin, 1976 | Prints 13 | http://www.metmuseum.org/art/collection/search/774706 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458467 | 458467 | 59.533.129 | 0 | 1 | 774704 | Drawings and Prints 11 | Print 731 | A Duet | Artist|Sitter|Sitter|Sitter 997 | Man represent|May respresent|May represent | Anonymous, British, 18th century|Johann Christian Bach|Carl Friedrich Abel|Johann Christian Fisher | German, 1735–1782|German, Cöthen 1723–1787 London|German, ca. 1733–1800 | Anonymous, British, 18th century|Bach, Johann Christian|Abel, Carl Friedrich|Fisher, Johann Christian 58847 | 1700 |1735 |1723 |1733 | 1800 |1782 |1787 |1800 | 1785 (?) | 1785 | 1785 | Hand-colored etching 34862 | Sheet (trimmed within plate): 9 in. × 7 5/16 in. (22.8 × 18.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774704 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458465 | 458465 | 67.539.63 | 0 | 1 | 774702 | Drawings and Prints 11 | Print 731 | The Flying Breakfast, or Contents of a Night Coach | Artist|Publisher 710 | Possibly after | Thomas Rowlandson|Samuel William Fores | British, London 1757–1827 London|British, 1761–1838 | Rowlandson, Thomas|Fores, Samuel William 27822 | 1757 |1761 | 1827 |1838 | March 9, 1792 | 1792 | 1792 | Hand-colored etching 34862 | Sheet (trimmed within plateline): 8 9/16 × 12 7/8 in. (21.8 × 32.7 cm) | Purchase, Harry G. Friedman Bequest, 1967 | Prints 13 | http://www.metmuseum.org/art/collection/search/774702 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458459 | 458459 | 1970.541.196 | 0 | 1 | 774695 | Drawings and Prints 11 | Print 731 | A Rider Falls into Water | Artist 2 | After (?) | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1780–1820 | 1780 | 1820 | Hand-colored etching 34862 | Sheet (trimmed to image): 8 1/4 × 12 3/4 in. (21 × 32.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774695 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458458 | 458458 | 1970.541.195 | 0 | 1 | 774694 | Drawings and Prints 11 | Print 731 | Three Riders Fall from their Mounts | Artist 2 | After (?) | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1780–1820 | 1780 | 1820 | Hand-colored etching 34862 | Sheet (trimmed to image): 8 7/8 × 13 7/16 in. (22.5 × 34.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774694 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458457 | 458457 | 1970.541.194 | 0 | 1 | 774693 | Drawings and Prints 11 | Print 731 | Fallen Rider | Artist 2 | After (?) | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1780–1820 | 1780 | 1820 | Hand-colored etching 34862 | Sheet (trimmed to image): 8 3/16 × 12 5/8 in. (20.8 × 32 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774693 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458456 | 458456 | 1970.541.199 | 0 | 1 | 774692 | Drawings and Prints 11 | Print 731 | Newmarket: A Shot at a Hawk | Artist|Etcher|Publisher 1699 | After | Henry William Bunbury|James Bretherton|Samuel William Fores | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, active 1750–99|British, 1761–1838 | Bunbury, Henry William|Bretherton, James|Fores, Samuel William 58846 | 1750 |1750 |1761 | 1811 |1799 |1838 | August 1, 1801 | 1801 | 1801 | Etching 26137 | Sheet (trimmed within plate): 9 1/2 × 10 1/2 in. (24.2 × 26.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774692 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458455 | 458455 | 1970.541.200 | 0 | 1 | 774691 | Drawings and Prints 11 | Print 731 | Newmarket: A Shot at a Pigeon | Publisher|Etcher|Artist 1962 | After | Samuel William Fores|James Bretherton|Henry William Bunbury | British, 1761–1838|British, active 1750–99|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Fores, Samuel William|Bretherton, James|Bunbury, Henry William 58845 | 1761 |1750 |1750 | 1838 |1799 |1811 | August 1, 1801 | 1801 | 1801 | Etching 26137 | Sheet (trimmed within plate): 9 1/2 × 10 1/2 in. (24.2 × 26.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774691 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458454 | 458454 | 1971.564.5 | 0 | 1 | 774690 | Drawings and Prints 11 | Print 731 | A Camp Scene | Publisher|Artist|Etcher 3772 | After | William Allen|Henry William Bunbury|William Paulet Carey | Irish, active 1778–1829|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|Irish, Dublin 1759–1839 Birmingham | Allen, William|Bunbury, Henry William|Carey, William Paulet 58844 | 1778 |1750 |1759 | 1829 |1811 |1839 | 1784–90 | 1784 | 1790 | Hand-colored etching 34862 | Sheet (trimmed to plate): 10 3/4 × 14 3/4 in. (27.3 × 37.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1971 | Prints 13 | http://www.metmuseum.org/art/collection/search/774690 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458453 | 458453 | 1970.541.204 | 0 | 1 | 774689 | Drawings and Prints 11 | Print 731 | Origin of the Gout | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | ca. 1810 | 1805 | 1815 | Hand-colored etching 34862 | Sheet (trimmed within plate): 10 1/2 × 15 1/4 in. (26.7 × 38.7 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774689 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458452 | 458452 | 1970.541.201 | 0 | 1 | 774688 | Drawings and Prints 11 | Print 731 | Hints to Bad Horsemen, No. 1: Symptoms of Restiveness | Publisher|Artist|Publisher 864 | After | William Dickinson|Henry William Bunbury|Thomas Watson | British, 1746–1823|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|British, London 1743–1781 London | Dickinson, William|Bunbury, Henry William|Watson, Thomas 58843 | 1746 |1750 |1743 | 1823 |1811 |1781 | May 10, 1781 | 1781 | 1781 | Hand-colored etching 34862 | Sheet (trimmed within plate): 7 3/8 × 8 13/16 in. (18.7 × 22.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774688 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458451 | 458451 | 1970.541.198 | 0 | 1 | 774687 | Drawings and Prints 11 | Print 731 | The Long Story | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1782–1800 | 1782 | 1800 | Hand-colored aquatint 40382 | Sheet (trimmed within plate): 5 11/16 × 7 9/16 in. (14.5 × 19.2 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774687 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458450 | 458450 | 1970.541.197 | 0 | 1 | 774679 | Drawings and Prints 11 | Print 731 | A Long Minuet | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1787 | 1787 | 1787 | Hand-colored etching 34862 | Sheet (trimmed within plate): 10 3/8 × 14 15/16 in. (26.4 × 37.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774679 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458364 | 458364 | 1970.541.203 | 0 | 1 | 774523 | Drawings and Prints 11 | Print 731 | Four Scenes: How to Ride Genteel & Agreeable Down Hill; How to be Run Away With; The Mistaken Notion; How to Loose Your Way | Academy for Grown Horsemen 3021 | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1787 or later | 1787 | 1787 | Hand-colored etching 34862 | Each image: 5 5/16 × 4 3/16 in. (13.5 × 10.7 cm) Sheet: 15 3/8 × 10 9/16 in. (39 × 26.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774523 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458363 | 458363 | 1970.541.202 | 0 | 1 | 774522 | Drawings and Prints 11 | Print 731 | Four Scenes: How to Stop your Horse at Pleasure; Geoffrey Gombado Esq-r.; How to Ride up Hyde Park; A Bit of Blood | Academy for Grown Horsemen 3021 | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1787 or later | 1787 | 1787 | Hand-colored etching 34862 | Each image: 5 5/16 × 4 3/16 in. (13.5 × 10.7 cm) Sheet: 15 3/8 × 10 1/2 in. (39 × 26.6 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1970 | Prints 13 | http://www.metmuseum.org/art/collection/search/774522 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||
458360 | 458360 | 17.3.888-221 | 0 | 1 | 774519 | Drawings and Prints 11 | Print 731 | Me and My Wife and Daughter | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1780–1800 | 1780 | 1800 | Etching, hand-colored 30559 | Sheet: 5 13/16 × 7 3/8 in. (14.8 × 18.8 cm) | Harris Brisbane Dick Fund, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/774519 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458359 | 458359 | 17.3.888-222 | 0 | 1 | 774518 | Drawings and Prints 11 | Print 731 | Concerto Spirituale | Artist|Sitter|Sitter|Sitter|Sitter 3913 | After|Probably represents|Possibly represents|Probably represents|Probably represents | Henry William Bunbury|Giovanni Punto|Johann Christian Bach|Carl Friedrich Abel|Johann Christian Fisher | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland|Bohemian, 1746–1803|German, 1735–1782|German, Cöthen 1723–1787 London|German, ca. 1733–1800 | Bunbury, Henry William|Punto, Giovanni|Bach, Johann Christian|Abel, Carl Friedrich|Fisher, Johann Christian 58821 | 1750 |1746 |1735 |1723 |1733 | 1811 |1803 |1782 |1787 |1800 | ca. 1803 (?) | 1798 | 1808 | Etching 26137 | Plate: 5 1/2 × 4 1/8 in. (13.9 × 10.4 cm) Sheet: 7 11/16 × 5 1/4 in. (19.5 × 13.3 cm) | Harris Brisbane Dick Fund, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/774518 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458357 | 458357 | 59.533.1860 | 0 | 1 | 774516 | Drawings and Prints 11 | Print 731 | The Easter Hunt at Epping Forest, Plate First | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | 1800–1820 | 1800 | 1820 | Hand-colored etching 34862 | Sheet: 8 15/16 × 12 3/4 in. (22.7 × 32.4 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774516 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458354 | 458354 | 59.533.1701 | 0 | 1 | 774513 | Drawings and Prints 11 | Print 731 | The Easter Hunt at Epping Forest, Plate Second | Artist 2 | After | Henry William Bunbury | British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Bunbury, Henry William 19825 | 1750 | 1811 | ca. 1810 | 1805 | 1815 | Hand-colored etching 34862 | Sheet: 8 13/16 × 12 15/16 in. (22.4 × 32.9 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959 | Prints 13 | http://www.metmuseum.org/art/collection/search/774513 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458350 | 458350 | 42.119.66 | 0 | 1 | 774509 | Drawings and Prints 11 | Print 731 | The First Interview of Werther and Charlotte | Publisher|Engraver|Subject|Artist 5416 | Related author|After | John Raphael Smith|John Raphael Smith|Johann Wolfgang von Goethe|Henry William Bunbury | British, baptized Derby 1751–1812 Doncaster|British, baptized Derby 1751–1812 Doncaster|German, Frankfurt am Main 1749–1832 Weimar, Saxe-Weimar|British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland | Smith, John Raphael|Smith, John Raphael|Goethe, Johann Wolfgang von|Bunbury, Henry William 58818 | 1751 |1751 |1749 |1750 | 1812 |1812 |1832 |1811 | October 16, 1782 | 1782 | 1782 | Stipple and etching with hand-coloring 63737 | Sheet (clipped within plate): 13 3/4 × 16 1/8 in. (35 × 40.9 cm) | Gertrude and Thomas Jefferson Mumford Collection, Gift of Dorothy Quick Mayer, 1942 | Prints 13 | http://www.metmuseum.org/art/collection/search/774509 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458317 | 458317 | 2018.81 | 0 | 1 | 774458 | Arms and Armor 5 | Helmet 1349 | Helmet | Nuosu people, Yi nationality, Southwest China 7132 | possibly 17th–18th century | 1575 | 1825 | Leather, lacquer 4037 | H. 10 in. (25.4 cm); W. 12 in. (30.5 cm); D. 12 1/2 in. (31.8 cm) | Purchase, funds from various donors, 2018 | Helmets 37 | http://www.metmuseum.org/art/collection/search/774458 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||||||||
458171 | 458171 | 2018.79 | 0 | 1 | 774286 | Drawings and Prints 11 | Hamlet Contemplating Yorick’s Skull | Artist 2 | Eugène Delacroix | French, Charenton-Saint-Maurice 1798–1863 Paris | Delacroix, Eugène 17498 | 1798 | 1863 | 1828 | 1828 | 1828 | Lithograph; third state of three 30934 | Sheet: 16 5/8 × 19 1/2 in. (42.2 × 49.5 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2018 | Prints 13 | http://www.metmuseum.org/art/collection/search/774286 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||||
458163 | 458163 | 2018.103 | 0 | 1 | 774277 | Arms and Armor 5 | Wheellock rifle 1341 | Wheellock Rifle | Austrian 184 | Stock maker 156 | Master of the Animal-Head Scroll (Meister der Tierkopfranke) | Austrian, active 1624–59 | Master of the Animal-Head Scroll (Meister der Tierkopfranke) 58782 | 1624 | 1659 | ca. 1630–40 | 1605 | 1665 | Steel, iron, silver, gold, wood, mother-of-pearl, staghorn 63730 | Rifle (a): L. 43 ¼ in. (110 cm); L. of barrel 32 3/8 in. (82.2 cm); Cal. ½ in. (12 mm); Wt. 9 lb. 4 oz. (4189 g); ramrod (b): L. 32 13/16 in. (83.4 cm) | Purchase, Arthur Ochs Sulzberger Gift and Harris Brisbane Dick Fund, 2018 | Firearms-Guns-Wheellock 50 | http://www.metmuseum.org/art/collection/search/774277 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
458112 | 458112 | 60.683.21 | 0 | 1 | 774202 | Drawings and Prints 11 | Print 731 | On the Pier | Artist|Publisher 710 | Georges Clairin|D. Appleton & Co. | French, Paris 1843–1919 Belle-Île-en-Mer|New York, NY | Clairin, Georges|Appleton, D. & Co. 58778 | 1843 |1800 | 1919 |1900 | 1889 | 1889 | 1889 | Photogravure 26078 | Sheet: 11 3/4 × 16 1/8 in. (29.9 × 40.9 cm) Plate: 9 7/8 × 14 3/8 in. (25.1 × 36.5 cm) | Gift of Mrs. Ellen Robinson, 1960 | Prints 13 | http://www.metmuseum.org/art/collection/search/774202 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
458060 | 458060 | 17.50.15–223 | 0 | 1 | 773646 | Drawings and Prints 11 | Print 731 | The Nurse | Artist|Publisher 710 | Denis Colandon|Nicolas Robert | French, active 1674|French, Langres 1614–1685 Paris | Colandon, Denis|Robert, Nicolas 58760 | 1600 |1614 | 1700 |1685 | ca. 1674 | 1669 | 1679 | Etching 26137 | Sheet (Trimmed): 4 5/8 × 5 7/8 in. (11.8 × 15 cm) | Purchase, Joseph Pulitzer Bequest, 1917 | Prints 13 | http://www.metmuseum.org/art/collection/search/773646 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
457726 | 457726 | 67.797.15 | 0 | 1 | 773253 | Drawings and Prints 11 | Print 731 | The pardoning of a criminal | Publisher|Artist 740 | David Funck|Conrad Baur | German, active Nuremberg, 1682–1709|German, active 1517–32 | Funck, David|Baur, Conrad 38726 | 1682 |1517 | 1709 |1532 | 1531 | 1531 | 1531 | Etching; second state of two (Hollstein) 31829 | Sheet (Trimmed): 3 3/8 × 5 7/16 in. (8.6 × 13.8 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967 | Prints 13 | http://www.metmuseum.org/art/collection/search/773253 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
457722 | 457722 | 50.532 | 0 | 1 | 773247 | Drawings and Prints 11 | Print 731 | Dance of death, with a skeleton on horseback at center surrounded by corpses and mourners | Artist|Artist 13 | After | Alfred Rethel|Oskar Bangemann | German, Diepenbend 1816–1859 Duesseldorf|German, 1882–1942 | Rethel, Alfred|Bangemann, Oskar 58709 | 1816 |1882 | 1859 |1942 | 1900–42 | 1900 | 1942 | Wood engraving 29001 | Plate: 8 3/4 × 12 5/8 in. (22.2 × 32.1 cm) Sheet: 13 1/16 × 16 15/16 in. (33.2 × 43 cm) | The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1950 | Prints 13 | http://www.metmuseum.org/art/collection/search/773247 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | |||||||||||||||||||
457720 | 457720 | 02.18.623d | 0 | 1 | 773235 | Asian Art 7 | Sceptre 4260 | 清 珊瑚如意|Ornament (ruyi) | China 51 | Qing dynasty (1644–1911) | 18th century | 1700 | 1799 | Coral 63717 | L. 11 in. (27.9 cm) | Gift of Heber R. Bishop, 1902 | Jade 174 | http://www.metmuseum.org/art/collection/search/773235 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||||||
457719 | 457719 | 36.98 | 0 | 1 | 773234 | Drawings and Prints 11 | Print 731 | Postcard, August 15, 1936 (Merry elves) | Artist 2 | Oskar Bangemann | German, 1882–1942 | Bangemann, Oskar 58705 | 1882 | 1942 | 1936 | 1936 | 1936 | Wood engraving, pen and navy ink 63716 | Sheet: 4 1/8 × 5 13/16 in. (10.4 × 14.7 cm) | Gift of Oskar Bangemann, 1936 | Prints 13 | http://www.metmuseum.org/art/collection/search/773234 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
457718 | 457718 | 1986.1180.1513 | 0 | 1 | 773233 | Drawings and Prints 11 | Print 731 | Markt, published in Zeitschrift fur Bildende Kunst, August 1908 | Artist 2 | Hans Barthelmess | German, 1887–1916 | Barthelmess, Hans 58707 | 1887 | 1916 | 1907 | 1907 | 1907 | Etching 26137 | Plate: 7 × 7 13/16 in. (17.8 × 19.8 cm) Sheet: 9 5/8 × 11 9/16 in. (24.4 × 29.4 cm) | Bequest of Grace M. Pugh, 1986 | Prints 13 | http://www.metmuseum.org/art/collection/search/773233 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
457716 | 457716 | 30.133.2 | 0 | 1 | 773231 | Drawings and Prints 11 | Print 731 | Letter adressed to Mr. Ivins, May 22, 1930 | Artist 2 | Oskar Bangemann | German, 1882–1942 | Bangemann, Oskar 58705 | 1882 | 1942 | 1930 | 1930 | 1930 | Pen and black ink 29164 | Sheet: 8 1/2 × 8 1/4 in. (21.6 × 21 cm) | Gift of Oskar Bangemann, 1930 | Prints 13 | http://www.metmuseum.org/art/collection/search/773231 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 | ||||||||||||||||||||
457715 | 457715 | 30.133.1 | 0 | 1 | 773230 | Drawings and Prints 11 | Print 731 | Seated imp | Artist 2 | Oskar Bangemann | German, 1882–1942 | Bangemann, Oskar 58705 | 1882 | 1942 | 1930 | 1930 | 1930 | Wood engraving 29001 | Sheet: 7 in. × 5 11/16 in. (17.8 × 14.5 cm) | Gift of Oskar Bangemann, 1930 | Prints 13 | http://www.metmuseum.org/art/collection/search/773230 | 4/23/2018 8:00:01 AM | Metropolitan Museum of Art, New York, NY 1 |
JSON shape: default, array, newline-delimited
CREATE TABLE "MetObjects" ( "Object Number" TEXT, "Is Highlight" INTEGER, "Is Public Domain" INTEGER, "Object ID" INTEGER, "Department" INTEGER, "Object Name" INTEGER, "Title" TEXT, "Culture" INTEGER, "Period" REAL, "Dynasty" INTEGER, "Reign" INTEGER, "Portfolio" INTEGER, "Artist Role" INTEGER, "Artist Prefix" REAL, "Artist Display Name" TEXT, "Artist Display Bio" TEXT, "Artist Suffix" REAL, "Artist Alpha Sort" INTEGER, "Artist Nationality" INTEGER, "Artist Begin Date" TEXT, "Artist End Date" TEXT, "Object Date" TEXT, "Object Begin Date" INTEGER, "Object End Date" INTEGER, "Medium" INTEGER, "Dimensions" TEXT, "Credit Line" TEXT, "Geography Type" INTEGER, "City" INTEGER, "State" INTEGER, "County" INTEGER, "Country" INTEGER, "Region" INTEGER, "Subregion" INTEGER, "Locale" INTEGER, "Locus" INTEGER, "Excavation" INTEGER, "River" INTEGER, "Classification" INTEGER, "Rights and Reproduction" REAL, "Link Resource" TEXT, "Metadata Date" TEXT, "Repository" INTEGER , FOREIGN KEY ("Department") REFERENCES [Department](id), FOREIGN KEY ("Object Name") REFERENCES [Object Name](id), FOREIGN KEY ("Culture") REFERENCES [Culture](id), FOREIGN KEY ("Dynasty") REFERENCES [Dynasty](id), FOREIGN KEY ("Reign") REFERENCES [Reign](id), FOREIGN KEY ("Portfolio") REFERENCES [Portfolio](id), FOREIGN KEY ("Artist Role") REFERENCES [Artist Role](id), FOREIGN KEY ("Artist Alpha Sort") REFERENCES [Artist Alpha Sort](id), FOREIGN KEY ("Artist Nationality") REFERENCES [Artist Nationality](id), FOREIGN KEY ("Medium") REFERENCES [Medium](id), FOREIGN KEY ("Geography Type") REFERENCES [Geography Type](id), FOREIGN KEY ("City") REFERENCES [City](id), FOREIGN KEY ("State") REFERENCES [State](id), FOREIGN KEY ("County") REFERENCES [County](id), FOREIGN KEY ("Country") REFERENCES [Country](id), FOREIGN KEY ("Region") REFERENCES [Region](id), FOREIGN KEY ("Subregion") REFERENCES [Subregion](id), FOREIGN KEY ("Locale") REFERENCES [Locale](id), FOREIGN KEY ("Locus") REFERENCES [Locus](id), FOREIGN KEY ("Excavation") REFERENCES [Excavation](id), FOREIGN KEY ("River") REFERENCES [River](id), FOREIGN KEY ("Classification") REFERENCES [Classification](id), FOREIGN KEY ("Repository") REFERENCES [Repository](id)); CREATE INDEX ["MetObjects_Department"] ON [MetObjects]("Department"); CREATE INDEX ["MetObjects_Object Name"] ON [MetObjects]("Object Name"); CREATE INDEX ["MetObjects_Culture"] ON [MetObjects]("Culture"); CREATE INDEX ["MetObjects_Dynasty"] ON [MetObjects]("Dynasty"); CREATE INDEX ["MetObjects_Reign"] ON [MetObjects]("Reign"); CREATE INDEX ["MetObjects_Portfolio"] ON [MetObjects]("Portfolio"); CREATE INDEX ["MetObjects_Artist Role"] ON [MetObjects]("Artist Role"); CREATE INDEX ["MetObjects_Artist Alpha Sort"] ON [MetObjects]("Artist Alpha Sort"); CREATE INDEX ["MetObjects_Artist Nationality"] ON [MetObjects]("Artist Nationality"); CREATE INDEX ["MetObjects_Medium"] ON [MetObjects]("Medium"); CREATE INDEX ["MetObjects_Geography Type"] ON [MetObjects]("Geography Type"); CREATE INDEX ["MetObjects_City"] ON [MetObjects]("City"); CREATE INDEX ["MetObjects_State"] ON [MetObjects]("State"); CREATE INDEX ["MetObjects_County"] ON [MetObjects]("County"); CREATE INDEX ["MetObjects_Country"] ON [MetObjects]("Country"); CREATE INDEX ["MetObjects_Region"] ON [MetObjects]("Region"); CREATE INDEX ["MetObjects_Subregion"] ON [MetObjects]("Subregion"); CREATE INDEX ["MetObjects_Locale"] ON [MetObjects]("Locale"); CREATE INDEX ["MetObjects_Locus"] ON [MetObjects]("Locus"); CREATE INDEX ["MetObjects_Excavation"] ON [MetObjects]("Excavation"); CREATE INDEX ["MetObjects_River"] ON [MetObjects]("River"); CREATE INDEX ["MetObjects_Classification"] ON [MetObjects]("Classification"); CREATE INDEX ["MetObjects_Repository"] ON [MetObjects]("Repository"); CREATE INDEX metobjects_IsHighlight ON MetObjects("Is Highlight"); CREATE INDEX metobjects_IsPublicDomain ON MetObjects("Is Public Domain"); CREATE INDEX metobjects_Department ON MetObjects("Department"); CREATE INDEX metobjects_Culture ON MetObjects("Culture"); CREATE INDEX metobjects_Period ON MetObjects("Period"); CREATE INDEX metobjects_Dynasty ON MetObjects("Dynasty"); CREATE INDEX metobjects_Medium ON MetObjects("Medium"); CREATE INDEX metobjects_City ON MetObjects("City"); CREATE INDEX metobjects_State ON MetObjects("State"); CREATE INDEX metobjects_County ON MetObjects("County"); CREATE INDEX metobjects_Country ON MetObjects("Country"); CREATE INDEX metobjects_Region ON MetObjects("Region"); CREATE INDEX metobjects_Subregion ON MetObjects("Subregion"); CREATE INDEX metobjects_Locale ON MetObjects("Locale"); CREATE INDEX metobjects_Locus ON MetObjects("Locus"); CREATE INDEX metobjects_Excavation ON MetObjects("Excavation"); CREATE INDEX metobjects_River ON MetObjects("River");